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Les Misérables: I

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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

I

Javert passed slowly down the Rue de l’Homme Armé.

He walked with drooping head for the first time in his life, and likewise, for the first time in his life, with his hands behind his back.

Up to that day, Javert had borrowed from Napoleon’s attitudes, only that which is expressive of resolution, with arms folded across the chest; that which is expressive of uncertainty—with the hands behind the back—had been unknown to him. Now, a change had taken place; his whole person, slow and sombre, was stamped with anxiety.

He plunged into the silent streets.

Nevertheless, he followed one given direction.

He took the shortest cut to the Seine, reached the Quai des Ormes, skirted the quay, passed the Grève, and halted at some distance from the post of the Place du Châtelet, at the angle of the Pont Notre-Dame. There, between the Notre-Dame and the Pont au Change on the one hand, and the Quai de la Mégisserie and the Quai aux Fleurs on the other, the Seine forms a sort of square lake, traversed by a rapid.

This point of the Seine is dreaded by mariners. Nothing is more dangerous than this rapid, hemmed in, at that epoch, and irritated by the piles of the mill on the bridge, now demolished. The two bridges, situated thus close together, augment the peril; the water hurries in formidable wise through the arches. It rolls in vast and terrible waves; it accumulates and piles up there; the flood attacks the piles of the bridges as though in an effort to pluck them up with great liquid ropes. Men who fall in there never reappear; the best of swimmers are drowned there.

Javert leaned both elbows on the parapet, his chin resting in both hands, and, while his nails were mechanically twined in the abundance of his whiskers, he meditated.

A novelty, a revolution, a catastrophe had just taken place in the depths of his being; and he had something upon which to examine himself.

Javert was undergoing horrible suffering.

For several hours, Javert had ceased to be simple. He was troubled; that brain, so limpid in its blindness, had lost its transparency; that crystal was clouded. Javert felt duty divided within his conscience, and he could not conceal the fact from himself. When he had so unexpectedly encountered Jean Valjean on the banks of the Seine, there had been in him something of the wolf which regains his grip on his prey, and of the dog who finds his master again.

He beheld before him two paths, both equally straight, but he beheld two; and that terrified him; him, who had never in all his life known more than one straight line. And, the poignant anguish lay in this, that the two paths were contrary to each other. One of these straight lines excluded the other. Which of the two was the true one?

His situation was indescribable.

To owe his life to a malefactor, to accept that debt and to repay it; to be, in spite of himself, on a level with a fugitive from justice, and to repay his service with another service; to allow it to be said to him, “Go,” and to say to the latter in his turn: “Be free;” to sacrifice to personal motives duty, that general obligation, and to be conscious, in those personal motives, of something that was also general, and, perchance, superior, to betray society in order to remain true to his conscience; that all these absurdities should be realized and should accumulate upon him—this was what overwhelmed him.

One thing had amazed him—this was that Jean Valjean should have done him a favor, and one thing petrified him—that he, Javert, should have done Jean Valjean a favor.

Where did he stand? He sought to comprehend his position, and could no longer find his bearings.

What was he to do now? To deliver up Jean Valjean was bad; to leave Jean Valjean at liberty was bad. In the first case, the man of authority fell lower than the man of the galleys, in the second, a convict rose above the law, and set his foot upon it. In both cases, dishonor for him, Javert. There was disgrace in any resolution at which he might arrive. Destiny has some extremities which rise perpendicularly from the impossible, and beyond which life is no longer anything but a precipice. Javert had reached one of those extremities.

One of his anxieties consisted in being constrained to think. The very violence of all these conflicting emotions forced him to it. Thought was something to which he was unused, and which was peculiarly painful.

In thought there always exists a certain amount of internal rebellion; and it irritated him to have that within him.

Thought on any subject whatever, outside of the restricted circle of his functions, would have been for him in any case useless and a fatigue; thought on the day which had just passed was a torture. Nevertheless, it was indispensable that he should take a look into his conscience, after such shocks, and render to himself an account of himself.

What he had just done made him shudder. He, Javert, had seen fit to decide, contrary to all the regulations of the police, contrary to the whole social and judicial organization, contrary to the entire code, upon a release; this had suited him; he had substituted his own affairs for the affairs of the public; was not this unjustifiable? Every time that he brought himself face to face with this deed without a name which he had committed, he trembled from head to foot. Upon what should he decide? One sole resource remained to him; to return in all haste to the Rue de l’Homme Armé, and commit Jean Valjean to prison. It was clear that that was what he ought to do. He could not.

