Skip to main content

Reimaging the Humanities PhD and Reaching New Publics: Christine Harold

Reimaging the Humanities PhD and Reaching New Publics
Christine Harold
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeReimagining the Humanities PhD and Reaching New Publics
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Welcome
  2. Readings
  3. Resources
  4. Projects
    1. Erin Gilbert
      1. Forage Narratives
    2. Chelsea Grimmer
      1. The Poetry Vlog Workshop Prep Kit
    3. Jason Groves
      1. Steps Toward a Syllabus for Public Environmental Humanities
    4. Christine Harold
      1. COM 534-Featuring Capitalism: A Rhetorical History of American Capitalism in Film
    5. Jessica Holmes
      1. Teaching Public Activism in the Humanities
    6. Candice Rai
      1. English 569—Rhetoric, Urban Justice, and Public Engagement
    7. Meshell Sturgis
      1. Drawing Girls Together

Christine Harold Workspace

Featuring Capitalism: A Rhetorical History of American Capitalism in Film

This seminar explores the ways in which capitalism, a dominant rhetorical discourse in the U.S., has been both perpetuated and challenged capitalism throughout the history of Hollywood film. Each week, students will screen a film and read critical theories of capitalism from its era. We will position both film and theory as rhetorical artifacts, cultural symptoms that can tell us something about a particular moment in the evolution of American capitalism and the often uneasy relationships between rhetoric, representation, democracy, community, consumerism, and labor.  The seminar will culminate in a student-led film and discussion series and a curriculum website freely available for educators.

Annotate

Next Chapter
COM 534-Featuring Capitalism: A Rhetorical History of American Capitalism in Film
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org