Skip to main content

Satirical Tibet: Contents

Satirical Tibet
Contents

  • Show the following:

    Annotations
    Resources

  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeSatirical Tibet
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Series Page
  2. Title Page
  3. Copyright
  4. Dedication
  5. Contents
  6. Foreword by Stevan Harrell
  7. A Note on Language, Methodology, and Ethics
  8. Acknowledgments
  9. Introduction: Doing Zurza
  10. 1. Dokwa: “Eating the Sides” in Oral and Literary Traditions
  11. 2. Khashag: Language, Print, and Ethnic Pride in the 1980s
  12. 3. Khashag on Air: Solving Social Ills by Radio in the 1990s
  13. 4. Garchung: Televised Sketches and a 98 Cultural Turn in the 2000s
  14. 5. Zheematam: Tibetan Hip-Hop in the Digital World
  15. Conclusion: The Irrepressible Trickster
  16. Glossary
  17. Notes
  18. References
  19. Index
  20. Series List
  21. Back Cover

Contents

  1. Foreword by Stevan Harrell
  2. A Note on Language, Methodology, and Ethics
  3. Acknowledgments
  5. Introduction: Doing Zurza
  6. 1. Dokwa: “Eating the Sides” in Oral and Literary Traditions
  7. 2. Khashag: Language, Print, and Ethnic Pride in the 1980s
  8. 3. Khashag on Air: Solving Social Ills by Radio in the 1990s
  9. 4. Garchung: Televised Sketches and a Cultural Turn in the 2000s
  10. 5. Zheematam: Tibetan Hip-Hop in the Digital World
  11. Conclusion: The Irrepressible Trickster
  13. Glossary
  14. Notes
  15. References
  16. Index

Annotate

Next Chapter
Foreword by Stevan Harrell
PreviousNext
All rights reserved
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org