Something barred his way in that direction.

Something? What? Is there in the world, anything outside of the tribunals, executory sentences, the police and the authorities? Javert was overwhelmed.

A galley-slave sacred! A convict who could not be touched by the law! And that the deed of Javert!

Was it not a fearful thing that Javert and Jean Valjean, the man made to proceed with vigor, the man made to submit—that these two men who were both the things of the law, should have come to such a pass, that both of them had set themselves above the law? What then! such enormities were to happen and no one was to be punished! Jean Valjean, stronger than the whole social order, was to remain at liberty, and he, Javert, was to go on eating the government’s bread!

His reverie gradually became terrible.

He might, athwart this reverie, have also reproached himself on the subject of that insurgent who had been taken to the Rue des Filles-du-Calvaire; but he never even thought of that. The lesser fault was lost in the greater. Besides, that insurgent was, obviously, a dead man, and, legally, death puts an end to pursuit.

Jean Valjean was the load which weighed upon his spirit.

Jean Valjean disconcerted him. All the axioms which had served him as points of support all his life long, had crumbled away in the presence of this man. Jean Valjean’s generosity towards him, Javert, crushed him. Other facts which he now recalled, and which he had formerly treated as lies and folly, now recurred to him as realities. M. Madeleine reappeared behind Jean Valjean, and the two figures were superposed in such fashion that they now formed but one, which was venerable. Javert felt that something terrible was penetrating his soul—admiration for a convict. Respect for a galley-slave—is that a possible thing? He shuddered at it, yet could not escape from it. In vain did he struggle, he was reduced to confess, in his inmost heart, the sublimity of that wretch. This was odious.

A benevolent malefactor, merciful, gentle, helpful, clement, a convict, returning good for evil, giving back pardon for hatred, preferring pity to vengeance, preferring to ruin himself rather than to ruin his enemy, saving him who had smitten him, kneeling on the heights of virtue, more nearly akin to an angel than to a man. Javert was constrained to admit to himself that this monster existed.

Things could not go on in this manner.

Certainly, and we insist upon this point, he had not yielded without resistance to that monster, to that infamous angel, to that hideous hero, who enraged almost as much as he amazed him. Twenty times, as he sat in that carriage face to face with Jean Valjean, the legal tiger had roared within him. A score of times he had been tempted to fling himself upon Jean Valjean, to seize him and devour him, that is to say, to arrest him. What more simple, in fact? To cry out at the first post that they passed:—“Here is a fugitive from justice, who has broken his ban!” to summon the gendarmes and say to them: “This man is yours!” then to go off, leaving that condemned man there, to ignore the rest and not to meddle further in the matter. This man is forever a prisoner of the law; the law may do with him what it will. What could be more just? Javert had said all this to himself; he had wished to pass beyond, to act, to apprehend the man, and then, as at present, he had not been able to do it; and every time that his arm had been raised convulsively towards Jean Valjean’s collar, his hand had fallen back again, as beneath an enormous weight, and in the depths of his thought he had heard a voice, a strange voice crying to him:—“It is well. Deliver up your savior. Then have the basin of Pontius Pilate brought and wash your claws.”

Then his reflections reverted to himself and beside Jean Valjean glorified he beheld himself, Javert, degraded.

A convict was his benefactor!

But then, why had he permitted that man to leave him alive? He had the right to be killed in that barricade. He should have asserted that right. It would have been better to summon the other insurgents to his succor against Jean Valjean, to get himself shot by force.

His supreme anguish was the loss of certainty. He felt that he had been uprooted. The code was no longer anything more than a stump in his hand. He had to deal with scruples of an unknown species. There had taken place within him a sentimental revelation entirely distinct from legal affirmation, his only standard of measurement hitherto. To remain in his former uprightness did not suffice. A whole order of unexpected facts had cropped up and subjugated him. A whole new world was dawning on his soul: kindness accepted and repaid, devotion, mercy, indulgence, violences committed by pity on austerity, respect for persons, no more definitive condemnation, no more conviction, the possibility of a tear in the eye of the law, no one knows what justice according to God, running in inverse sense to justice according to men. He perceived amid the shadows the terrible rising of an unknown moral sun; it horrified and dazzled him. An owl forced to the gaze of an eagle.

