Skip to main content

Menacing Environments: Bibliography

Menacing Environments
Bibliography
    • Notifications
    • Privacy
  • Project HomeMenacing Environments
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Series Page
  2. Title Page
  3. Copyright
  4. Contents
  5. Acknowledgments
  6. Introduction: Uncanny Ecologies
  7. One: The Plague Is Here: Transcorporeal Body Horror in Epidemic
  8. Two: Abject Ecologies: Patriarchal Containment and Feminist Embodiment in Thelma
  9. Three: Men, Women, and Harpoons: Eco-isolationism and Transnationalism in Reykjavik Whale Watching Massacre
  10. Four: Migrant Labors: Predatory Environmentalism and Eco-privilege in Shelley
  11. Five: Folk Horror and Folkhemmet: White Supremacy and Belonging in Midsommar
  12. Conclusion: Nordic Ecohorror as Social Critique
  13. Filmography
  14. Notes
  15. Bibliography
  16. Index
  17. Series List

BIBLIOGRAPHY

  • Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Translated by Daniel Heller-Roazen. Stanford, CA: Stanford University Press, 1998.
  • Ahmari, Sohrab. “Ari Aster’s Moral Horror.” American Conservative. September 25, 2020.
  • Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self. Bloomington: Indiana University Press, 2010.
  • _______. Exposed: Environmental Politics and Pleasures in Posthuman Times. Minneapolis: University of Minnesota Press, 2016.
  • Alex, Rayson K., and S. Susan Deborah. “Ecophobia, Reverential Eco-fear, and Indigenous Worldviews.” ISLE: Interdisciplinary Studies in Literature and Environment 2, no. 2 (Spring 2019): 422–29.
  • Argüelles, Lucía. 2021. “Privileged Socionatures and Naturalization of Privilege: Untangling Environmental Privilege Dimensions.” Professional Geographer 73, no. 4 (2021): 650–61.
  • Aster, Ari, and Robert Eggers. “Deep Cuts with Robert Eggers and Ari Aster,” A24 Films, July 17, 2019, https://a24films.com/notes/2019/07/deep-cuts-with-robert-eggers-and-ari-aster.
  • Barclay, Bridgitte, and Christy Tidwell. “Introduction: Mutant Bears, Defrosted Parasites and Cellphone Swarms: Creature Features and the Environment.” Science Fiction Film and Television 14, no. 3 (Autumn 2021): 269–77.
  • Barker, Andrew. “‘Thelma’: A Slow-Burning Nordic ‘Carrie.’” Special Broadcasting Service, December 10, 2021, https://www.sbs.com.au/movies/article/2017/09/16/thelma-slow-burning-nordic-carrie.
  • Beery, Thomas H. “Nordic in Nature: Friluftsliv and Environmental Connectedness.” Environmental Education Research 19, no. 1 (2013): 94–117.
  • Berggren, Henrik, and Lars Trägårdh. Är svensken människa? Gemenskap och oberoende i det moderna Sverige. Stockholm: Norstedts, 2015.
  • _______. “Pippi Longstocking: The Autonomous Child and the Moral Logic of the Swedish Welfare State.” In Swedish Modernism: Architecture, Consumption, and the Swedish Welfare State, edited by Helena Mattsson and Sven-Olov Wallenstein, 10–23. London: Black Dog Publishing, 2010.
  • _______. The Swedish Theory of Love: Individualism and Social Trust in Modern Sweden. Translated by Stephen Donovan. Seattle: University of Washington Press, 2022.
  • Berman, Patricia G. “Mens sana in corpore sano: Munchs vitale kropper.” In Livskraft: Vitalismen som kunstnerisk impuls, 45–64. Oslo: Munch-Museet, 2006.
  • Bigelow, Benjamin. “Authorised Viewing: Lars von Trier’s Models of Spectatorship.” Scandinavica 61, no. 1 (2022): 19–37.
