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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

Endnotes

  1. Matters were getting embroiled with Rome. ↩︎

  2. Welcome. ↩︎

  3. Votre Grandeur. ↩︎

  4. Grandeur. ↩︎

  5. Patois of the French Alps: chat de maraude, rascally marauder. ↩︎

  6. Pride. ↩︎

  7. Fishmarket. ↩︎

  8. Du Jardin du Roi. ↩︎

  9. Potato. ↩︎

  10. Badajoz is my home, And Love is my name; To my eyes in flame, All my soul doth come; For instruction meet I receive at thy feet. ↩︎

  11. Give us back our father from Ghent, Give us back our father. ↩︎

  12. Mon calme. ↩︎

  13. Liège is a jest on Li’ge: a cork-tree.

    Pau is a jest on peau: skin. ↩︎

  14. Glaces. ↩︎

  15. Glaces or ices. ↩︎

  16. She belonged to that circle where cuckoos and carriages share the same fate; and a jade herself, she lived, as jades live, for the space of a morning (or jade). ↩︎

  17. An ex-convict. ↩︎

  18. A bullet as large as an egg. ↩︎

  19. Walter Scott, Lamartine, Vaulabelle, Charras, Quinet, Thiers. ↩︎

  20. This is the inscription: D. O. M. cy a été écrasé par malheur sous un cahriot, Monsieue Bernard de Brye Marchand a Bruxelle Le [illegible] Fevrier 1637. ↩︎

  21. A heavy rifled gun. ↩︎

  22. “A battle terminated, a day finished, false measures repaired, greater successes assured for the morrow—all was lost by a moment of panic, terror.” Napoleon, Dict’es de Sainte H’l’ne. ↩︎

  23. Five winning numbers in a lottery ↩︎

  24. Philosophe. ↩︎

  25. Literally “made cuirs;” i.e., pronounced a t or an s at the end of words where the opposite letter should occur, or used either one of them where neither exists. ↩︎

  26. Lawyer Corbeau, perched on a docket, held in his beak a writ of execution; Lawyer Renard, attracted by the smell, addressed him nearly as follows, etc. ↩︎

  27. This is the factory of Goblet Junior:
    Come choose your jugs and crocks,
    Flowerpots, pipes, bricks.
    The Heart sells Diamonds to every comer.

    ↩︎

  28. On the boughs hang three bodies of unequal merits:
    Dismas and Gesmas, between is the divine power.
    Dismas seeks the heights, Gesmas, unhappy man, the lowest regions;
    the highest power will preserve us and our effects. If you repeat this verse, you will not lose your things by theft.

    ↩︎

  29. The Good Quince. ↩︎

  30. Instead of porte coch’re and porte b’tarde. ↩︎

  31. Town-Hall. ↩︎

  32. Jesus-my-God-bandy-leg’down with the moon! ↩︎

  33. Chicken: Slang allusion to the noise made in calling poultry. ↩︎

  34. Louis XVIII is represented in comic pictures of that day as having a pear-shaped head. ↩︎

  35. Tuck into your trousers
    the shirttail that is hanging out.
    Let it not be said that patriots
    have hoisted the white flag.

    ↩︎

  36. In order to reestablish the shaken throne firmly on its base,
    soil (Des solles), greenhouse and house (Decazes) must be changed.

    ↩︎

  37. Suspendu: suspended.

    Pendu: hung. ↩︎

  38. L’Aile: wing. ↩︎

  39. The slang term for a painter’s assistant. ↩︎

  40. If Caesar had given me
    glory and war,
    and I were obliged to quit
    my mother’s love,
    I would say to great Caesar,
    “Take back thy sceptre and thy chariot;
    I prefer the love of my mother.”

    ↩︎

  41. Whether the sun shines brightly or dim,
    the bear returns to his cave.

    ↩︎

  42. I am hungry, father.
    I have no food.
    I am cold, mother.
    I have no clothes.
    Shover,
    Lolotte!
    Sob,
    Jacquot!

