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Les Misérables: III The Extreme Edge

Les Misérables
III The Extreme Edge
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

III The Extreme Edge

Marius had reached the Halles.

There everything was still calmer, more obscure and more motionless than in the neighboring streets. One would have said that the glacial peace of the sepulchre had sprung forth from the earth and had spread over the heavens.

Nevertheless, a red glow brought out against this black background the lofty roofs of the houses which barred the Rue de la Chanvrerie on the Saint-Eustache side. It was the reflection of the torch which was burning in the Corinthe barricade. Marius directed his steps towards that red light. It had drawn him to the Marché-aux-Poirées, and he caught a glimpse of the dark mouth of the Rue des Prêcheurs. He entered it. The insurgents’ sentinel, who was guarding the other end, did not see him. He felt that he was very close to that which he had come in search of, and he walked on tiptoe. In this manner he reached the elbow of that short section of the Rue Mondétour which was, as the reader will remember, the only communication which Enjolras had preserved with the outside world. At the corner of the last house, on his left, he thrust his head forward, and looked into the fragment of the Rue Mondétour.

A little beyond the angle of the lane and the Rue de la Chanvrerie which cast a broad curtain of shadow, in which he was himself engulfed, he perceived some light on the pavement, a bit of the wine-shop, and beyond, a flickering lamp within a sort of shapeless wall, and men crouching down with guns on their knees. All this was ten fathoms distant from him. It was the interior of the barricade.

The houses which bordered the lane on the right concealed the rest of the wine-shop, the large barricade, and the flag from him.

Marius had but a step more to take.

Then the unhappy young man seated himself on a post, folded his arms, and fell to thinking about his father.

He thought of that heroic Colonel Pontmercy, who had been so proud a soldier, who had guarded the frontier of France under the Republic, and had touched the frontier of Asia under Napoleon, who had beheld Genoa, Alexandria, Milan, Turin, Madrid, Vienna, Dresden, Berlin, Moscow, who had left on all the victorious battlefields of Europe drops of that same blood, which he, Marius, had in his veins, who had grown gray before his time in discipline and command, who had lived with his sword-belt buckled, his epaulets falling on his breast, his cockade blackened with powder, his brow furrowed with his helmet, in barracks, in camp, in the bivouac, in ambulances, and who, at the expiration of twenty years, had returned from the great wars with a scarred cheek, a smiling countenance, tranquil, admirable, pure as a child, having done everything for France and nothing against her.

He said to himself that his day had also come now, that his hour had struck, that following his father, he too was about to show himself brave, intrepid, bold, to run to meet the bullets, to offer his breast to bayonets, to shed his blood, to seek the enemy, to seek death, that he was about to wage war in his turn and descend to the field of battle, and that the field of battle upon which he was to descend was the street, and that the war in which he was about to engage was civil war!

He beheld civil war laid open like a gulf before him, and into this he was about to fall. Then he shuddered.

He thought of his father’s sword, which his grandfather had sold to a secondhand dealer, and which he had so mournfully regretted. He said to himself that that chaste and valiant sword had done well to escape from him, and to depart in wrath into the gloom; that if it had thus fled, it was because it was intelligent and because it had foreseen the future; that it had had a presentiment of this rebellion, the war of the gutters, the war of the pavements, fusillades through cellar-windows, blows given and received in the rear; it was because, coming from Marengo and Friedland, it did not wish to go to the Rue de la Chanvrerie; it was because, after what it had done with the father, it did not wish to do this for the son! He told himself that if that sword were there, if after taking possession of it at his father’s pillow, he had dared to take it and carry it off for this combat of darkness between Frenchmen in the streets, it would assuredly have scorched his hands and burst out aflame before his eyes, like the sword of the angel! He told himself that it was fortunate that it was not there and that it had disappeared, that that was well, that that was just, that his grandfather had been the true guardian of his father’s glory, and that it was far better that the colonel’s sword should be sold at auction, sold to the old-clothes man, thrown among the old junk, than that it should, today, wound the side of his country.

And then he fell to weeping bitterly.

This was horrible. But what was he to do? Live without Cosette he could not. Since she was gone, he must needs die. Had he not given her his word of honor that he would die? She had gone knowing that; this meant that it pleased her that Marius should die. And then, it was clear that she no longer loved him, since she had departed thus without warning, without a word, without a letter, although she knew his address! What was the good of living, and why should he live now? And then, what! should he retreat after going so far? should he flee from danger after having approached it? should he slip away after having come and peeped into the barricade? slip away, all in a tremble, saying: “After all, I have had enough of it as it is. I have seen it, that suffices, this is civil war, and I shall take my leave!” Should he abandon his friends who were expecting him? Who were in need of him possibly! who were a mere handful against an army! Should he be untrue at once to his love, to country, to his word? Should he give to his cowardice the pretext of patriotism? But this was impossible, and if the phantom of his father was there in the gloom, and beheld him retreating, he would beat him on the loins with the flat of his sword, and shout to him: “March on, you poltroon!”

Thus a prey to the conflicting movements of his thoughts, he dropped his head.

All at once he raised it. A sort of splendid rectification had just been effected in his mind. There is a widening of the sphere of thought which is peculiar to the vicinity of the grave; it makes one see clearly to be near death. The vision of the action into which he felt that he was, perhaps, on the point of entering, appeared to him no more as lamentable, but as superb. The war of the street was suddenly transfigured by some unfathomable inward working of his soul, before the eye of his thought. All the tumultuous interrogation points of reverie recurred to him in throngs, but without troubling him. He left none of them unanswered.

