Skip to main content

Les Misérables: VII Napoleon in a Good Humor

Les Misérables
VII Napoleon in a Good Humor
    • Notifications
    • Privacy
  • Project HomeLes Misérables
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

VII Napoleon in a Good Humor

The Emperor, though ill and discommoded on horseback by a local trouble, had never been in a better humor than on that day. His impenetrability had been smiling ever since the morning. On the 18th of June, that profound soul masked by marble beamed blindly. The man who had been gloomy at Austerlitz was gay at Waterloo. The greatest favorites of destiny make mistakes. Our joys are composed of shadow. The supreme smile is God’s alone.

Ridet Caesar, Pompeius flebit, said the legionaries of the Fulminatrix Legion. Pompey was not destined to weep on that occasion, but it is certain that Caesar laughed. While exploring on horseback at one o’clock on the preceding night, in storm and rain, in company with Bertrand, the communes in the neighborhood of Rossomme, satisfied at the sight of the long line of the English campfires illuminating the whole horizon from Frischemont to Braine-l’Alleud, it had seemed to him that fate, to whom he had assigned a day on the field of Waterloo, was exact to the appointment; he stopped his horse, and remained for some time motionless, gazing at the lightning and listening to the thunder; and this fatalist was heard to cast into the darkness this mysterious saying, “We are in accord.” Napoleon was mistaken. They were no longer in accord.

He took not a moment for sleep; every instant of that night was marked by a joy for him. He traversed the line of the principal outposts, halting here and there to talk to the sentinels. At half-past two, near the wood of Hougomont, he heard the tread of a column on the march; he thought at the moment that it was a retreat on the part of Wellington. He said: “It is the rearguard of the English getting under way for the purpose of decamping. I will take prisoners the six thousand English who have just arrived at Ostend.” He conversed expansively; he regained the animation which he had shown at his landing on the first of March, when he pointed out to the Grand-Marshal the enthusiastic peasant of the Gulf Juan, and cried, “Well, Bertrand, here is a reinforcement already!” On the night of the 17th to the 18th of June he rallied Wellington. “That little Englishman needs a lesson,” said Napoleon. The rain redoubled in violence; the thunder rolled while the Emperor was speaking.

At half-past three o’clock in the morning, he lost one illusion; officers who had been despatched to reconnoitre announced to him that the enemy was not making any movement. Nothing was stirring; not a bivouac-fire had been extinguished; the English army was asleep. The silence on earth was profound; the only noise was in the heavens. At four o’clock, a peasant was brought in to him by the scouts; this peasant had served as guide to a brigade of English cavalry, probably Vivian’s brigade, which was on its way to take up a position in the village of Ohain, at the extreme left. At five o’clock, two Belgian deserters reported to him that they had just quitted their regiment, and that the English army was ready for battle. “So much the better!” exclaimed Napoleon. “I prefer to overthrow them rather than to drive them back.”

In the morning he dismounted in the mud on the slope which forms an angle with the Plancenoit road, had a kitchen table and a peasant’s chair brought to him from the farm of Rossomme, seated himself, with a truss of straw for a carpet, and spread out on the table the chart of the battlefield, saying to Soult as he did so, “A pretty checkerboard.”

In consequence of the rains during the night, the transports of provisions, embedded in the soft roads, had not been able to arrive by morning; the soldiers had had no sleep; they were wet and fasting. This did not prevent Napoleon from exclaiming cheerfully to Ney, “We have ninety chances out of a hundred.” At eight o’clock the Emperor’s breakfast was brought to him. He invited many generals to it. During breakfast, it was said that Wellington had been to a ball two nights before, in Brussels, at the Duchess of Richmond’s; and Soult, a rough man of war, with a face of an archbishop, said, “The ball takes place today.” The Emperor jested with Ney, who said, “Wellington will not be so simple as to wait for Your Majesty.” That was his way, however. “He was fond of jesting,” says Fleury de Chaboulon. “A merry humor was at the foundation of his character,” says Gourgaud. “He abounded in pleasantries, which were more peculiar than witty,” says Benjamin Constant. These gayeties of a giant are worthy of insistence. It was he who called his grenadiers “his grumblers;” he pinched their ears; he pulled their moustaches. “The Emperor did nothing but play pranks on us,” is the remark of one of them. During the mysterious trip from the island of Elba to France, on the 27th of February, on the open sea, the French brig of war, Le Zéphyr, having encountered the brig L’Inconstant, on which Napoleon was concealed, and having asked the news of Napoleon from L’Inconstant, the Emperor, who still wore in his hat the white and amaranthine cockade sown with bees, which he had adopted at the isle of Elba, laughingly seized the speaking-trumpet, and answered for himself, “The Emperor is well.” A man who laughs like that is on familiar terms with events. Napoleon indulged in many fits of this laughter during the breakfast at Waterloo. After breakfast he meditated for a quarter of an hour; then two generals seated themselves on the truss of straw, pen in hand and their paper on their knees, and the Emperor dictated to them the order of battle.

At nine o’clock, at the instant when the French army, ranged in echelons and set in motion in five columns, had deployed—the divisions in two lines, the artillery between the brigades, the music at their head; as they beat the march, with rolls on the drums and the blasts of trumpets, mighty, vast, joyous, a sea of casques, of sabres, and of bayonets on the horizon, the Emperor was touched, and twice exclaimed, “Magnificent! Magnificent!”

