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Les Misérables: XIII The Solution of Some Questions Connected with the Municipal Police

Les Misérables
XIII The Solution of Some Questions Connected with the Municipal Police
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

XIII The Solution of Some Questions Connected with the Municipal Police

Javert thrust aside the spectators, broke the circle, and set out with long strides towards the police station, which is situated at the extremity of the square, dragging the wretched woman after him. She yielded mechanically. Neither he nor she uttered a word. The cloud of spectators followed, jesting, in a paroxysm of delight. Supreme misery an occasion for obscenity.

On arriving at the police station, which was a low room, warmed by a stove, with a glazed and grated door opening on the street, and guarded by a detachment, Javert opened the door, entered with Fantine, and shut the door behind him, to the great disappointment of the curious, who raised themselves on tiptoe, and craned their necks in front of the thick glass of the station-house, in their effort to see. Curiosity is a sort of gluttony. To see is to devour.

On entering, Fantine fell down in a corner, motionless and mute, crouching down like a terrified dog.

The sergeant of the guard brought a lighted candle to the table. Javert seated himself, drew a sheet of stamped paper from his pocket, and began to write.

This class of women is consigned by our laws entirely to the discretion of the police. The latter do what they please, punish them, as seems good to them, and confiscate at their will those two sorry things which they entitle their industry and their liberty. Javert was impassive; his grave face betrayed no emotion whatever. Nevertheless, he was seriously and deeply preoccupied. It was one of those moments when he was exercising without control, but subject to all the scruples of a severe conscience, his redoubtable discretionary power. At that moment he was conscious that his police agent’s stool was a tribunal. He was entering judgment. He judged and condemned. He summoned all the ideas which could possibly exist in his mind, around the great thing which he was doing. The more he examined the deed of this woman, the more shocked he felt. It was evident that he had just witnessed the commission of a crime. He had just beheld, yonder, in the street, society, in the person of a freeholder and an elector, insulted and attacked by a creature who was outside all pales. A prostitute had made an attempt on the life of a citizen. He had seen that, he, Javert. He wrote in silence.

When he had finished he signed the paper, folded it, and said to the sergeant of the guard, as he handed it to him, “Take three men and conduct this creature to jail.”

Then, turning to Fantine, “You are to have six months of it.” The unhappy woman shuddered.

“Six months! six months of prison!” she exclaimed. “Six months in which to earn seven sous a day! But what will become of Cosette? My daughter! my daughter! But I still owe the Thénardiers over a hundred francs; do you know that, Monsieur Inspector?”

She dragged herself across the damp floor, among the muddy boots of all those men, without rising, with clasped hands, and taking great strides on her knees.

“Monsieur Javert,” said she, “I beseech your mercy. I assure you that I was not in the wrong. If you had seen the beginning, you would have seen. I swear to you by the good God that I was not to blame! That gentleman, the bourgeois, whom I do not know, put snow in my back. Has anyone the right to put snow down our backs when we are walking along peaceably, and doing no harm to anyone? I am rather ill, as you see. And then, he had been saying impertinent things to me for a long time: ‘You are ugly! you have no teeth!’ I know well that I have no longer those teeth. I did nothing; I said to myself, ‘The gentleman is amusing himself.’ I was honest with him; I did not speak to him. It was at that moment that he put the snow down my back. Monsieur Javert, good Monsieur Inspector! is there not some person here who saw it and can tell you that this is quite true? Perhaps I did wrong to get angry. You know that one is not master of one’s self at the first moment. One gives way to vivacity; and then, when someone puts something cold down your back just when you are not expecting it! I did wrong to spoil that gentleman’s hat. Why did he go away? I would ask his pardon. Oh, my God! It makes no difference to me whether I ask his pardon. Do me the favor today, for this once, Monsieur Javert. Hold! you do not know that in prison one can earn only seven sous a day; it is not the government’s fault, but seven sous is one’s earnings; and just fancy, I must pay one hundred francs, or my little girl will be sent to me. Oh, my God! I cannot have her with me. What I do is so vile! Oh, my Cosette! Oh, my little angel of the Holy Virgin! what will become of her, poor creature? I will tell you: it is the Thénardiers, innkeepers, peasants; and such people are unreasonable. They want money. Don’t put me in prison! You see, there is a little girl who will be turned out into the street to get along as best she may, in the very heart of the winter; and you must have pity on such a being, my good Monsieur Javert. If she were older, she might earn her living; but it cannot be done at that age. I am not a bad woman at bottom. It is not cowardliness and gluttony that have made me what I am. If I have drunk brandy, it was out of misery. I do not love it; but it benumbs the senses. When I was happy, it was only necessary to glance into my closets, and it would have been evident that I was not a coquettish and untidy woman. I had linen, a great deal of linen. Have pity on me, Monsieur Javert!”