Let us see, why should his father be indignant? Are there not cases where insurrection rises to the dignity of duty? What was there that was degrading for the son of Colonel Pontmercy in the combat which was about to begin? It is no longer Montmirail nor Champaubert; it is something quite different. The question is no longer one of sacred territory—but of a holy idea. The country wails, that may be, but humanity applauds. But is it true that the country does wail? France bleeds, but liberty smiles; and in the presence of liberty’s smile, France forgets her wound. And then if we look at things from a still more lofty point of view, why do we speak of civil war?

Civil war—what does that mean? Is there a foreign war? Is not all war between men, war between brothers? War is qualified only by its object. There is no such thing as foreign or civil war; there is only just and unjust war. Until that day when the grand human agreement is concluded, war, that at least which is the effort of the future, which is hastening on against the past, which is lagging in the rear, may be necessary. What have we to reproach that war with? War does not become a disgrace, the sword does not become a disgrace, except when it is used for assassinating the right, progress, reason, civilization, truth. Then war, whether foreign or civil, is iniquitous; it is called crime. Outside the pale of that holy thing, justice, by what right does one form of man despise another? By what right should the sword of Washington disown the pike of Camille Desmoulins? Leonidas against the stranger, Timoleon against the tyrant, which is the greater? the one is the defender, the other the liberator. Shall we brand every appeal to arms within a city’s limits without taking the object into a consideration? Then note the infamy of Brutus, Marcel, Arnould von Blankenheim, Coligny, Hedgerow war? War of the streets? Why not? That was the war of Ambiorix, of Artevelde, of Marnix, of Pelagius. But Ambiorix fought against Rome, Artevelde against France, Marnix against Spain, Pelagius against the Moors; all against the foreigner. Well, the monarchy is a foreigner; oppression is a stranger; the right divine is a stranger. Despotism violates the moral frontier, an invasion violates the geographical frontier. Driving out the tyrant or driving out the English, in both cases, regaining possession of one’s own territory. There comes an hour when protestation no longer suffices; after philosophy, action is required; live force finishes what the idea has sketched out; Prometheus chained begins, Arostogeiton ends; the encyclopedia enlightens souls, the 10th of August electrifies them. After Aeschylus, Thrasybulus; after Diderot, Danton. Multitudes have a tendency to accept the master. Their mass bears witness to apathy. A crowd is easily led as a whole to obedience. Men must be stirred up, pushed on, treated roughly by the very benefit of their deliverance, their eyes must be wounded by the true, light must be hurled at them in terrible handfuls. They must be a little thunderstruck themselves at their own well-being; this dazzling awakens them. Hence the necessity of tocsins and wars. Great combatants must rise, must enlighten nations with audacity, and shake up that sad humanity which is covered with gloom by the right divine, Caesarian glory, force, fanaticism, irresponsible power, and absolute majesty; a rabble stupidly occupied in the contemplation, in their twilight splendor, of these sombre triumphs of the night. Down with the tyrant! Of whom are you speaking? Do you call Louis Philippe the tyrant? No; no more than Louis XVI. Both of them are what history is in the habit of calling good kings; but principles are not to be parcelled out, the logic of the true is rectilinear, the peculiarity of truth is that it lacks complaisance; no concessions, then; all encroachments on man should be repressed. There is a divine right in Louis XVI, there is because a Bourbon in Louis Philippe; both represent in a certain measure the confiscation of right, and, in order to clear away universal insurrection, they must be combated; it must be done, France being always the one to begin. When the master falls in France, he falls everywhere. In short, what cause is more just, and consequently, what war is greater, than that which reestablishes social truth, restores her throne to liberty, restores the people to the people, restores sovereignty to man, replaces the purple on the head of France, restores equity and reason in their plenitude, suppresses every germ of antagonism by restoring each one to himself, annihilates the obstacle which royalty presents to the whole immense universal concord, and places the human race once more on a level with the right? These wars build up peace. An enormous fortress of prejudices, privileges, superstitions, lies, exactions, abuses, violences, iniquities, and darkness still stands erect in this world, with its towers of hatred. It must be cast down. This monstrous mass must be made to crumble. To conquer at Austerlitz is grand; to take the Bastille is immense.

There is no one who has not noticed it in his own case—the soul—and therein lies the marvel of its unity complicated with ubiquity, has a strange aptitude for reasoning almost coldly in the most violent extremities, and it often happens that heartbroken passion and profound despair in the very agony of their blackest monologues, treat subjects and discuss theses. Logic is mingled with convulsion, and the thread of the syllogism floats, without breaking, in the mournful storm of thought. This was the situation of Marius’ mind.

As he meditated thus, dejected but resolute, hesitating in every direction, and, in short, shuddering at what he was about to do, his glance strayed to the interior of the barricade. The insurgents were here conversing in a low voice, without moving, and there was perceptible that quasi-silence which marks the last stage of expectation. Overhead, at the small window in the third story Marius descried a sort of spectator who appeared to him to be singularly attentive. This was the porter who had been killed by Le Cabuc. Below, by the lights of the torch, which was thrust between the paving-stones, this head could be vaguely distinguished. Nothing could be stranger, in that sombre and uncertain gleam, than that livid, motionless, astonished face, with its bristling hair, its eyes fixed and staring, and its yawning mouth, bent over the street in an attitude of curiosity. One would have said that the man who was dead was surveying those who were about to die. A long trail of blood which had flowed from that head, descended in reddish threads from the window to the height of the first floor, where it stopped.

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