  • _______. “Lurking in the Blind Space: Vampyr and the Multilinguals.” Journal of Scandinavian Cinema 5, no. 3 (2015): 223–39.
  • _______. “The Voice of the Blood: Vitalism and the Acoustic in Knut Hamsun’s Pan (1894).” Scandinavian Studies 90, no. 4 (2018): 531–52.
  • Booth, Michael. “I Live in Denmark. Bernie Sanders’s Nordic Dream Is Worth Fighting For, Even if He Loses.” Vox, March 1, 2016.
  • Brantmark, Niki. Lagom (Not Too Little, Not Too Much): The Swedish Art of Living a Balanced, Happy Life. New York: Harper Collins, 2017.
  • Brodén, Daniel. Folkhemmets skuggbilder: En kulturanalytisk genrestudie av svensk kriminalfiktion i film och tv. Stockholm: Ekholm & Tegebjer, 2008.
  • Bruhn, Jørgen. “Ecology as Pre-Text? The Paradoxical Presence of Ecological Thematics in Contemporary Scandinavian Quality TV.” Journal of Aesthetics and Culture 10, no. 2 (2018): 66–73.
  • Brydon, Anne. “The Predicament of Nature: Keiko the Whale and the Cultural Politics of Whaling in Iceland.” Anthropological Quarterly 79, no. 2 (2006): 225–60.
  • Cameron, Jack. “Midsommar: Fifteen Hidden Details Everyone Completely Missed.” Screenrant, March 4, 2020, https://screenrant.com/midsommar-hidden-details/.
  • Checker, Melissa. Polluted Promises: Environmental Racism and the Search for Justice in a Southern Town. New York: New York University Press, 2005.
  • Chen, Mel Y. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Durham: Duke University Press, 2012.
  • Clark, Andy. Being There: Putting Brain, Body, and World Together Again. Cambridge, MA: MIT Press, 1997.
  • Clover, Carol J. “Her Body, Himself.” Representations 20 (Autumn 1987): 187–228.
  • _______. Men, Women, and Chainsaws: Gender in Modern Horror Film. Princeton, NJ: Princeton University Press, 1992.
  • Cohen, Jeffrey Jerome. “Foreword: Storied Matter.” In Material Ecocriticism, edited by Serenella Iovino and Serpil Oppermann, ix–xiv. Bloomington: Indiana University Press, 2018.
  • Coleman, Robin R. Means. Horror Noire: Blacks in American Horror Films from the 1890s to Present. New York: Routledge, 2011.
  • Dawkins, Richard. The Extended Phenotype: The Long Reach of the Gene. Oxford: Oxford University Press, 1999.
  • Dieudonné, Maël. “Electromagnetic Hypersensitivity: A Critical Review of Explanatory Hypotheses.” Environmental Health 19, no. 48 (2020).
  • Douthat, Ross. “Midsommar Casts a Transfixing Scandinavian Spell.” National Review. July 25, 2019.
  • Dunajeva, Jekatyerina, and Joanna Kostka. “Racialized Politics of Garbage: Waste Management in Urban Roma Settlements in Eastern Europe.” Ethnic and Racial Studies 45, no. 1 (2022): 90–112.
  • Dunne, Linnea. Lagom: The Swedish Art of Balanced Living. Philadelphia: Running Press, 2017.
  • Durkheim, Emile. The Rules of Sociological Method. Edited by Steven Lukes. Translated by W. D. Halls. New York: Free Press, 1982.
  • Ehrlich, David. “Ari Aster Breaks Down Nine Movies That Inspired ‘Midsommar,’ from ‘The Red Shoes’ to ‘Climax.’” IndieWire, June 25, 2019.
  • Estok, Simon C. The Ecophobia Hypothesis. New York: Routledge, 2018.
  • _______. “Painful Material Realities, Tragedy, Ecophobia.” In Material Ecocriticism, edited by Serenella Iovino and Serpil Oppermann, 130–40. Bloomington: Indiana University Press, 2018.
