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Les Misérables: VI Sister Simplice Put to the Proof

Les Misérables
VI Sister Simplice Put to the Proof
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

VI Sister Simplice Put to the Proof

But at that moment Fantine was joyous.

She had passed a very bad night; her cough was frightful; her fever had doubled in intensity; she had had dreams: in the morning, when the doctor paid his visit, she was delirious; he assumed an alarmed look, and ordered that he should be informed as soon as M. Madeleine arrived.

All the morning she was melancholy, said but little, and laid plaits in her sheets, murmuring the while, in a low voice, calculations which seemed to be calculations of distances. Her eyes were hollow and staring. They seemed almost extinguished at intervals, then lighted up again and shone like stars. It seems as though, at the approach of a certain dark hour, the light of heaven fills those who are quitting the light of earth.

Each time that Sister Simplice asked her how she felt, she replied invariably, “Well. I should like to see M. Madeleine.”

Some months before this, at the moment when Fantine had just lost her last modesty, her last shame, and her last joy, she was the shadow of herself; now she was the spectre of herself. Physical suffering had completed the work of moral suffering. This creature of five and twenty had a wrinkled brow, flabby cheeks, pinched nostrils, teeth from which the gums had receded, a leaden complexion, a bony neck, prominent shoulder-blades, frail limbs, a clayey skin, and her golden hair was growing out sprinkled with gray. Alas! how illness improvises old-age!

At midday the physician returned, gave some directions, inquired whether the mayor had made his appearance at the infirmary, and shook his head.

M. Madeleine usually came to see the invalid at three o’clock. As exactness is kindness, he was exact.

About half-past two, Fantine began to be restless. In the course of twenty minutes, she asked the nun more than ten times, “What time is it, sister?”

Three o’clock struck. At the third stroke, Fantine sat up in bed; she who could, in general, hardly turn over, joined her yellow, fleshless hands in a sort of convulsive clasp, and the nun heard her utter one of those profound sighs which seem to throw off dejection. Then Fantine turned and looked at the door.

No one entered; the door did not open.

She remained thus for a quarter of an hour, her eyes riveted on the door, motionless and apparently holding her breath. The sister dared not speak to her. The clock struck a quarter past three. Fantine fell back on her pillow.

She said nothing, but began to plait the sheets once more.

Half an hour passed, then an hour, no one came; every time the clock struck, Fantine started up and looked towards the door, then fell back again.

Her thought was clearly perceptible, but she uttered no name, she made no complaint, she blamed no one. But she coughed in a melancholy way. One would have said that something dark was descending upon her. She was livid and her lips were blue. She smiled now and then.

Five o’clock struck. Then the sister heard her say, very low and gently, “He is wrong not to come today, since I am going away tomorrow.”

Sister Simplice herself was surprised at M. Madeleine’s delay.

In the meantime, Fantine was staring at the tester of her bed. She seemed to be endeavoring to recall something. All at once she began to sing in a voice as feeble as a breath. The nun listened. This is what Fantine was singing:—

Lovely things we will buy
As we stroll the faubourgs through.
Roses are pink, cornflowers are blue,
I love my love, cornflowers are blue.

Yestere’en the Virgin Mary came near my stove, in a broidered mantle clad, and said to me, ‘Here, hide ’neath my veil the child whom you one day begged from me. Haste to the city, buy linen, buy a needle, buy thread.’

Lovely things we will buy
As we stroll the faubourgs through.

Dear Holy Virgin, beside my stove I have set a cradle with ribbons decked. God may give me his loveliest star; I prefer the child thou hast granted me. ‘Madame, what shall I do with this linen fine?’—‘Make of it clothes for thy newborn babe.’

Roses are pink and cornflowers are blue,
I love my love, and cornflowers are blue.

‘Wash this linen.’—‘Where?’—‘In the stream. Make of it, soiling not, spoiling not, a petticoat fair with its bodice fine, which I will embroider and fill with flowers.’—‘Madame, the child is no longer here; what is to be done?’—‘Then make of it a winding-sheet in which to bury me.’

