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Les Misérables: XVI How from a Brother One Becomes a Father

Les Misérables
XVI How from a Brother One Becomes a Father
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

XVI How from a Brother One Becomes a Father

At that same moment, in the garden of the Luxembourg—for the gaze of the drama must be everywhere present—two children were holding each other by the hand. One might have been seven years old, the other five. The rain having soaked them, they were walking along the paths on the sunny side; the elder was leading the younger; they were pale and ragged; they had the air of wild birds. The smaller of them said: “I am very hungry.”

The elder, who was already somewhat of a protector, was leading his brother with his left hand and in his right he carried a small stick.

They were alone in the garden. The garden was deserted, the gates had been closed by order of the police, on account of the insurrection. The troops who had been bivouacking there had departed for the exigencies of combat.

How did those children come there? Perhaps they had escaped from some guardhouse which stood ajar; perhaps there was in the vicinity, at the Barrière d’Enfer; or on the Esplanade de l’Observatoire, or in the neighboring carrefour, dominated by the pediment on which could be read: Invenerunt parvulum pannis involutum, some mountebank’s booth from which they had fled; perhaps they had, on the preceding evening, escaped the eye of the inspectors of the garden at the hour of closing, and had passed the night in some one of those sentry-boxes where people read the papers? The fact is, they were stray lambs and they seemed free. To be astray and to seem free is to be lost. These poor little creatures were, in fact, lost.

These two children were the same over whom Gavroche had been put to some trouble, as the reader will recollect. Children of the Thénardiers, leased out to Magnon, attributed to M. Gillenormand, and now leaves fallen from all these rootless branches, and swept over the ground by the wind. Their clothing, which had been clean in Magnon’s day, and which had served her as a prospectus with M. Gillenormand, had been converted into rags.

Henceforth these beings belonged to the statistics as “Abandoned children,” whom the police take note of, collect, mislay and find again on the pavements of Paris.

It required the disturbance of a day like that to account for these miserable little creatures being in that garden. If the superintendents had caught sight of them, they would have driven such rags forth. Poor little things do not enter public gardens; still, people should reflect that, as children, they have a right to flowers.

These children were there, thanks to the locked gates. They were there contrary to the regulations. They had slipped into the garden and there they remained. Closed gates do not dismiss the inspectors, oversight is supposed to continue, but it grows slack and reposes; and the inspectors, moved by the public anxiety and more occupied with the outside than the inside, no longer glanced into the garden, and had not seen the two delinquents.

It had rained the night before, and even a little in the morning. But in June, showers do not count for much. An hour after a storm, it can hardly be seen that the beautiful blonde day has wept. The earth, in summer, is as quickly dried as the cheek of a child. At that period of the solstice, the light of full noonday is, so to speak, poignant. It takes everything. It applies itself to the earth, and superposes itself with a sort of suction. One would say that the sun was thirsty. A shower is but a glass of water; a rainstorm is instantly drunk up. In the morning everything was dripping, in the afternoon everything is powdered over.

Nothing is so worthy of admiration as foliage washed by the rain and wiped by the rays of sunlight; it is warm freshness. The gardens and meadows, having water at their roots, and sun in their flowers, become perfuming-pans of incense, and smoke with all their odors at once. Everything smiles, sings and offers itself. One feels gently intoxicated. The springtime is a provisional paradise, the sun helps man to have patience.

There are beings who demand nothing further; mortals, who, having the azure of heaven, say: “It is enough!” dreamers absorbed in the wonderful, dipping into the idolatry of nature, indifferent to good and evil, contemplators of cosmos and radiantly forgetful of man, who do not understand how people can occupy themselves with the hunger of these, and the thirst of those, with the nudity of the poor in winter, with the lymphatic curvature of the little spinal column, with the pallet, the attic, the dungeon, and the rags of shivering young girls, when they can dream beneath the trees; peaceful and terrible spirits they, and pitilessly satisfied. Strange to say, the infinite suffices them. That great need of man, the finite, which admits of embrace, they ignore. The finite which admits of progress and sublime toil, they do not think about. The indefinite, which is born from the human and divine combination of the infinite and the finite, escapes them. Provided that they are face to face with immensity, they smile. Joy never, ecstasy forever. Their life lies in surrendering their personality in contemplation. The history of humanity is for them only a detailed plan. All is not there; the true All remains without; what is the use of busying oneself over that detail, man? Man suffers, that is quite possible; but look at Aldebaran rising! The mother has no more milk, the newborn babe is dying. I know nothing about that, but just look at this wonderful rosette which a slice of wood-cells of the pine presents under the microscope! Compare the most beautiful Mechlin lace to that if you can! These thinkers forget to love. The zodiac thrives with them to such a point that it prevents their seeing the weeping child. God eclipses their souls. This is a family of minds which are, at once, great and petty. Horace was one of them; so was Goethe. La Fontaine perhaps; magnificent egoists of the infinite, tranquil spectators of sorrow, who do not behold Nero if the weather be fair, for whom the sun conceals the funeral pile, who would look on at an execution by the guillotine in the search for an effect of light, who hear neither the cry nor the sob, nor the death rattle, nor the alarm peal, for whom everything is well, since there is a month of May, who, so long as there are clouds of purple and gold above their heads, declare themselves content, and who are determined to be happy until the radiance of the stars and the songs of the birds are exhausted.