    ↩︎

  43. The peephole is a Judas in French. Hence the half-punning allusion. ↩︎

  44. Our love has lasted a whole week,
    but how short are the instants of happiness!
    To adore each other for eight days was hardly worth the while!
    The time of love should last forever.

    ↩︎

  45. You leave me to go to glory;
    my sad heart will follow you everywhere.

    ↩︎

  46. A democrat. ↩︎

  47. Thanks. ↩︎

  48. King Bootkick
    went a-hunting after crows,
    mounted on two stilts.
    When one passed beneath them,
    one paid him two sous.

    ↩︎

  49. In olden times, fouriers were the officials who preceded the Court and allotted the lodgings. ↩︎

  50. Scouts. ↩︎

  51. A game of ninepins, in which one side of the ball is smaller than the other, so that it does not roll straight, but describes a curve on the ground. ↩︎

  52. From April 19 to May 20. ↩︎

  53. Love. ↩︎

  54. Drum. ↩︎

  55. Merlan: a sobriquet given to hairdressers because they are white with powder. ↩︎

  56. Black bread. ↩︎

  57. Larton savonné. ↩︎

  58. The scaffold. ↩︎

  59. What’s the matter with that? ↩︎

  60. Argot of the Temple. ↩︎

  61. Argot of the barriers. ↩︎

  62. The Last Day of a Condemned Man. ↩︎

  63. Vous trouverez dans ces potains-là, une foultitude de raisons pour que je me libertise. ↩︎

  64. But where are the snows of years gone by? ↩︎

  65. Six stout horses drew a coach. ↩︎

  66. It must be observed, however, that “mac” in Celtic means “son.” ↩︎

  67. Here is the theatre
    Of the little archer (Cupid).

    ↩︎

  68. Smoke puffed in the face of a person asleep. ↩︎

  69. Je n’entrave que le dail comment meck, le daron des orgues, peut atiger ses mémes et ses momignards et les locher criblant sans “tre agit” lui-meme. ↩︎

  70. Dog. ↩︎

  71. This isn’t New Year’s day,
    To peck at pa and ma.

    ↩︎

  72. My arm so plump,
    My leg well formed,
    And time wasted.

    ↩︎

  73. Paris. ↩︎

  74. At night one sees nothing,
    by day one sees very well;
    the bourgeois gets flurried
    over an apocryphal scrawl,
    practice virtue, tutu, pointed hat!

    ↩︎

  75. Chien: dog, trigger. ↩︎

  76. Here is the morn appearing.
    When shall we go to the forest,
    Charlot asked Charlotte.

    Tou, tou, tou,
    for Chatou,
    I have but one God, one King, one half-farthing, and one boot.

    And these two poor little wolves were as tipsy as sparrows
    from having drunk dew and thyme
    very early in the morning.

    Tou, tou, tou,
    for Chatou,
    I have but one God, one King, one half-farthing, and one boot.

    And these two poor little things
    were as drunk as thrushes in a vineyard;
    a tiger laughed at them in his cave.

    Tou, tou, tou,
    for Chatou,
    I have but one God, one King, one half-farthing, and one boot.

    The one cursed, the other swore.
    When shall we go to the forest?
    Charlot asked Charlotte.

    Tou, tou, tou,
    for Chatou,
    I have but one God, one King, one half-farthing, and one boot.

    ↩︎

  77. There swings the horrible skeleton
    of a poor lover who hung himself.

    ↩︎

  78. At the Bunch of Corinth Grapes. ↩︎

  79. She astounds at ten paces, she frightens at two,
    a wart inhabits her hazardous nose;
    you tremble every instant lest she should blow it at you,
    and lest, some fine day, her nose should tumble into her mouth.