He said to himself that it was true that there were exceptional cases, that authority might be put out of countenance, that the rule might be inadequate in the presence of a fact, that everything could not be framed within the text of the code, that the unforeseen compelled obedience, that the virtue of a convict might set a snare for the virtue of the functionary, that destiny did indulge in such ambushes, and he reflected with despair that he himself had not even been fortified against a surprise.

He was forced to acknowledge that goodness did exist. This convict had been good. And he himself, unprecedented circumstance, had just been good also. So he was becoming depraved.

He found that he was a coward. He conceived a horror of himself.

Javert’s ideal, was not to be human, to be grand, to be sublime; it was to be irreproachable.

Now, he had just failed in this.

How had he come to such a pass? How had all this happened? He could not have told himself. He clasped his head in both hands, but in spite of all that he could do, he could not contrive to explain it to himself.

He had certainly always entertained the intention of restoring Jean Valjean to the law of which Jean Valjean was the captive, and of which he, Javert, was the slave. Not for a single instant while he held him in his grasp had he confessed to himself that he entertained the idea of releasing him. It was, in some sort, without his consciousness, that his hand had relaxed and had let him go free.

All sorts of interrogation points flashed before his eyes. He put questions to himself, and made replies to himself, and his replies frightened him. He asked himself: “What has that convict done, that desperate fellow, whom I have pursued even to persecution, and who has had me under his foot, and who could have avenged himself, and who owed it both to his rancor and to his safety, in leaving me my life, in showing mercy upon me? His duty? No. Something more. And I in showing mercy upon him in my turn—what have I done? My duty? No. Something more. So there is something beyond duty?” Here he took fright; his balance became disjointed; one of the scales fell into the abyss, the other rose heavenward, and Javert was no less terrified by the one which was on high than by the one which was below. Without being in the least in the world what is called Voltairian or a philosopher, or incredulous, being, on the contrary, respectful by instinct, towards the established church, he knew it only as an august fragment of the social whole; order was his dogma, and sufficed for him; ever since he had attained to man’s estate and the rank of a functionary, he had centred nearly all his religion in the police. Being—and here we employ words without the least irony and in their most serious acceptation, being, as we have said, a spy as other men are priests. He had a superior, M. Gisquet; up to that day he had never dreamed of that other superior, God.

This new chief, God, he became unexpectedly conscious of, and he felt embarrassed by him. This unforeseen presence threw him off his bearings; he did not know what to do with this superior, he, who was not ignorant of the fact that the subordinate is bound always to bow, that he must not disobey, nor find fault, nor discuss, and that, in the presence of a superior who amazes him too greatly, the inferior has no other resource than that of handing in his resignation.

But how was he to set about handing in his resignation to God?

However things might stand—and it was to this point that he reverted constantly—one fact dominated everything else for him, and that was, that he had just committed a terrible infraction of the law. He had just shut his eyes on an escaped convict who had broken his ban. He had just set a galley-slave at large. He had just robbed the laws of a man who belonged to them. That was what he had done. He no longer understood himself. The very reasons for his action escaped him; only their vertigo was left with him. Up to that moment he had lived with that blind faith which gloomy probity engenders. This faith had quitted him, this probity had deserted him. All that he had believed in melted away. Truths which he did not wish to recognize were besieging him, inexorably. Henceforth, he must be a different man. He was suffering from the strange pains of a conscience abruptly operated on for the cataract. He saw that which it was repugnant to him to behold. He felt himself emptied, useless, put out of joint with his past life, turned out, dissolved. Authority was dead within him. He had no longer any reason for existing.

A terrible situation! to be touched.

To be granite and to doubt! to be the statue of Chastisement cast in one piece in the mould of the law, and suddenly to become aware of the fact that one cherishes beneath one’s breast of bronze something absurd and disobedient which almost resembles a heart! To come to the pass of returning good for good, although one has said to oneself up to that day that that good is evil! to be the watchdog, and to lick the intruder’s hand! to be ice and melt! to be the pincers and to turn into a hand! to suddenly feel one’s fingers opening! to relax one’s grip—what a terrible thing!

The man-projectile no longer acquainted with his route and retreating!

To be obliged to confess this to oneself: infallibility is not infallible, there may exist error in the dogma, all has not been said when a code speaks, society is not perfect, authority is complicated with vacillation, a crack is possible in the immutable, judges are but men, the law may err, tribunals may make a mistake! to behold a rift in the immense blue pane of the firmament!