These are dark radiances. They have no suspicion that they are to be pitied. Certainly they are so. He who does not weep does not see. They are to be admired and pitied, as one would both pity and admire a being at once night and day, without eyes beneath his lashes but with a star on his brow.

The indifference of these thinkers, is, according to some, a superior philosophy. That may be; but in this superiority there is some infirmity. One may be immortal and yet limp: witness Vulcan. One may be more than man and less than man. There is incomplete immensity in nature. Who knows whether the sun is not a blind man?

But then, what? In whom can we trust? Solem quis dicere falsum audeat? Who shall dare to say that the sun is false? Thus certain geniuses, themselves, certain Very-Lofty mortals, man-stars, may be mistaken? That which is on high at the summit, at the crest, at the zenith, that which sends down so much light on the earth, sees but little, sees badly, sees not at all? Is not this a desperate state of things? No. But what is there, then, above the sun? The god.

On the 6th of June, 1832, about eleven o’clock in the morning, the Luxembourg, solitary and depopulated, was charming. The quincunxes and flowerbeds shed forth balm and dazzling beauty into the sunlight. The branches, wild with the brilliant glow of midday, seemed endeavoring to embrace. In the sycamores there was an uproar of linnets, sparrows triumphed, woodpeckers climbed along the chestnut trees, administering little pecks on the bark. The flowerbeds accepted the legitimate royalty of the lilies; the most august of perfumes is that which emanates from whiteness. The peppery odor of the carnations was perceptible. The old crows of Marie de Medici were amorous in the tall trees. The sun gilded, empurpled, set fire to and lighted up the tulips, which are nothing but all the varieties of flame made into flowers. All around the banks of tulips the bees, the sparks of these flame-flowers, hummed. All was grace and gayety, even the impending rain; this relapse, by which the lilies of the valley and the honeysuckles were destined to profit, had nothing disturbing about it; the swallows indulged in the charming threat of flying low. He who was there aspired to happiness; life smelled good; all nature exhaled candor, help, assistance, paternity, caress, dawn. The thoughts which fell from heaven were as sweet as the tiny hand of a baby when one kisses it.

The statues under the trees, white and nude, had robes of shadow pierced with light; these goddesses were all tattered with sunlight; rays hung from them on all sides. Around the great fountain, the earth was already dried up to the point of being burnt. There was sufficient breeze to raise little insurrections of dust here and there. A few yellow leaves, left over from the autumn, chased each other merrily, and seemed to be playing tricks on each other.

This abundance of light had something indescribably reassuring about it. Life, sap, heat, odors overflowed; one was conscious, beneath creation, of the enormous size of the source; in all these breaths permeated with love, in this interchange of reverberations and reflections, in this marvellous expenditure of rays, in this infinite outpouring of liquid gold, one felt the prodigality of the inexhaustible; and, behind this splendor as behind a curtain of flame, one caught a glimpse of God, that millionaire of stars.

Thanks to the sand, there was not a speck of mud; thanks to the rain, there was not a grain of ashes. The clumps of blossoms had just been bathed; every sort of velvet, satin, gold and varnish, which springs from the earth in the form of flowers, was irreproachable. This magnificence was cleanly. The grand silence of happy nature filled the garden. A celestial silence that is compatible with a thousand sorts of music, the cooing of nests, the buzzing of swarms, the flutterings of the breeze. All the harmony of the season was complete in one gracious whole; the entrances and exits of spring took place in proper order; the lilacs ended; the jasmines began; some flowers were tardy, some insects in advance of their time; the vanguard of the red June butterflies fraternized with the rearguard of the white butterflies of May. The plantain trees were getting their new skins. The breeze hollowed out undulations in the magnificent enormity of the chestnut-trees. It was splendid. A veteran from the neighboring barracks, who was gazing through the fence, said: “Here is the Spring presenting arms and in full uniform.”

All nature was breakfasting; creation was at table; this was its hour; the great blue cloth was spread in the sky, and the great green cloth on earth; the sun lighted it all up brilliantly. God was serving the universal repast. Each creature had his pasture or his mess. The ringdove found his hemp-seed, the chaffinch found his millet, the goldfinch found chickweed, the redbreast found worms, the green finch found flies, the fly found infusoriae, the bee found flowers. They ate each other somewhat, it is true, which is the misery of evil mixed with good; but not a beast of them all had an empty stomach.

The two little abandoned creatures had arrived in the vicinity of the grand fountain, and, rather bewildered by all this light, they tried to hide themselves, the instinct of the poor and the weak in the presence of even impersonal magnificence; and they kept behind the swans’ hutch.

Here and there, at intervals, when the wind blew, shouts, clamor, a sort of tumultuous death rattle, which was the firing, and dull blows, which were discharges of cannon, struck the ear confusedly. Smoke hung over the roofs in the direction of the Halles. A bell, which had the air of an appeal, was ringing in the distance.

These children did not appear to notice these noises. The little one repeated from time to time: “I am hungry.”