  • Evangelista, Chris. “‘Midsommar’ is Not Like ‘Hereditary,’ But It Is ‘The Wizard of Oz’ for Perverts, According to Ari Aster.” SlashFilm. March 24, 2019. Accessed August 31, 2022. https://www.slashfilm.com/midsommar-plot/.
  • Forchtner, Bernhard, and Christoffer Kølvraa. “The Nature of Nationalism: Populist Radical Right Parties on Countryside and Climate.” Nature and Culture 10, no. 2 (2015): 199–224.
  • Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, 1979.
  • Gellner, Ernest. Nations and Nationalism. Malden, MA: Wiley-Blackwell, 1983.
  • Gelter, Hans. “Friluftsliv: The Scandinavian Philosophy of Outdoor Life.” Canadian Journal of Environmental Education 5, no. 1 (Summer 2000): 77–92.
  • Grønstad, Asbjørn. “Conditional Vulnerability in the Films of Ruben Östlund.” In Vulnerability in Scandinavian Art and Culture, edited by Adriana Margareta Dancus, Mats Hyvönen, and Maria Karlsson, 19–31. Cham: Palgrave Macmillan, 2020.
  • Gustafsson, Tommy. “Slasher in the Snow: The Rise of the Low-Budget Nordic Horror Film.” In Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, edited by Tommy Gustafsson and Pietari Kääpä, 189–202. Edinburgh: Edinburgh University Press, 2015.
  • Gustafsson, Tommy, and Pietari Kääpä, eds. Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace. Edinburgh: Edinburgh University Press, 2015.
  • Haeckel, Ernst. Generelle Morphologie der Organismen: Allgemeine Grundzüge der Organischen Formen; Wissenschaft, Mechanisch Begründet durch die von Charles Darwin Reformierte Deszendenz-Theorie. Berlin: G. Reimer, 1866.
  • Hakola, Outi. “Nordic Vampires: Stories of Social Exclusion in Nordic Welfare States.” In Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, edited by Tommy Gustafsson and Pietari Kääpä, 203–16. Edinburgh: Edinburgh University Press, 2015.
  • Handler, Rachel. “‘Midsommar Will Be a Wizard of Oz for Perverts,’ Says Director Ari Aster.” Vulture, March 22, 2019, https://www.vulture.com/2019/03/ari-aster-new-a24-movie-midsommar.html.
  • Haraway, Donna J. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago: Prickly Paradigm Press, 2003.
  • _______. Staying with the Trouble: Making Kin in the Cthulucene. Durham: Duke University Press, 2016.
  • Harkness, Jane. “Things You Only Notice the Second Time You Watch Midsommar.” Looper, April 12, 2021, https://www.looper.com/246758/things-you-only-notice-the-second-time-you-watch-midsommar/.
  • Heise, Ursula. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. Oxford: Oxford University Press, 2008.
  • Henderson, Bob, and Nils Vikander. Nature First: Outdoor Life the Friluftsliv Way. Toronto: Natural Heritage Books, 2007.
  • Hendrix, Grady. The Final Girl Support Group. New York: Berkley, 2021.
  • Hennefeld, Maggie, and Nicholas Sammond, eds. Abjection Incorporated: Mediating the Politics of Pleasure and Violence. Durham: Duke University Press, 2020.
  • Hennig, Reinhard, Anna-Karin Jonasson, and Peter Degerman, eds. Nordic Narratives of Nature and the Environment: Ecocritical Approaches to Northern European Literatures and Cultures. Lanham, MD: Lexington Books, 2018.
  • Hjort, Anders. “Debutanten bag den danske gyser ‘Shelley’: ‘Usympatiske kvinder er enormt spændende.’” Soundvenue, October 28, 2016, https://soundvenue.com/film/2016/10/debutanten-bag-den-danske-gyser-shelley-usympatiske-kvinder-er-enormt-spaendende-226424.