She spoke thus, rent in twain, shaken with sobs, blinded with tears, her neck bare, wringing her hands, and coughing with a dry, short cough, stammering softly with a voice of agony. Great sorrow is a divine and terrible ray, which transfigures the unhappy. At that moment Fantine had become beautiful once more. From time to time she paused, and tenderly kissed the police agent’s coat. She would have softened a heart of granite; but a heart of wood cannot be softened.

“Come!” said Javert, “I have heard you out. Have you entirely finished? You will get six months. Now march! The Eternal Father in person could do nothing more.”

At these solemn words, “the Eternal Father in person could do nothing more,” she understood that her fate was sealed. She sank down, murmuring, “Mercy!”

Javert turned his back.

The soldiers seized her by the arms.

A few moments earlier a man had entered, but no one had paid any heed to him. He shut the door, leaned his back against it, and listened to Fantine’s despairing supplications.

At the instant when the soldiers laid their hands upon the unfortunate woman, who would not rise, he emerged from the shadow, and said:—

“One moment, if you please.”

Javert raised his eyes and recognized M. Madeleine. He removed his hat, and, saluting him with a sort of aggrieved awkwardness:—

“Excuse me, Mr. Mayor—”

The words “Mr. Mayor” produced a curious effect upon Fantine. She rose to her feet with one bound, like a spectre springing from the earth, thrust aside the soldiers with both arms, walked straight up to M. Madeleine before anyone could prevent her, and gazing intently at him, with a bewildered air, she cried:—

“Ah! so it is you who are M. le Maire!”

Then she burst into a laugh, and spit in his face.

M. Madeleine wiped his face, and said:—

“Inspector Javert, set this woman at liberty.”

Javert felt that he was on the verge of going mad. He experienced at that moment, blow upon blow and almost simultaneously, the most violent emotions which he had ever undergone in all his life. To see a woman of the town spit in the mayor’s face was a thing so monstrous that, in his most daring flights of fancy, he would have regarded it as a sacrilege to believe it possible. On the other hand, at the very bottom of his thought, he made a hideous comparison as to what this woman was, and as to what this mayor might be; and then he, with horror, caught a glimpse of I know not what simple explanation of this prodigious attack. But when he beheld that mayor, that magistrate, calmly wipe his face and say, “Set this woman at liberty,” he underwent a sort of intoxication of amazement; thought and word failed him equally; the sum total of possible astonishment had been exceeded in his case. He remained mute.

The words had produced no less strange an effect on Fantine. She raised her bare arm, and clung to the damper of the stove, like a person who is reeling. Nevertheless, she glanced about her, and began to speak in a low voice, as though talking to herself:—

“At liberty! I am to be allowed to go! I am not to go to prison for six months! Who said that? It is not possible that anyone could have said that. I did not hear aright. It cannot have been that monster of a mayor! Was it you, my good Monsieur Javert, who said that I was to be set free? Oh, see here! I will tell you about it, and you will let me go. That monster of a mayor, that old blackguard of a mayor, is the cause of all. Just imagine, Monsieur Javert, he turned me out! all because of a pack of rascally women, who gossip in the workroom. If that is not a horror, what is? To dismiss a poor girl who is doing her work honestly! Then I could no longer earn enough, and all this misery followed. In the first place, there is one improvement which these gentlemen of the police ought to make, and that is, to prevent prison contractors from wronging poor people. I will explain it to you, you see: you are earning twelve sous at shirt-making, the price falls to nine sous; and it is not enough to live on. Then one has to become whatever one can. As for me, I had my little Cosette, and I was actually forced to become a bad woman. Now you understand how it is that that blackguard of a mayor caused all the mischief. After that I stamped on that gentleman’s hat in front of the officers’ café; but he had spoiled my whole dress with snow. We women have but one silk dress for evening wear. You see that I did not do wrong deliberately—truly, Monsieur Javert; and everywhere I behold women who are far more wicked than I, and who are much happier. O Monsieur Javert! it was you who gave orders that I am to be set free, was it not? Make inquiries, speak to my landlord; I am paying my rent now; they will tell you that I am perfectly honest. Ah! my God! I beg your pardon; I have unintentionally touched the damper of the stove, and it has made it smoke.”

