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Les Misérables: X The System of Denials

Les Misérables
X The System of Denials
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

X The System of Denials

The moment for closing the debate had arrived. The President had the accused stand up, and addressed to him the customary question, “Have you anything to add to your defence?”

The man did not appear to understand, as he stood there, twisting in his hands a terrible cap which he had.

The President repeated the question.

This time the man heard it. He seemed to understand. He made a motion like a man who is just waking up, cast his eyes about him, stared at the audience, the gendarmes, his counsel, the jury, the court, laid his monstrous fist on the rim of woodwork in front of his bench, took another look, and all at once, fixing his glance upon the district-attorney, he began to speak. It was like an eruption. It seemed, from the manner in which the words escaped from his mouth—incoherent, impetuous, pell-mell, tumbling over each other—as though they were all pressing forward to issue forth at once. He said:—

“This is what I have to say. That I have been a wheelwright in Paris, and that it was with Monsieur Baloup. It is a hard trade. In the wheelwright’s trade one works always in the open air, in courtyards, under sheds when the masters are good, never in closed workshops, because space is required, you see. In winter one gets so cold that one beats one’s arms together to warm one’s self; but the masters don’t like it; they say it wastes time. Handling iron when there is ice between the paving-stones is hard work. That wears a man out quickly. One is old while he is still quite young in that trade. At forty a man is done for. I was fifty-three. I was in a bad state. And then, workmen are so mean! When a man is no longer young, they call him nothing but an old bird, old beast! I was not earning more than thirty sous a day. They paid me as little as possible. The masters took advantage of my age—and then I had my daughter, who was a laundress at the river. She earned a little also. It sufficed for us two. She had trouble, also; all day long up to her waist in a tub, in rain, in snow. When the wind cuts your face, when it freezes, it is all the same; you must still wash. There are people who have not much linen, and wait until late; if you do not wash, you lose your custom. The planks are badly joined, and water drops on you from everywhere; you have your petticoats all damp above and below. That penetrates. She has also worked at the laundry of the Enfants-Rouges, where the water comes through faucets. You are not in the tub there; you wash at the faucet in front of you, and rinse in a basin behind you. As it is enclosed, you are not so cold; but there is that hot steam, which is terrible, and which ruins your eyes. She came home at seven o’clock in the evening, and went to bed at once, she was so tired. Her husband beat her. She is dead. We have not been very happy. She was a good girl, who did not go to the ball, and who was very peaceable. I remember one Shrove-Tuesday when she went to bed at eight o’clock. There, I am telling the truth; you have only to ask. Ah, yes! how stupid I am! Paris is a gulf. Who knows Father Champmathieu there? But M. Baloup does, I tell you. Go see at M. Baloup’s; and after all, I don’t know what is wanted of me.”

The man ceased speaking, and remained standing. He had said these things in a loud, rapid, hoarse voice, with a sort of irritated and savage ingenuousness. Once he paused to salute someone in the crowd. The sort of affirmations which he seemed to fling out before him at random came like hiccoughs, and to each he added the gesture of a woodcutter who is splitting wood. When he had finished, the audience burst into a laugh. He stared at the public, and, perceiving that they were laughing, and not understanding why, he began to laugh himself.

It was inauspicious.

The President, an attentive and benevolent man, raised his voice.

He reminded “the gentlemen of the jury” that “the sieur Baloup, formerly a master-wheelwright, with whom the accused stated that he had served, had been summoned in vain. He had become bankrupt, and was not to be found.” Then turning to the accused, he enjoined him to listen to what he was about to say, and added: “You are in a position where reflection is necessary. The gravest presumptions rest upon you, and may induce vital results. Prisoner, in your own interests, I summon you for the last time to explain yourself clearly on two points. In the first place, did you or did you not climb the wall of the Pierron orchard, break the branch, and steal the apples; that is to say, commit the crime of breaking in and theft? In the second place, are you the discharged convict, Jean Valjean—yes or no?”

The prisoner shook his head with a capable air, like a man who has thoroughly understood, and who knows what answer he is going to make. He opened his mouth, turned towards the President, and said:—

“In the first place—”

Then he stared at his cap, stared at the ceiling, and held his peace.