  • Hojring, Katrine. “The Right to Roam the Countryside—Law and Reality Concerning Public Access to the Landscape in Denmark.” Landscape and Urban Planning 59, no. 1 (2002): 29–41.
  • Hutchings, Peter. “Ten Great British Rural Horror Films.” British Film Institute, August 21, 2015, https://www2.bfi.org.uk/news/10-great-british-rural-horror-films.
  • Hvidberg-Hansen, Gertrud. “Hellas under Northern Skies.” In The Spirit of Vitalism: Health, Beauty and Strength in Danish Art, 1890–1940, edited by Gertrud Hvidberg-Hansen and Gertrud Oelsner, 59–87. Copenhagen: Museum Tusculanum, 2011.
  • Hvidberg-Hansen, Gertrud, and Gertrud Oelsner, eds. The Spirit of Vitalism: Health, Beauty and Strength in Danish Art, 1890–1940. Copenhagen: Museum Tusculanum, 2011.
  • Ingold, Tim. Being Alive: Essays on Movement, Knowledge, and Description. London: Routledge, 2011.
  • _______. The Life of Lines. London: Routledge, 2015.
  • _______. “On Human Correspondence.” Journal of the Royal Anthropological Institute 23 (2016): 9–27.
  • _______. “Toward an Ecology of Materials.” Annual Review of Anthropology 41, no. 1 (2012): 427–42.
  • Iversen, Gunnar. “Between Art and Genre: New Nordic Horror Cinema.” In A Companion to Nordic Cinema, edited by Mette Hjort and Ursula Lindqvist, 332–50. Malden, MA: John Wiley, 2016.
  • Jakobsen, Samina. “Biografanmeldelse: Thelma.” Ekko, November 29, 2017, https://www.ekkofilm.dk/anmeldelser/thelma/.
  • Johansen, Signe. How to Hygge: The Nordic Secrets to a Happy Life. New York: St. Martin’s Griffin, 2017.
  • Joyce, Stephen. “Re-Enchanting the Nordic Everyday in Beforeigners.” Kosmorama, February 21, 2021.
  • Kääpä, Pietari. Ecology and Contemporary Nordic Cinemas: From Nation-Building to Ecocosmopolitanism. London: Bloomsbury Academic, 2014.
  • Karlsson, Helena. “The Vampire and the Anxieties of a Globalizing Swedish Welfare State: Låt Den Rätte Komma in (Let the Right One In) (2008).” European Journal of Scandinavian Studies 43, no. 2 (2013): 184–99.
  • Kjellman, Ulrika. “A Whiter Shade of Pale: Visuality and Race in the Work of the Swedish State Institute for Race Biology.” Scandinavian Journal of History 38, no. 2 (2013): 180–201.
  • Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982.
  • Kuusela, Tommy. “Scandinavia’s Horror Renaissance and the Global Appeal of ‘Fakelore.” Foreign Policy, October 28, 2021.
  • Latimer, Joanna, and Mara Miele. “Naturecultures? Science, Affect and the Non-human.” Theory, Culture and Society 30, nos. 7–8 (2013): 5–31.
  • Lindell, Martin, and Necmi Karagozoglu. “Corporate Environmental Behaviour: A Comparison between Nordic and US Firms.” Business Strategy and the Environment 10, no. 1 (2001) 38–52.
  • Lismoen, Kjetil. “Thelma veksler sømløst mellom uskyld og mørke drifter på mesterlig vis.” Aftenposten, August 20, 2017.
  • Livingston, Michael A. Dreamworld or Dystopia? The Nordic Model and Its Influence in the Twenty-First Century. Cambridge: Cambridge University Press, 2022.
  • Luko, Alexis. “Listening to Ingmar Bergman’s Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf.” Journal of Film Music 6, no. 1 (2013): 5–30.