    ↩︎

  80. Matelote: a culinary preparation of various fishes. Gibelotte: stewed rabbits. ↩︎

  81. Treat if you can, and eat if you dare. ↩︎

  82. ami: friend. ↩︎

  83. Bip’de sans plume: biped without feathers’pen. ↩︎

  84. Municipal officer of Toulouse. ↩︎

  85. Do you remember our sweet life,
    when we were both so young,
    and when we had no other desire in our hearts
    than to be well dressed and in love?

    When, by adding your age to my age,
    we could not count forty years between us,
    and when, in our humble and tiny household,
    everything was spring to us even in winter.

    Fair days! Manuel was proud and wise,
    Paris sat at sacred banquets,
    Foy launched thunderbolts,
    and your corsage had a pin on which I pricked myself.

    Everything gazed upon you. A briefless lawyer,
    when I took you to the Prado to dine,
    you were so beautiful that the roses
    seemed to me to turn round,

    and I heard them say: Is she not beautiful!
    How good she smells! What billowing hair!
    Beneath her mantle she hides a wing.
    Her charming bonnet is hardly unfolded.

    I wandered with thee, pressing thy supple arm.
    The passersby thought that love bewitched
    had wedded, in our happy couple,
    the gentle month of April to the fair month of May.

    We lived concealed, content, with closed doors,
    devouring love, that sweet forbidden fruit.
    My mouth had not uttered a thing
    when thy heart had already responded.

    The Sorbonne was the bucolic spot
    where I adored thee from eve till morn.
    ’Tis thus that an amorous soul applies
    the chart of the Tender to the Latin country.

    O Place Maubert! O Place Dauphine!
    When in the fresh springlike hut
    thou didst draw thy stocking on thy delicate leg,
    I saw a star in the depths of the garret.

    I have read a great deal of Plato, but nothing of it remains by me;
    better than Malebranche and then Lamennais
    thou didst demonstrate to me celestial goodness
    with a flower which thou gavest to me,

    I obeyed thee, thou didst submit to me;
    oh gilded garret! to lace thee! to behold thee
    going and coming from dawn in thy chemise,
    gazing at thy young brow in thine ancient mirror!

    And who, then, would forego the memory
    of those days of aurora and the firmament,
    of flowers, of gauze and of moire,
    when love stammers a charming slang?

    Our gardens consisted of a pot of tulips;
    thou didst mask the window with thy petticoat;
    I took the earthenware bowl
    and I gave thee the Japanese cup.

    And those great misfortunes which made us laugh!
    Thy cuff scorched, thy boa lost!
    And that dear portrait of the divine Shakespearee
    which we sold one evening that we might sup!

    I was a beggar and thou wert charitable.
    I kissed thy fresh round arms in haste.
    A folio Dante served us as a table
    on which to eat merrily a centime’s worth of chestnuts.

    The first time that, in my joyous den,
    I snatched a kiss from thy fiery lip,
    when thou wentest forth, dishevelled and blushing,
    I turned deathly pale and I believed in God.

    Dost thou recall our innumerable joys,
    and all those fichus changed to rags?
    Oh! what sighs from our hearts full of gloom
    fluttered forth to the heavenly depths!

    ↩︎

  86. My nose is in tears,
    my friend Bugeaud,
    lend me thy gendarmes
    that I may say a word to them.
    With a blue capote
    and a chicken in his shako,
    here’s the banlieue, co-cocorico.

    ↩︎

  87. On beholding Lafayette,
    The gendarme repeats:—
    Let us flee! let us flee!
    Let us flee!

    ↩︎

  88. Love letters. ↩︎

  89. Blunders. ↩︎

  90. The bird slanders in the elms,
    And pretends that yesterday,
    Atala Went off with a Russian,
    Where fair maids go.
    Lon la.

    My friend Pierrot, thou pratest,
    because the other day Mila
    knocked at her pane and called me.
    Where fair maids go.
    Lon la.

    The jades are very charming,
    their poison which bewitched me
    would intoxicate Monsieur Orfila.
    Where fair maids go.
    Lon la.