Between nine o’clock and half-past ten the whole army, incredible as it may appear, had taken up its position and ranged itself in six lines, forming, to repeat the Emperor’s expression, “the figure of six V’s.” A few moments after the formation of the battle-array, in the midst of that profound silence, like that which heralds the beginning of a storm, which precedes engagements, the Emperor tapped Haxo on the shoulder, as he beheld the three batteries of twelve-pounders, detached by his orders from the corps of Erlon, Reille, and Lobau, and destined to begin the action by taking Mont-Saint-Jean, which was situated at the intersection of the Nivelles and the Genappe roads, and said to him, “There are four and twenty handsome maids, General.”

Sure of the issue, he encouraged with a smile, as they passed before him, the company of sappers of the first corps, which he had appointed to barricade Mont-Saint-Jean as soon as the village should be carried. All this serenity had been traversed by but a single word of haughty pity; perceiving on his left, at a spot where there now stands a large tomb, those admirable Scotch Grays, with their superb horses, massing themselves, he said, “It is a pity.”

Then he mounted his horse, advanced beyond Rossomme, and selected for his post of observation a contracted elevation of turf to the right of the road from Genappe to Brussels, which was his second station during the battle. The third station, the one adopted at seven o’clock in the evening, between La Belle-Alliance and La Haie-Sainte, is formidable; it is a rather elevated knoll, which still exists, and behind which the guard was massed on a slope of the plain. Around this knoll the balls rebounded from the pavements of the road, up to Napoleon himself. As at Brienne, he had over his head the shriek of the bullets and of the heavy artillery. Mouldy cannonballs, old sword-blades, and shapeless projectiles, eaten up with rust, were picked up at the spot where his horse’s feet stood. Scabra rubigine. A few years ago, a shell of sixty pounds, still charged, and with its fuse broken off level with the bomb, was unearthed. It was at this last post that the Emperor said to his guide, Lacoste, a hostile and terrified peasant, who was attached to the saddle of a hussar, and who turned round at every discharge of canister and tried to hide behind Napoleon: “Fool, it is shameful! You’ll get yourself killed with a ball in the back.” He who writes these lines has himself found, in the friable soil of this knoll, on turning over the sand, the remains of the neck of a bomb, disintegrated, by the oxidization of six and forty years, and old fragments of iron which parted like elder-twigs between the fingers.

Everyone is aware that the variously inclined undulations of the plains, where the engagement between Napoleon and Wellington took place, are no longer what they were on June 18, 1815. By taking from this mournful field the wherewithal to make a monument to it, its real relief has been taken away, and history, disconcerted, no longer finds her bearings there. It has been disfigured for the sake of glorifying it. Wellington, when he beheld Waterloo once more, two years later, exclaimed, “They have altered my field of battle!” Where the great pyramid of earth, surmounted by the lion, rises today, there was a hillock which descended in an easy slope towards the Nivelles road, but which was almost an escarpment on the side of the highway to Genappe. The elevation of this escarpment can still be measured by the height of the two knolls of the two great sepulchres which enclose the road from Genappe to Brussels: one, the English tomb, is on the left; the other, the German tomb, is on the right. There is no French tomb. The whole of that plain is a sepulchre for France. Thanks to the thousands upon thousands of cartloads of earth employed in the hillock one hundred and fifty feet in height and half a mile in circumference, the plateau of Mont-Saint-Jean is now accessible by an easy slope. On the day of battle, particularly on the side of La Haie-Sainte, it was abrupt and difficult of approach. The slope there is so steep that the English cannon could not see the farm, situated in the bottom of the valley, which was the centre of the combat. On the 18th of June, 1815, the rains had still farther increased this acclivity, the mud complicated the problem of the ascent, and the men not only slipped back, but stuck fast in the mire. Along the crest of the plateau ran a sort of trench whose presence it was impossible for the distant observer to divine.

What was this trench? Let us explain. Braine-l’Alleud is a Belgian village; Ohain is another. These villages, both of them concealed in curves of the landscape, are connected by a road about a league and a half in length, which traverses the plain along its undulating level, and often enters and buries itself in the hills like a furrow, which makes a ravine of this road in some places. In 1815, as at the present day, this road cut the crest of the plateau of Mont-Saint-Jean between the two highways from Genappe and Nivelles; only, it is now on a level with the plain; it was then a hollow way. Its two slopes have been appropriated for the monumental hillock. This road was, and still is, a trench throughout the greater portion of its course; a hollow trench, sometimes a dozen feet in depth, and whose banks, being too steep, crumbled away here and there, particularly in winter, under driving rains. Accidents happened here. The road was so narrow at the Braine-l’Alleud entrance that a passerby was crushed by a cart, as is proved by a stone cross which stands near the cemetery, and which gives the name of the dead, “Monsieur Bernard Debrye, Merchant of Brussels,” and the date of the accident, “February, 1637.”20 It was so deep on the tableland of Mont-Saint-Jean that a peasant, Mathieu Nicaise, was crushed there, in 1783, by a slide from the slope, as is stated on another stone cross, the top of which has disappeared in the process of clearing the ground, but whose overturned pedestal is still visible on the grassy slope to the left of the highway between La Haie-Sainte and the farm of Mont-Saint-Jean.

On the day of battle, this hollow road whose existence was in no way indicated, bordering the crest of Mont-Saint-Jean, a trench at the summit of the escarpment, a rut concealed in the soil, was invisible; that is to say, terrible.

Annotate

Next Chapter
VIII The Emperor Puts a Question to the Guide Lacoste
PreviousNext
Main Text
The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook.
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org