  • Maitland, Sara. Gossip from the Forest: The Tangled Roots of Our Forests and Fairy Tales. London: Granta Books, 2012.
  • Manne, Kate. Down Girl: The Logic of Misogyny. New York: Oxford University Press, 2018.
  • Margolis, Jason. “Bernie Sanders Wants Us to Be More Equitable Like Sweden. Could It Work?,” Public Radio International, February 9, 2016.
  • Margulis, Lynn. “Symbiogenesis and Symbioticism.” In Symbiosis as a Source of Evolutionary Innovation, edited by Lynn Margulis and René Fester, 1–14. Cambridge, MA: MIT Press, 1991.
  • Marshall, Elizabeth. Graphic Girlhoods: Visualizing Education and Violence. New York: Routledge, 2018.
  • Mauss, Marcel. The Gift: The Form and Reason for Exchange in Archaic Societies. Translated by W. D. Halls. London: Routledge, 2002.
  • Mee, Shannon Jane. The Pulse in Cinema: The Aesthetics of Horror. Edinburgh: Edinburgh University Press, 2020.
  • Midttun, Atle, and Lennart Olsson. “Eco-Modernity Nordic Style.” In Sustainable Modernity, edited by Nina Witoszek and Atle Midttun, 204–28. London: Routledge, 2018.
  • Mittell, Jason. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press, 2015.
  • Morton, Timothy. The Ecological Thought. Cambridge, MA: Harvard University Press, 2010.
  • _______. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA: Harvard University Press, 2007.
  • _______. Humankind: Solidarity with Nonhuman People. London: Verso, 2017.
  • Mossner, Alexa Weik von. Affective Ecologies: Empathy, Emotion, and Environmental Narrative. Columbus: Ohio State University Press, 2017.
  • Mrozewicz, Anna Estera. Beyond Eastern Noir: Reimagining Russia and Eastern Europe in Nordic Cinemas. Edinburgh: Edinburgh University Press, 2018.
  • Mytting, Lars. Hel Ved. Oslo: Kagge, 2011. Translated by Robert Ferguson as Norwegian Wood: Chopping, Stacking, and Drying Wood the Scandinavian Way. New York: Abrams Image, 2015.
  • Nash, Roderick. Wilderness and the American Mind. New Haven, CT: Yale University Press, 1967.
  • Nestingen, Andrew K. Crime and Fantasy in Scandinavia: Fiction, Film, and Social Change. Seattle: University of Washington Press, 2008.
  • Nicholson, Tom. “‘Midsommar’ Is ‘The Wizard of Oz’ for Perverts, Says Ari Aster.” Esquire, February 8, 2019.
  • Norberg, Johan. “Sweden’s Lessons for America.” Cato Institute Policy Report, January–February 2020.
  • Nordau, Max. Entartung. Berlin: Carl Dunder, 1893. Translated as Degeneration (London: William Heinemann, 1895).
  • Nordfjörd, Björn. Dagur Kári’s “Nói the Albino.” Seattle: University of Washington Press, 2010.
  • Nordic Council of Ministers. “Strategy for International Branding of the Nordic Region, 2019–2021.” Copenhagen: Nordic Council of Ministers, 2019.
  • Nylund, Joanna. Sisu: The Finnish Art of Courage. London: Gaia, 2018.
  • Oelsner, Gertrud. “Healthy Nature.” In The Spirit of Vitalism: Health, Beauty and Strength in Danish Art, 1890–1940, edited by Gertrud Hvidberg-Hansen and Gertrud Oelsner, 158–97. Copenhagen: Museum Tusculanum, 2011.
  • Oxfeldt, Elisabeth, ed. Skandinaviske fortellinger om skyld og privilegier i en globaliseringstid. Oslo: Universitetsforlaget, 2016.
  • Pantzar, Katja. The Finnish Way: Finding Courage, Wellness, and Happiness through the Power of Sisu. New York: Tarcher Perigree, 2018.