    I’m fond of love and its bickerings,
    I love Agnes, I love Pamela,
    Lise burned herself in setting me aflame.
    Where fair maids go.
    Lon la.

    In former days when I saw the mantillas
    of Suzette and of Z’ila,
    my soul mingled with their folds.
    Where fair maids go.
    Lon la.

    Love, when thou gleamest in the dark
    thou crownest Lola with roses,
    I would lose my soul for that.
    Where fair maids go.
    Lon la.

    Jeanne, at thy mirror thou deckest thyself!
    One fine day, my heart flew forth.
    I think that it is Jeanne who has it.
    Where fair maids go.
    Lon la.

    At night, when I come from the quadrilles,
    I show Stella to the stars,
    and I say to them: “Behold her.”
    Where fair maids go.
    Lon la.

    ↩︎

  91. But some prisons still remain,
    and I am going to put a stop
    to this sort of public order.
    Where fair maids go.
    Lon la.

    Does anyone wish to play at skittles?
    The whole ancient world fell in ruin,
    when the big ball rolled.
    Where fair maids go.
    Lon la.

    Good old folks, let us smash with our crutches
    that Louvre where
    the monarchy displayed itself in furbelows.
    Where fair maids go.
    Lon la.

    We have forced its gates.
    On that day, King Charles X
    did not stick well and came unglued.
    Where fair maids go.
    Lon la.

    ↩︎

  92. Men are ugly at Nanterre,
    ’Tis the fault of Voltaire;
    And dull at Palaiseau,
    ’Tis the fault of Rousseau.

    ↩︎

  93. I am not a notary,
    ’Tis the fault of Voltaire;
    I’m a little bird,
    ’Tis the fault of Rousseau.

    ↩︎

  94. Joy is my character,
    ’Tis the fault of Voltaire;
    Misery is my trousseau,
    ’Tis the fault of Rousseau.

    ↩︎

  95. I have fallen to the earth,
    ’Tis the fault of Voltaire;
    With my nose in the gutter,
    ’Tis the fault of …

    ↩︎

  96. Cygnes. ↩︎

  97. Signes. ↩︎

  98. Steps on the Aventine Hill, leading to the Tiber, to which the bodies of executed criminals were dragged by hooks to be thrown into the Tiber. ↩︎

  99. Brigands. ↩︎

  100. Empty-Pocket. ↩︎

  101. Cutthroat. ↩︎

  102. Mustards. ↩︎

  103. From casser, to break: break-necks. ↩︎

  104. Jeanne was born at Foug’re,
    a true shepherd’s nest;
    I adore her petticoat,
    the rogue.

    Love, thou dwellest in her;
    For ’tis in her eyes
    that thou placest thy quiver,
    sly scamp!

    As for me, I sing her,
    and I love, more than Diana herself,
    Jeanne and her firm
    Breton breasts.

    ↩︎

  105. In allusion to the expression, coiffer Sainte-Catherine: to remain unmarried. ↩︎

  106. Thus, hemming in the course of thy musings,
    Alcippus, it is true that thou wilt wed ere long.

    ↩︎

  107. Tirer le diable par la queue: to live from hand to mouth. ↩︎

  108. Triton trotted on before, and drew from his conch-shell
    sounds so ravishing that he delighted everyone!

    ↩︎

  109. A Shrove-Tuesday marriage
    will have no ungrateful children.

    ↩︎

  110. A short mask. ↩︎

  111. Pantinois. ↩︎

  112. In allusion to the story of Prometheus. ↩︎

  113. Academy of Sciences. ↩︎

  114. Un fafiot s’rieux. Fafiot is the slang term for a bank-bill, derived from its rustling noise. ↩︎

  115. He sleeps. Although his fate was very strange,
    he lived. He died when he had no longer his angel.
    The thing came to pass simply, of itself,
    as the night comes when day is gone.

    ↩︎

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