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Henry Boyd Inferno Canto 14: Henry Boyd Inferno Canto 14

Henry Boyd Inferno Canto 14
Henry Boyd Inferno Canto 14
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In Relation to Wilstach

  • Dante states he gathers up the leaves “by kindred love compell’d”
  • The sand is compared to “such burning sans the fearless Roman trod”
  • Ammon referenced instead of Alexander
  • “Till num’rous hands upturn’d the flagrant soil” –hands instead of feet
  • “Thus the red tempest overheard descends” color red, strong storm imagery
  • “Ten thousand hands the clinging plague repel” focus on numerical value
  • Lots of emphasis on how the giant is surrounded by flame
  • “Ev’n here, enwomb’s within the flaming deep” reference to the womb and reproduction/different stage of life outside of the standard human experience on Earth
  • The “Chief” is mentioned as a solo unit: “Singly he dar’d the pow’r of Heaven blaspheme”
  • “Gloomy wood” -portrayed in a slightly negative light, despite offering Dante protection
  • Reference to “Naiads” rather than “sinful women”
  • Stream is described to be “winding thro’ rifted rocks” -surroundings seem more sharp and violent and the path it follows is less clear
  • “Sacred springs and solemn umbrage spread” -This in reference to the mountain Ida, the foliage is described using peaceful and neutral language
  • The statue is said to turn its back on the river Nile, opposed to “Damietta” as it is written in the other translations
  • Statue’s head is golden, neck and breast are made of silver, ribs/chest are made of brass, and limbs are made of steel
  • Virgil appears to be guiding Dante to leave the wood with much more haste

In Relation to Langdon

  • “Round the gloomy verge” forest once again referred to with a reference to “gloom”
  • “Swelling flood” implies the presence of a large river/great amount of water
  • “Wave” also implies a larger body of water

In Relation to Arndt

  • Refers to “Vesuvius” rather than “Vulcan”
  • “Ancient Ida rais’d her hallow’d head” -mountain portrayed as holy

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Inferno Canto 14
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