“Prisoner,” said the district-attorney, in a severe voice; “pay attention. You are not answering anything that has been asked of you. Your embarrassment condemns you. It is evident that your name is not Champmathieu; that you are the convict, Jean Valjean, concealed first under the name of Jean Mathieu, which was the name of his mother; that you went to Auvergne; that you were born at Faverolles, where you were a pruner of trees. It is evident that you have been guilty of entering, and of the theft of ripe apples from the Pierron orchard. The gentlemen of the jury will form their own opinion.”

The prisoner had finally resumed his seat; he arose abruptly when the district-attorney had finished, and exclaimed:—

“You are very wicked; that you are! This what I wanted to say; I could not find words for it at first. I have stolen nothing. I am a man who does not have something to eat every day. I was coming from Ailly; I was walking through the country after a shower, which had made the whole country yellow: even the ponds were overflowed, and nothing sprang from the sand any more but the little blades of grass at the wayside. I found a broken branch with apples on the ground; I picked up the branch without knowing that it would get me into trouble. I have been in prison, and they have been dragging me about for the last three months; more than that I cannot say; people talk against me, they tell me, ‘Answer!’ The gendarme, who is a good fellow, nudges my elbow, and says to me in a low voice, ‘Come, answer!’ I don’t know how to explain; I have no education; I am a poor man; that is where they wrong me, because they do not see this. I have not stolen; I picked up from the ground things that were lying there. You say, Jean Valjean, Jean Mathieu! I don’t know those persons; they are villagers. I worked for M. Baloup, Boulevard de l’Hôpital; my name is Champmathieu. You are very clever to tell me where I was born; I don’t know myself: it’s not everybody who has a house in which to come into the world; that would be too convenient. I think that my father and mother were people who strolled along the highways; I know nothing different. When I was a child, they called me “young fellow;” now they call me “old Fellow;” those are my baptismal names; take that as you like. I have been in Auvergne; I have been at Faverolles. Pardi. Well! can’t a man have been in Auvergne, or at Faverolles, without having been in the galleys? I tell you that I have not stolen, and that I am Father Champmathieu; I have been with M. Baloup; I have had a settled residence. You worry me with your nonsense, there! Why is everybody pursuing me so furiously?”

The district-attorney had remained standing; he addressed the President:—

“Monsieur le President, in view of the confused but exceedingly clever denials of the prisoner, who would like to pass himself off as an idiot, but who will not succeed in so doing—we shall attend to that—we demand that it shall please you and that it shall please the court to summon once more into this place the convicts Brevet, Cochepaille, and Chenildieu, and Police-Inspector Javert, and question them for the last time as to the identity of the prisoner with the convict Jean Valjean.”

“I would remind the district-attorney,” said the President, “that Police-Inspector Javert, recalled by his duties to the capital of a neighboring arrondissement, left the courtroom and the town as soon as he had made his deposition; we have accorded him permission, with the consent of the district-attorney and of the counsel for the prisoner.”

“That is true, Mr. President,” responded the district-attorney. “In the absence of ’sieur Javert, I think it my duty to remind the gentlemen of the jury of what he said here a few hours ago. Javert is an estimable man, who does honor by his rigorous and strict probity to inferior but important functions. These are the terms of his deposition: ‘I do not even stand in need of circumstantial proofs and moral presumptions to give the lie to the prisoner’s denial. I recognize him perfectly. The name of this man is not Champmathieu; he is an ex-convict named Jean Valjean, and is very vicious and much to be feared. It is only with extreme regret that he was released at the expiration of his term. He underwent nineteen years of penal servitude for theft. He made five or six attempts to escape. Besides the theft from Little Gervais, and from the Pierron orchard, I suspect him of a theft committed in the house of His Grace the late Bishop of D——. I often saw him at the time when I was adjutant of the galley-guard at the prison in Toulon. I repeat that I recognize him perfectly.’ ”

This extremely precise statement appeared to produce a vivid impression on the public and on the jury. The district-attorney concluded by insisting, that in default of Javert, the three witnesses Brevet, Chenildieu, and Cochepaille should be heard once more and solemnly interrogated.

The President transmitted the order to an usher, and, a moment later, the door of the witnesses’ room opened. The usher, accompanied by a gendarme ready to lend him armed assistance, introduced the convict Brevet. The audience was in suspense; and all breasts heaved as though they had contained but one soul.