  • Parker, Elizabeth. The Forest and the Ecogothic: The Deep Dark Woods in the Popular Imagination. Cham, Switzerland: Palgrave Macmillan, 2020.
  • Partanen, Anu. The Nordic Theory of Everything: In Search of a Better Life. New York: Harper, 2016.
  • Peirse, Alison. “The Impossibility of Vision: Vampirism, Formlessness and Horror in Vampyr.” Studies in European Cinema 5, no. 3 (2009): 161–70.
  • Piepenburg, Erik. “Modern Times Call for Folk Horror.” New York Times, October 30, 2021.
  • Pitkänen, Kati, Joose Oratuomi, Daniela Hellgren, Eeva Furman, Sandra Gentin, Eva Sandberg, Hogne Øian, and Olve Krange. Nature-Based Integration: Nordic Experiences and Examples. Copenhagen: Nordic Council of Ministers, 2017.
  • Rees, Ellen. “Privilege, Innocence, and ‘Petro-Guilt’ in Maria Sødahl’s Limbo.” Scandinavian Studies 88, no. 1 (2016): 42–59.
  • Reyes, Xavier Aldana. Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film. Cardiff: University of Wales Press, 2014.
  • Robinson, Tasha. “Thelma’s Director Explains Why He Made a Dreamy Gay Coming-of-Age Superhero Story.” The Verge, November 10, 2017.
  • Rugg, Linda Haverty. “A Tradition of Torturing Women.” In A Companion to Nordic Cinema, edited by Mette Hjort and Ursula Lindqvist. Malden, MA: Wiley/Blackwell, 2016.
  • Rust, Stephen A., and Carter Soles. “Ecohorror Special Cluster: ‘Living in Fear, Living in Dread, Pretty Soon We’ll All Be Dead.’” Interdisciplinary Studies in Literature and Environment 21, no. 3 (Summer 2014): 509–12.
  • Rydgren, Jens. “Radical Right-Wing Populism in Denmark and Sweden: Explaining Party System Change and Stability.” SAIS Review of International Affairs 30, no. 1 (2010): 57–71.
  • Scovell, Adam. Folk Horror: Hours Dreadful and Things Strange. Leighton Buzzard, UK: Auteur Press, 2017.
  • Seymour, Nicole. Bad Environmentalism: Irony and Irreverence in the Ecological Age. Minneapolis: University of Minnesota Press, 2018.
  • Singleton, Benedict E. “Interpreting Taskscapes: The Rituals of Guided Nature-Based (Dis)Integration in Sweden.” Innovation: The European Journal of Social Science Research 34, no. 1 (2021): 111–31.
  • Skvirsky, Salomé Aguilera. The Process Genre: Cinema and the Aesthetic of Labor. Durham: Duke University Press, 2020.
  • Slotek, Jim. “Thelma a More Sexualized Carrie, with Scandinavian Melancholy.” Last modified November 15, 2017, https://www.original-cin.ca/posts/2017/11/8/thelma-is-carrie-with-scandinavian-melancholy-and-metaphor.
  • Smith, Anthony. The Ethnic Origins of Nations. Malden, MA: Wiley-Blackwell. 1983.
  • Soila, Tytti. “Introduction.” In The Cinema of Scandinavia, edited by Tytti Soila. London: Wallflower Press, 2005.
  • Soles, Carter. “Sympathy for the Devil: The Cannibalistic Hillbilly in 1970s Rural Slasher Films.” In Ecocinema Theory and Practice, edited by Stephen Rust, Salma Monani, and Sean Cubitt, 233–50. New York: Routledge, 2012.
  • Souch, Irina. “Transformations of the Evil Forest in the Swedish Television Series Jordskott: An Ecocritical Reading.” Nordicom Review 41, no. 1 (2020): 107–22.
  • Stougaard-Nielsen, Jakob. Scandinavian Crime Fiction. London: Bloomsbury Academic, 2017.