M. Madeleine listened to her with profound attention. While she was speaking, he fumbled in his waistcoat, drew out his purse and opened it. It was empty. He put it back in his pocket. He said to Fantine, “How much did you say that you owed?”

Fantine, who was looking at Javert only, turned towards him:—

“Was I speaking to you?”

Then, addressing the soldiers:—

“Say, you fellows, did you see how I spit in his face? Ah! you old wretch of a mayor, you came here to frighten me, but I’m not afraid of you. I am afraid of Monsieur Javert. I am afraid of my good Monsieur Javert!”

So saying, she turned to the inspector again:—

“And yet, you see, Mr. Inspector, it is necessary to be just. I understand that you are just, Mr. Inspector; in fact, it is perfectly simple: a man amuses himself by putting snow down a woman’s back, and that makes the officers laugh; one must divert themselves in some way; and we—well, we are here for them to amuse themselves with, of course! And then, you, you come; you are certainly obliged to preserve order, you lead off the woman who is in the wrong; but on reflection, since you are a good man, you say that I am to be set at liberty; it is for the sake of the little one, for six months in prison would prevent my supporting my child. ‘Only, don’t do it again, you hussy!’ Oh! I won’t do it again, Monsieur Javert! They may do whatever they please to me now; I will not stir. But today, you see, I cried because it hurt me. I was not expecting that snow from the gentleman at all; and then as I told you, I am not well; I have a cough; I seem to have a burning ball in my stomach, and the doctor tells me, ‘Take care of yourself.’ Here, feel, give me your hand; don’t be afraid—it is here.”

She no longer wept, her voice was caressing; she placed Javert’s coarse hand on her delicate, white throat and looked smilingly at him.

All at once she rapidly adjusted her disordered garments, dropped the folds of her skirt, which had been pushed up as she dragged herself along, almost to the height of her knee, and stepped towards the door, saying to the soldiers in a low voice, and with a friendly nod:—

“Children, Monsieur l’Inspecteur has said that I am to be released, and I am going.”

She laid her hand on the latch of the door. One step more and she would be in the street.

Javert up to that moment had remained erect, motionless, with his eyes fixed on the ground, cast athwart this scene like some displaced statue, which is waiting to be put away somewhere.

The sound of the latch roused him. He raised his head with an expression of sovereign authority, an expression all the more alarming in proportion as the authority rests on a low level, ferocious in the wild beast, atrocious in the man of no estate.

“Sergeant!” he cried, “don’t you see that that jade is walking off! Who bade you let her go?”

“I,” said Madeleine.

Fantine trembled at the sound of Javert’s voice, and let go of the latch as a thief relinquishes the article which he has stolen. At the sound of Madeleine’s voice she turned around, and from that moment forth she uttered no word, nor dared so much as to breathe freely, but her glance strayed from Madeleine to Javert, and from Javert to Madeleine in turn, according to which was speaking.

It was evident that Javert must have been exasperated beyond measure before he would permit himself to apostrophize the sergeant as he had done, after the mayor’s suggestion that Fantine should be set at liberty. Had he reached the point of forgetting the mayor’s presence? Had he finally declared to himself that it was impossible that any “authority” should have given such an order, and that the mayor must certainly have said one thing by mistake for another, without intending it? Or, in view of the enormities of which he had been a witness for the past two hours, did he say to himself, that it was necessary to recur to supreme resolutions, that it was indispensable that the small should be made great, that the police spy should transform himself into a magistrate, that the policeman should become a dispenser of justice, and that, in this prodigious extremity, order, law, morality, government, society in its entirety, was personified in him, Javert?

However that may be, when M. Madeleine uttered that word, I, as we have just heard, Police Inspector Javert was seen to turn toward the mayor, pale, cold, with blue lips, and a look of despair, his whole body agitated by an imperceptible quiver and an unprecedented occurrence, and say to him, with downcast eyes but a firm voice:—

“Mr. Mayor, that cannot be.”

“Why not?” said M. Madeleine.

“This miserable woman has insulted a citizen.”

“Inspector Javert,” replied the mayor, in a calm and conciliating tone, “listen. You are an honest man, and I feel no hesitation in explaining matters to you. Here is the true state of the case: I was passing through the square just as you were leading this woman away; there were still groups of people standing about, and I made inquiries and learned everything; it was the townsman who was in the wrong and who should have been arrested by properly conducted police.”