That which was passing in Javert was the Fampoux of a rectilinear conscience, the derailment of a soul, the crushing of a probity which had been irresistibly launched in a straight line and was breaking against God. It certainly was singular that the stoker of order, that the engineer of authority, mounted on the blind iron horse with its rigid road, could be unseated by a flash of light! that the immovable, the direct, the correct, the geometrical, the passive, the perfect, could bend! that there should exist for the locomotive a road to Damascus!

God, always within man, and refractory, He, the true conscience, to the false; a prohibition to the spark to die out; an order to the ray to remember the sun; an injunction to the soul to recognize the veritable absolute when confronted with the fictitious absolute, humanity which cannot be lost; the human heart indestructible; that splendid phenomenon, the finest, perhaps, of all our interior marvels, did Javert understand this? Did Javert penetrate it? Did Javert account for it to himself? Evidently he did not. But beneath the pressure of that incontestable incomprehensibility he felt his brain bursting.

He was less the man transfigured than the victim of this prodigy. In all this he perceived only the tremendous difficulty of existence. It seemed to him that, henceforth, his respiration was repressed forever. He was not accustomed to having something unknown hanging over his head.

Up to this point, everything above him had been, to his gaze, merely a smooth, limpid and simple surface; there was nothing incomprehensible, nothing obscure; nothing that was not defined, regularly disposed, linked, precise, circumscribed, exact, limited, closed, fully provided for; authority was a plane surface; there was no fall in it, no dizziness in its presence. Javert had never beheld the unknown except from below. The irregular, the unforeseen, the disordered opening of chaos, the possible slip over a precipice—this was the work of the lower regions, of rebels, of the wicked, of wretches. Now Javert threw himself back, and he was suddenly terrified by this unprecedented apparition: a gulf on high.

What! one was dismantled from top to bottom! one was disconcerted, absolutely! In what could one trust! That which had been agreed upon was giving way! What! the defect in society’s armor could be discovered by a magnanimous wretch! What! an honest servitor of the law could suddenly find himself caught between two crimes—the crime of allowing a man to escape and the crime of arresting him! everything was not settled in the orders given by the State to the functionary! There might be blind alleys in duty! What—all this was real! was it true that an ex-ruffian, weighed down with convictions, could rise erect and end by being in the right? Was this credible? were there cases in which the law should retire before transfigured crime, and stammer its excuses?—Yes, that was the state of the case! and Javert saw it! and Javert had touched it! and not only could he not deny it, but he had taken part in it. These were realities. It was abominable that actual facts could reach such deformity. If facts did their duty, they would confine themselves to being proofs of the law; facts—it is God who sends them. Was anarchy, then, on the point of now descending from on high?

Thus—and in the exaggeration of anguish, and the optical illusion of consternation, all that might have corrected and restrained this impression was effaced, and society, and the human race, and the universe were, henceforth, summed up in his eyes, in one simple and terrible feature—thus the penal laws, the thing judged, the force due to legislation, the decrees of the sovereign courts, the magistracy, the government, prevention, repression, official cruelty, wisdom, legal infallibility, the principle of authority, all the dogmas on which rest political and civil security, sovereignty, justice, public truth, all this was rubbish, a shapeless mass, chaos; he himself, Javert, the spy of order, incorruptibility in the service of the police, the bulldog providence of society, vanquished and hurled to earth; and, erect, at the summit of all that ruin, a man with a green cap on his head and a halo round his brow; this was the astounding confusion to which he had come; this was the fearful vision which he bore within his soul.

Was this to be endured? No.

A violent state, if ever such existed. There were only two ways of escaping from it. One was to go resolutely to Jean Valjean, and restore to his cell the convict from the galleys. The other. …

Javert quitted the parapet, and, with head erect this time, betook himself, with a firm tread, towards the station-house indicated by a lantern at one of the corners of the Place du Châtelet.

On arriving there, he saw through the window a sergeant of police, and he entered. Policemen recognize each other by the very way in which they open the door of a station-house. Javert mentioned his name, showed his card to the sergeant, and seated himself at the table of the post on which a candle was burning. On a table lay a pen, a leaden inkstand and paper, provided in the event of possible reports and the orders of the night patrols. This table, still completed by its straw-seated chair, is an institution; it exists in all police stations; it is invariably ornamented with a boxwood saucer filled with sawdust and a wafer box of cardboard filled with red wafers, and it forms the lowest stage of official style. It is there that the literature of the State has its beginning.