  • Teitelbaum, Benjamin R. “Implicitly White: Right-Wing Nihilism and the Politicizing of Ethnocentrism in Multiracial Sweden.” Scandinavian Studies 89, no. 2 (2017): 159–78.
  • Thomsen, Torsten Bøgh. “Foggy Signs: Dark Ecological Queerings in Lars Von Trier’s Antichrist.” Journal of Scandinavian Cinema 8, no. 2 (2018): 123–34.
  • Thunberg, Greta. “Greta Thunberg’s World Economic Forum 2019 Special Address.” Filmed January 24, 2019, at the World Economic Forum, New York, NY. Accessed August 31, 2022. http://opentranscripts.org/transcript/greta-thunberg-world-economic-forum-2019/.
  • Thurfjell, David, Cecilie Rubow, Atko Remmel, and Henrik Ohlsson. “The Relocation of Transcendence.” Nature and Culture 14, no. 2 (2019): 190–214.
  • Tidwell, Christy. “Ecohorror.” In Posthuman Glossary, edited by Rosi Braidotti and Maria Hlavajova, 115–17. London: Bloomsbury Academic, 2018.
  • _______. “Spiraling Inward and Outward: Junji Ito’s Uzumaki and the Scope of Ecohorror.” In Fear and Nature: Ecohorror Studies in the Anthropocene, edited by Christy Tidwell and Carter Soles, 42–67. University Park: Pennsylvania State University Press, 2021.
  • Tidwell, Christy, and Carter Soles, eds. Fear and Nature: Ecohorror Studies in the Anthropocene. University Park: Pennsylvania State University Press, 2021.
  • Tomson, Danielle Lee. “The Rise of Sweden Democrats: Islam, Populism and the End of Swedish Exceptionalism.” Brookings Institution, March 25, 2020, https://www.brookings.edu/research/the-rise-of-sweden-democrats-and-the-end-of-swedish-exceptionalism/.
  • Tuan, Yi-Fu. Landscapes of Fear. Oxford: Basil Blackwell, 1979.
  • Vassenden, Eirik. Norsk Vitalisme: Litteratur, Ideologi og Livsdyrking 1890–1940. Oslo: SAP, 2012.
  • Wald, Priscilla. Contagious: Cultures, Carriers, and the Outbreak Narrative. Durham: Duke University Press, 2008.
  • Waldron, Ingrid. There’s Something in the Water: Environmental Racism in Indigenous and Black Communities. Winnipeg: Fernwood Publishing, 2018.
  • Wells, Paul. The Horror Genre: From Beelzebub to Blair Witch. London: Wallflower Press, 2000.
  • Wiking, Meik. The Little Book of Hygge: Danish Secrets to Happy Living. New York: Harper Collins, 2017.
  • Williams, Linda. “Film Bodies: Gender, Genre, and Excess.” Film Quarterly 44, no. 4 (Summer 1991): 2–13.
  • _______. “Melodrama Revised.” In Refiguring American Film Genres, edited by Nick Browne, 42–88. Berkeley: University of California Press, 1998.
  • Witoszek, Nina. The Origins of the “Regime of Goodness”: Remapping the Cultural History of Norway. Oslo: Universitetsforlaget, 2011.
  • World Commission on Environment Development. Our Common Future. Oxford: Oxford University Press, 1987.
  • Wright, Rochelle. “Vampire in the Stockholm Suburbs: Let the Right One In and Genre Hybridity.” Journal of Scandinavian Cinema 1, no. 1 (2010): 55–70.
  • Zimring, Carl A. Clean and White: A History of Environmental Racism in the United States. New York: New York University Press, 2015.
  • Zuckerman, Phil. Society without God: What the Least Religious Nations Can Tell Us about Contentment. Cambridge: Cambridge University Press, 2022.

Annotate

Next Chapter
Index
PreviousNext
All rights reserved
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org