Lovely things we will buy
As we stroll the faubourgs through,
Roses are pink, cornflowers are blue,
I love my love, cornflowers are blue.

This song was an old cradle romance with which she had, in former days, lulled her little Cosette to sleep, and which had never recurred to her mind in all the five years during which she had been parted from her child. She sang it in so sad a voice, and to so sweet an air, that it was enough to make anyone, even a nun, weep. The sister, accustomed as she was to austerities, felt a tear spring to her eyes.

The clock struck six. Fantine did not seem to hear it. She no longer seemed to pay attention to anything about her.

Sister Simplice sent a serving-maid to inquire of the portress of the factory, whether the mayor had returned, and if he would not come to the infirmary soon. The girl returned in a few minutes.

Fantine was still motionless and seemed absorbed in her own thoughts.

The servant informed Sister Simplice in a very low tone, that the mayor had set out that morning before six o’clock, in a little tilbury harnessed to a white horse, cold as the weather was; that he had gone alone, without even a driver; that no one knew what road he had taken; that people said he had been seen to turn into the road to Arras; that others asserted that they had met him on the road to Paris. That when he went away he had been very gentle, as usual, and that he had merely told the portress not to expect him that night.

While the two women were whispering together, with their backs turned to Fantine’s bed, the sister interrogating, the servant conjecturing, Fantine, with the feverish vivacity of certain organic maladies, which unite the free movements of health with the frightful emaciation of death, had raised herself to her knees in bed, with her shrivelled hands resting on the bolster, and her head thrust through the opening of the curtains, and was listening. All at once she cried:—

“You are speaking of M. Madeleine! Why are you talking so low? What is he doing? Why does he not come?”

Her voice was so abrupt and hoarse that the two women thought they heard the voice of a man; they wheeled round in affright.

“Answer me!” cried Fantine.

The servant stammered:—

“The portress told me that he could not come today.”

“Be calm, my child,” said the sister; “lie down again.”

Fantine, without changing her attitude, continued in a loud voice, and with an accent that was both imperious and heartrending:—

“He cannot come? Why not? You know the reason. You are whispering it to each other there. I want to know it.”

The servant-maid hastened to say in the nun’s ear, “Say that he is busy with the city council.”

Sister Simplice blushed faintly, for it was a lie that the maid had proposed to her.

On the other hand, it seemed to her that the mere communication of the truth to the invalid would, without doubt, deal her a terrible blow, and that this was a serious matter in Fantine’s present state. Her flush did not last long; the sister raised her calm, sad eyes to Fantine, and said, “Monsieur le Maire has gone away.”

Fantine raised herself and crouched on her heels in the bed: her eyes sparkled; indescribable joy beamed from that melancholy face.

“Gone!” she cried; “he has gone to get Cosette.”

Then she raised her arms to heaven, and her white face became ineffable; her lips moved; she was praying in a low voice.

When her prayer was finished, “Sister,” she said, “I am willing to lie down again; I will do anything you wish; I was naughty just now; I beg your pardon for having spoken so loud; it is very wrong to talk loudly; I know that well, my good sister, but, you see, I am very happy: the good God is good; M. Madeleine is good; just think! he has gone to Montfermeil to get my little Cosette.”

She lay down again, with the nun’s assistance, helped the nun to arrange her pillow, and kissed the little silver cross which she wore on her neck, and which Sister Simplice had given her.

“My child,” said the sister, “try to rest now, and do not talk any more.”

Fantine took the sister’s hand in her moist hands, and the latter was pained to feel that perspiration.