Javert took a pen and a sheet of paper, and began to write. This is what he wrote:

A few observations for the good of the service

In the first place: I beg Monsieur le Préfet to cast his eyes on this.

Secondly: prisoners, on arriving after examination, take off their shoes and stand barefoot on the flagstones while they are being searched. Many of them cough on their return to prison. This entails hospital expenses.

Thirdly: the mode of keeping track of a man with relays of police agents from distance to distance, is good, but, on important occasions, it is requisite that at least two agents should never lose sight of each other, so that, in case one agent should, for any cause, grow weak in his service, the other may supervise him and take his place.

Fourthly: it is inexplicable why the special regulation of the prison of the Madelonettes interdicts the prisoner from having a chair, even by paying for it.

Fifthly: in the Madelonettes there are only two bars to the canteen, so that the canteen woman can touch the prisoners with her hand.

Sixthly: the prisoners called barkers, who summon the other prisoners to the parlor, force the prisoner to pay them two sous to call his name distinctly. This is a theft.

Seventhly: for a broken thread ten sous are withheld in the weaving shop; this is an abuse of the contractor, since the cloth is none the worse for it.

Eighthly: it is annoying for visitors to La Force to be obliged to traverse the boys’ court in order to reach the parlor of Sainte-Marie-l’Égyptienne.

Ninthly: it is a fact that any day gendarmes can be overheard relating in the courtyard of the prefecture the interrogations put by the magistrates to prisoners. For a gendarme, who should be sworn to secrecy, to repeat what he has heard in the examination room is a grave disorder.

Tenthly: Mme. Henry is an honest woman; her canteen is very neat; but it is bad to have a woman keep the wicket to the mousetrap of the secret cells. This is unworthy of the Conciergerie of a great civilization.”

Javert wrote these lines in his calmest and most correct chirography, not omitting a single comma, and making the paper screech under his pen. Below the last line he signed:

Javert,

Inspector of the 1st class.
The Post of the Place du Châtelet.
June 7th, 1832,
about one o’clock in the morning.

Javert dried the fresh ink on the paper, folded it like a letter, sealed it, wrote on the back: “Note for the administration,” left it on the table, and quitted the post. The glazed and grated door fell to behind him.

Again he traversed the Place du Châtelet diagonally, regained the quay, and returned with automatic precision to the very point which he had abandoned a quarter of an hour previously, leaned on his elbows and found himself again in the same attitude on the same paving-stone of the parapet. He did not appear to have stirred.

The darkness was complete. It was the sepulchral moment which follows midnight. A ceiling of clouds concealed the stars. Not a single light burned in the houses of the city; no one was passing; all of the streets and quays which could be seen were deserted; Notre-Dame and the towers of the Courthouse seemed features of the night. A street lantern reddened the margin of the quay. The outlines of the bridges lay shapeless in the mist one behind the other. Recent rains had swollen the river.

The spot where Javert was leaning was, it will be remembered, situated precisely over the rapids of the Seine, perpendicularly above that formidable spiral of whirlpools which loose and knot themselves again like an endless screw.

Javert bent his head and gazed. All was black. Nothing was to be distinguished. A sound of foam was audible; but the river could not be seen. At moments, in that dizzy depth, a gleam of light appeared, and undulated vaguely, water possessing the power of taking light, no one knows whence, and converting it into a snake. The light vanished, and all became indistinct once more. Immensity seemed thrown open there. What lay below was not water, it was a gulf. The wall of the quay, abrupt, confused, mingled with the vapors, instantly concealed from sight, produced the effect of an escarpment of the infinite. Nothing was to be seen, but the hostile chill of the water and the stale odor of the wet stones could be felt. A fierce breath rose from this abyss. The flood in the river, divined rather than perceived, the tragic whispering of the waves, the melancholy vastness of the arches of the bridge, the imaginable fall into that gloomy void, into all that shadow was full of horror.

Javert remained motionless for several minutes, gazing at this opening of shadow; he considered the invisible with a fixity that resembled attention. The water roared. All at once he took off his hat and placed it on the edge of the quay. A moment later, a tall black figure, which a belated passerby in the distance might have taken for a phantom, appeared erect upon the parapet of the quay, bent over towards the Seine, then drew itself up again, and fell straight down into the shadows; a dull splash followed; and the shadow alone was in the secret of the convulsions of that obscure form which had disappeared beneath the water.

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