a study in self-synthesis
Kathie Wu
loving you is like shaking
a mason jar of oil (castor
and extra virgin olive and
a dash from my t-zone)
with water and
calling it homogeneity
it’s all in the elbows
on tuesdays i choose my skin
from the footnotes
of a recipe for a collision:
the suggestion of a stop sign, and
that person on my timeline
who, in grappling dysphoria
sketches their own corpse
yet someone has thrown
this artistry of self-cadaverization
to the ever-ravenous strays of Pinterest
where it is bastardized a thousand times over
by a generative paintbrush
in four weeks it washes up
on the shores of the mainstream
to avoid trend conformity i lather on
benzoyl peroxide till i’m scrubbed raw
enough for the drawing board again
for what is more embarrassing
than exposing the sweat of
staying in line
in choosing ammunition for
personal statement via black out poetry
i am the big bang without the theoreticals
for my english degree locks eyes
with “metaphysical” and decides
this is a word big enough to prove its own worth
i’ve used it seventeen times across my resume
perhaps my overqualification intimidates
in a programming lesson we are told of
no such thing as true randomness
there is a nakedness to a tangent
the way it dutifully falls back in step
with a thousand prior conversations about you
i rename my poetry folder: verse
to filch religious fervor: psalms one, verse one…
one palms
at their own substance
through a layer of denim
finds lore in loose threads and camel toe polyester
for god so loved the world
on the train a woman tells sardine rows
of passengers pretending not to listen
i’m going to outer space next week
perhaps i will be breathing her, patchwork-quilt-style,
fill-in-the-blank-style, i’m-feeling-lucky-style,
phone-a-friend-style,
by the time she is gone