“He set out this morning for Paris; in fact, he need not even go through Paris; Montfermeil is a little to the left as you come thence. Do you remember how he said to me yesterday, when I spoke to him of Cosette, Soon, soon? He wants to give me a surprise, you know! he made me sign a letter so that she could be taken from the Thénardiers; they cannot say anything, can they? they will give back Cosette, for they have been paid; the authorities will not allow them to keep the child since they have received their pay. Do not make signs to me that I must not talk, sister! I am extremely happy; I am doing well; I am not ill at all any more; I am going to see Cosette again; I am even quite hungry; it is nearly five years since I saw her last; you cannot imagine how much attached one gets to children, and then, she will be so pretty; you will see! If you only knew what pretty little rosy fingers she had! In the first place, she will have very beautiful hands; she had ridiculous hands when she was only a year old; like this! she must be a big girl now; she is seven years old; she is quite a young lady; I call her Cosette, but her name is really Euphrasie. Stop! this morning I was looking at the dust on the chimneypiece, and I had a sort of idea come across me, like that, that I should see Cosette again soon. Mon Dieu! how wrong it is not to see one’s children for years! One ought to reflect that life is not eternal. Oh, how good M. le Maire is to go! it is very cold! it is true; he had on his cloak, at least? he will be here tomorrow, will he not? tomorrow will be a festival day; tomorrow morning, sister, you must remind me to put on my little cap that has lace on it. What a place that Montfermeil is! I took that journey on foot once; it was very long for me, but the diligences go very quickly! he will be here tomorrow with Cosette: how far is it from here to Montfermeil?”

The sister, who had no idea of distances, replied, “Oh, I think that he will be here tomorrow.”

“Tomorrow! tomorrow!” said Fantine, “I shall see Cosette tomorrow! you see, good sister of the good God, that I am no longer ill; I am mad; I could dance if anyone wished it.”

A person who had seen her a quarter of an hour previously would not have understood the change; she was all rosy now; she spoke in a lively and natural voice; her whole face was one smile; now and then she talked, she laughed softly; the joy of a mother is almost infantile.

“Well,” resumed the nun, “now that you are happy, mind me, and do not talk any more.”

Fantine laid her head on her pillow and said in a low voice: “Yes, lie down again; be good, for you are going to have your child; Sister Simplice is right; everyone here is right.”

And then, without stirring, without even moving her head, she began to stare all about her with wide-open eyes and a joyous air, and she said nothing more.

The sister drew the curtains together again, hoping that she would fall into a doze. Between seven and eight o’clock the doctor came; not hearing any sound, he thought Fantine was asleep, entered softly, and approached the bed on tiptoe; he opened the curtains a little, and, by the light of the taper, he saw Fantine’s big eyes gazing at him.

She said to him, “She will be allowed to sleep beside me in a little bed, will she not, sir?”

The doctor thought that she was delirious. She added:—

“See! there is just room.”

The doctor took Sister Simplice aside, and she explained matters to him; that M. Madeleine was absent for a day or two, and that in their doubt they had not thought it well to undeceive the invalid, who believed that the mayor had gone to Montfermeil; that it was possible, after all, that her guess was correct: the doctor approved.

He returned to Fantine’s bed, and she went on:—

“You see, when she wakes up in the morning, I shall be able to say good morning to her, poor kitten, and when I cannot sleep at night, I can hear her asleep; her little gentle breathing will do me good.”

“Give me your hand,” said the doctor.

She stretched out her arm, and exclaimed with a laugh:—

“Ah, hold! in truth, you did not know it; I am cured; Cosette will arrive tomorrow.”

The doctor was surprised; she was better; the pressure on her chest had decreased; her pulse had regained its strength; a sort of life had suddenly supervened and reanimated this poor, worn-out creature.

“Doctor,” she went on, “did the sister tell you that M. le Maire has gone to get that mite of a child?”

The doctor recommended silence, and that all painful emotions should be avoided; he prescribed an infusion of pure chinchona, and, in case the fever should increase again during the night, a calming potion. As he took his departure, he said to the sister:—

“She is doing better; if good luck willed that the mayor should actually arrive tomorrow with the child, who knows? there are crises so astounding; great joy has been known to arrest maladies; I know well that this is an organic disease, and in an advanced state, but all those things are such mysteries: we may be able to save her.”

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