Javert retorted:—

“This wretch has just insulted Monsieur le Maire.”

“That concerns me,” said M. Madeleine. “My own insult belongs to me, I think. I can do what I please about it.”

“I beg Monsieur le Maire’s pardon. The insult is not to him but to the law.”

“Inspector Javert,” replied M. Madeleine, “the highest law is conscience. I have heard this woman; I know what I am doing.”

“And I, Mr. Mayor, do not know what I see.”

“Then content yourself with obeying.”

“I am obeying my duty. My duty demands that this woman shall serve six months in prison.”

M. Madeleine replied gently:—

“Heed this well; she will not serve a single day.”

At this decisive word, Javert ventured to fix a searching look on the mayor and to say, but in a tone of voice that was still profoundly respectful:—

“I am sorry to oppose Monsieur le Maire; it is for the first time in my life, but he will permit me to remark that I am within the bounds of my authority. I confine myself, since Monsieur le Maire desires it, to the question of the gentleman. I was present. This woman flung herself on Monsieur Bamatabois, who is an elector and the proprietor of that handsome house with a balcony, which forms the corner of the esplanade, three stories high and entirely of cut stone. Such things as there are in the world! In any case, Monsieur le Maire, this is a question of police regulations in the streets, and concerns me, and I shall detain this woman Fantine.”

Then M. Madeleine folded his arms, and said in a severe voice which no one in the town had heard hitherto:—

“The matter to which you refer is one connected with the municipal police. According to the terms of articles nine, eleven, fifteen, and sixty-six of the code of criminal examination, I am the judge. I order that this woman shall be set at liberty.”

Javert ventured to make a final effort.

“But, Mr. Mayor—”

“I refer you to article eighty-one of the law of the 13th of December, 1799, in regard to arbitrary detention.”

“Monsieur le Maire, permit me—”

“Not another word.”

“But—”

“Leave the room,” said M. Madeleine.

Javert received the blow erect, full in the face, in his breast, like a Russian soldier. He bowed to the very earth before the mayor and left the room.

Fantine stood aside from the door and stared at him in amazement as he passed.

Nevertheless, she also was the prey to a strange confusion. She had just seen herself a subject of dispute between two opposing powers. She had seen two men who held in their hands her liberty, her life, her soul, her child, in combat before her very eyes; one of these men was drawing her towards darkness, the other was leading her back towards the light. In this conflict, viewed through the exaggerations of terror, these two men had appeared to her like two giants; the one spoke like her demon, the other like her good angel. The angel had conquered the demon, and, strange to say, that which made her shudder from head to foot was the fact that this angel, this liberator, was the very man whom she abhorred, that mayor whom she had so long regarded as the author of all her woes, that Madeleine! And at the very moment when she had insulted him in so hideous a fashion, he had saved her! Had she, then, been mistaken? Must she change her whole soul? She did not know; she trembled. She listened in bewilderment, she looked on in affright, and at every word uttered by M. Madeleine she felt the frightful shades of hatred crumble and melt within her, and something warm and ineffable, indescribable, which was both joy, confidence and love, dawn in her heart.

When Javert had taken his departure, M. Madeleine turned to her and said to her in a deliberate voice, like a serious man who does not wish to weep and who finds some difficulty in speaking:—

“I have heard you. I knew nothing about what you have mentioned. I believe that it is true, and I feel that it is true. I was even ignorant of the fact that you had left my shop. Why did you not apply to me? But here; I will pay your debts, I will send for your child, or you shall go to her. You shall live here, in Paris, or where you please. I undertake the care of your child and yourself. You shall not work any longer if you do not like. I will give all the money you require. You shall be honest and happy once more. And listen! I declare to you that if all is as you say—and I do not doubt it—you have never ceased to be virtuous and holy in the sight of God. Oh! poor woman.”

This was more than Fantine could bear. To have Cosette! To leave this life of infamy. To live free, rich, happy, respectable with Cosette; to see all these realities of paradise blossom of a sudden in the midst of her misery. She stared stupidly at this man who was talking to her, and could only give vent to two or three sobs, “Oh! Oh! Oh!”

Her limbs gave way beneath her, she knelt in front of M. Madeleine, and before he could prevent her he felt her grasp his hand and press her lips to it.

Then she fainted.

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