Almost at the same instant with the children, another couple approached the great basin. They consisted of a goodman, about fifty years of age, who was leading by the hand a little fellow of six. No doubt, a father and his son. The little man of six had a big brioche.

At that epoch, certain houses abutting on the river, in the Rues Madame and d’Enfer, had keys to the Luxembourg garden, of which the lodgers enjoyed the use when the gates were shut, a privilege which was suppressed later on. This father and son came from one of these houses, no doubt.

The two poor little creatures watched “that gentleman” approaching, and hid themselves a little more thoroughly.

He was a bourgeois. The same person, perhaps, whom Marius had one day heard, through his love fever, near the same grand basin, counselling his son “to avoid excesses.” He had an affable and haughty air, and a mouth which was always smiling, since it did not shut. This mechanical smile, produced by too much jaw and too little skin, shows the teeth rather than the soul. The child, with his brioche, which he had bitten into but had not finished eating, seemed satiated. The child was dressed as a National Guardsman, owing to the insurrection, and the father had remained clad as a bourgeois out of prudence.

Father and son halted near the fountain where two swans were sporting. This bourgeois appeared to cherish a special admiration for the swans. He resembled them in this sense, that he walked like them.

For the moment, the swans were swimming, which is their principal talent, and they were superb.

If the two poor little beings had listened and if they had been of an age to understand, they might have gathered the words of this grave man. The father was saying to his son:

“The sage lives content with little. Look at me, my son. I do not love pomp. I am never seen in clothes decked with gold lace and stones; I leave that false splendor to badly organized souls.”

Here the deep shouts which proceeded from the direction of the Halles burst out with fresh force of bell and uproar.

“What is that?” inquired the child.

The father replied:

“It is the Saturnalia.”

All at once, he caught sight of the two little ragged boys behind the green swan-hutch.

“There is the beginning,” said he.

And, after a pause, he added:

“Anarchy is entering this garden.”

In the meanwhile, his son took a bite of his brioche, spit it out, and, suddenly burst out crying.

“What are you crying about?” demanded his father.

“I am not hungry any more,” said the child.

The father’s smile became more accentuated.

“One does not need to be hungry in order to eat a cake.”

“My cake tires me. It is stale.”

“Don’t you want any more of it?”

“No.”

The father pointed to the swans.

“Throw it to those palmipeds.”

The child hesitated. A person may not want any more of his cake; but that is no reason for giving it away.

The father went on:

“Be humane. You must have compassion on animals.”

And, taking the cake from his son, he flung it into the basin.

The cake fell very near the edge.

The swans were far away, in the centre of the basin, and busy with some prey. They had seen neither the bourgeois nor the brioche.

The bourgeois, feeling that the cake was in danger of being wasted, and moved by this useless shipwreck, entered upon a telegraphic agitation, which finally attracted the attention of the swans.

They perceived something floating, steered for the edge like ships, as they are, and slowly directed their course toward the brioche, with the stupid majesty which befits white creatures.

“The swans96 understand signs,”97 said the bourgeois, delighted to make a jest.

At that moment, the distant tumult of the city underwent another sudden increase. This time it was sinister. There are some gusts of wind which speak more distinctly than others. The one which was blowing at that moment brought clearly defined drumbeats, clamors, platoon firing, and the dismal replies of the tocsin and the cannon. This coincided with a black cloud which suddenly veiled the sun.

The swans had not yet reached the brioche.

“Let us return home,” said the father, “they are attacking the Tuileries.”

He grasped his son’s hand again. Then he continued:

“From the Tuileries to the Luxembourg, there is but the distance which separates Royalty from the peerage; that is not far. Shots will soon rain down.”

He glanced at the cloud.

“Perhaps it is rain itself that is about to shower down; the sky is joining in; the younger branch is condemned. Let us return home quickly.”

“I should like to see the swans eat the brioche,” said the child.

The father replied:

“That would be imprudent.”

And he led his little bourgeois away.

The son, regretting the swans, turned his head back toward the basin until a corner of the quincunxes concealed it from him.

In the meanwhile, the two little waifs had approached the brioche at the same time as the swans. It was floating on the water. The smaller of them stared at the cake, the elder gazed after the retreating bourgeois.

Father and son entered the labyrinth of walks which leads to the grand flight of steps near the clump of trees on the side of the Rue Madame.

As soon as they had disappeared from view, the elder child hastily flung himself flat on his stomach on the rounding curb of the basin, and clinging to it with his left hand, and leaning over the water, on the verge of falling in, he stretched out his right hand with his stick towards the cake. The swans, perceiving the enemy, made haste, and in so doing, they produced an effect of their breasts which was of service to the little fisher; the water flowed back before the swans, and one of these gentle concentric undulations softly floated the brioche towards the child’s wand. Just as the swans came up, the stick touched the cake. The child gave it a brisk rap, drew in the brioche, frightened away the swans, seized the cake, and sprang to his feet. The cake was wet; but they were hungry and thirsty. The elder broke the cake into two portions, a large one and a small one, took the small one for himself, gave the large one to his brother, and said to him:

“Ram that into your muzzle.”

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