The ex-convict Brevet wore the black and gray waistcoat of the central prisons. Brevet was a person sixty years of age, who had a sort of business man’s face, and the air of a rascal. The two sometimes go together. In prison, whither fresh misdeeds had led him, he had become something in the nature of a turnkey. He was a man of whom his superiors said, “He tries to make himself of use.” The chaplains bore good testimony as to his religious habits. It must not be forgotten that this passed under the Restoration.

“Brevet,” said the President, “you have undergone an ignominious sentence, and you cannot take an oath.”

Brevet dropped his eyes.

“Nevertheless,” continued the President, “even in the man whom the law has degraded, there may remain, when the divine mercy permits it, a sentiment of honor and of equity. It is to this sentiment that I appeal at this decisive hour. If it still exists in you—and I hope it does—reflect before replying to me: consider on the one hand, this man, whom a word from you may ruin; on the other hand, justice, which a word from you may enlighten. The instant is solemn; there is still time to retract if you think you have been mistaken. Rise, prisoner. Brevet, take a good look at the accused, recall your souvenirs, and tell us on your soul and conscience, if you persist in recognizing this man as your former companion in the galleys, Jean Valjean?”

Brevet looked at the prisoner, then turned towards the court.

“Yes, Mr. President, I was the first to recognize him, and I stick to it; that man is Jean Valjean, who entered at Toulon in 1796, and left in 1815. I left a year later. He has the air of a brute now; but it must be because age has brutalized him; he was sly at the galleys: I recognize him positively.”

“Take your seat,” said the President. “Prisoner, remain standing.”

Chenildieu was brought in, a prisoner for life, as was indicated by his red cassock and his green cap. He was serving out his sentence at the galleys of Toulon, whence he had been brought for this case. He was a small man of about fifty, brisk, wrinkled, frail, yellow, brazen-faced, feverish, who had a sort of sickly feebleness about all his limbs and his whole person, and an immense force in his glance. His companions in the galleys had nicknamed him I-deny-God (Je-nie Dieu, Chenildieu).

The President addressed him in nearly the same words which he had used to Brevet. At the moment when he reminded him of his infamy which deprived him of the right to take an oath, Chenildieu raised his head and looked the crowd in the face. The President invited him to reflection, and asked him as he had asked Brevet, if he persisted in recognition of the prisoner.

Chenildieu burst out laughing.

“Pardieu, as if I didn’t recognize him! We were attached to the same chain for five years. So you are sulking, old fellow?”

“Go take your seat,” said the President.

The usher brought in Cochepaille. He was another convict for life, who had come from the galleys, and was dressed in red, like Chenildieu, was a peasant from Lourdes, and a half-bear of the Pyrenees. He had guarded the flocks among the mountains, and from a shepherd he had slipped into a brigand. Cochepaille was no less savage and seemed even more stupid than the prisoner. He was one of those wretched men whom nature has sketched out for wild beasts, and on whom society puts the finishing touches as convicts in the galleys.

The President tried to touch him with some grave and pathetic words, and asked him, as he had asked the other two, if he persisted, without hesitation or trouble, in recognizing the man who was standing before him.

“He is Jean Valjean,” said Cochepaille. “He was even called Jean-the-Screw, because he was so strong.”

Each of these affirmations from these three men, evidently sincere and in good faith, had raised in the audience a murmur of bad augury for the prisoner—a murmur which increased and lasted longer each time that a fresh declaration was added to the proceeding.

The prisoner had listened to them, with that astounded face which was, according to the accusation, his principal means of defence; at the first, the gendarmes, his neighbors, had heard him mutter between his teeth: “Ah, well, he’s a nice one!” after the second, he said, a little louder, with an air that was almost that of satisfaction, “Good!” at the third, he cried, “Famous!”

The President addressed him:—

“Have you heard, prisoner? What have you to say?”

He replied:—

“I say, ‘Famous!’ ”

An uproar broke out among the audience, and was communicated to the jury; it was evident that the man was lost.

“Ushers,” said the President, “enforce silence! I am going to sum up the arguments.”

At that moment there was a movement just beside the President; a voice was heard crying:—

“Brevet! Chenildieu! Cochepaille! look here!”

All who heard that voice were chilled, so lamentable and terrible was it; all eyes were turned to the point whence it had proceeded. A man, placed among the privileged spectators who were seated behind the court, had just risen, had pushed open the half-door which separated the tribunal from the audience, and was standing in the middle of the hall; the President, the district-attorney, M. Bamatabois, twenty persons, recognized him, and exclaimed in concert:—

“M. Madeleine!”

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