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Les Misérables: IX Thénardier and His Manouvres

Les Misérables
IX Thénardier and His Manouvres
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

IX Thénardier and His Manouvres

On the following morning, two hours at least before daybreak, Thénardier, seated beside a candle in the public room of the tavern, pen in hand, was making out the bill for the traveller with the yellow coat.

His wife, standing beside him, and half bent over him, was following him with her eyes. They exchanged not a word. On the one hand, there was profound meditation, on the other, the religious admiration with which one watches the birth and development of a marvel of the human mind. A noise was audible in the house; it was the Lark sweeping the stairs.

After the lapse of a good quarter of an hour, and some erasures, Thénardier produced the following masterpiece:—

Bill of the gentleman in No. 1.
Supper3 francs
Chamber10 francs
Candle5 francs
Fire4 francs
Service1 franc
Total23 francs

Service was written servisse.

“Twenty-three francs!” cried the woman, with an enthusiasm which was mingled with some hesitation.

Like all great artists, Thénardier was dissatisfied.

“Peuh!” he exclaimed.

It was the accent of Castlereagh auditing France’s bill at the Congress of Vienna.

“Monsieur Thénardier, you are right; he certainly owes that,” murmured the wife, who was thinking of the doll bestowed on Cosette in the presence of her daughters. “It is just, but it is too much. He will not pay it.”

Thénardier laughed coldly, as usual, and said:—

“He will pay.”

This laugh was the supreme assertion of certainty and authority. That which was asserted in this manner must needs be so. His wife did not insist.

She set about arranging the table; her husband paced the room. A moment later he added:—

“I owe full fifteen hundred francs!”

He went and seated himself in the chimney-corner, meditating, with his feet among the warm ashes.

“Ah! by the way,” resumed his wife, “you don’t forget that I’m going to turn Cosette out of doors today? The monster! She breaks my heart with that doll of hers! I’d rather marry Louis XVIII than keep her another day in the house!”

Thénardier lighted his pipe, and replied between two puffs:—

“You will hand that bill to the man.”

Then he went out.

Hardly had he left the room when the traveller entered.

Thénardier instantly reappeared behind him and remained motionless in the half-open door, visible only to his wife.

The yellow man carried his bundle and his cudgel in his hand.

“Up so early?” said Madame Thénardier; “is Monsieur leaving us already?”

As she spoke thus, she was twisting the bill about in her hands with an embarrassed air, and making creases in it with her nails. Her hard face presented a shade which was not habitual with it—timidity and scruples.

To present such a bill to a man who had so completely the air “of a poor wretch” seemed difficult to her.

The traveller appeared to be preoccupied and absentminded. He replied:—

“Yes, Madame, I am going.”

“So Monsieur has no business in Montfermeil?”

“No, I was passing through. That is all. What do I owe you, Madame,” he added.

The Thénardier silently handed him the folded bill.

The man unfolded the paper and glanced at it; but his thoughts were evidently elsewhere.

“Madame,” he resumed, “is business good here in Montfermeil?”

“So so, Monsieur,” replied the Thénardier, stupefied at not witnessing another sort of explosion.

She continued, in a dreary and lamentable tone:—

“Oh! Monsieur, times are so hard! and then, we have so few bourgeois in the neighborhood! All the people are poor, you see. If we had not, now and then, some rich and generous travellers like Monsieur, we should not get along at all. We have so many expenses. Just see, that child is costing us our very eyes.”

“What child?”

“Why, the little one, you know! Cosette—the Lark, as she is called hereabouts!”

“Ah!” said the man.

She went on:—

“How stupid these peasants are with their nicknames! She has more the air of a bat than of a lark. You see, sir, we do not ask charity, and we cannot bestow it. We earn nothing and we have to pay out a great deal. The license, the imposts, the door and window tax, the hundredths! Monsieur is aware that the government demands a terrible deal of money. And then, I have my daughters. I have no need to bring up other people’s children.”

The man resumed, in that voice which he strove to render indifferent, and in which there lingered a tremor:—

“What if one were to rid you of her?”

“Who? Cosette?”

“Yes.”

The landlady’s red and violent face brightened up hideously.

“Ah! sir, my dear sir, take her, keep her, lead her off, carry her away, sugar her, stuff her with truffles, drink her, eat her, and the blessings of the good holy Virgin and of all the saints of paradise be upon you!”

“Agreed.”

“Really! You will take her away?”

“I will take her away.”

“Immediately?”

“Immediately. Call the child.”

“Cosette!” screamed the Thénardier.

“In the meantime,” pursued the man, “I will pay you what I owe you. How much is it?”

He cast a glance on the bill, and could not restrain a start of surprise:—

“Twenty-three francs!”

He looked at the landlady, and repeated:—

“Twenty-three francs?”

There was in the enunciation of these words, thus repeated, an accent between an exclamation and an interrogation point.

The Thénardier had had time to prepare herself for the shock. She replied, with assurance:—

“Good gracious, yes, sir, it is twenty-three francs.”

The stranger laid five five-franc pieces on the table.

“Go and get the child,” said he.

At that moment Thénardier advanced to the middle of the room, and said:—

“Monsieur owes twenty-six sous.”

“Twenty-six sous!” exclaimed his wife.

“Twenty sous for the chamber,” resumed Thénardier, coldly, “and six sous for his supper. As for the child, I must discuss that matter a little with the gentleman. Leave us, wife.”

Madame Thénardier was dazzled as with the shock caused by unexpected lightning flashes of talent. She was conscious that a great actor was making his entrance on the stage, uttered not a word in reply, and left the room.

As soon as they were alone, Thénardier offered the traveller a chair. The traveller seated himself; Thénardier remained standing, and his face assumed a singular expression of good-fellowship and simplicity.

“Sir,” said he, “what I have to say to you is this, that I adore that child.”

The stranger gazed intently at him.

“What child?”

Thénardier continued:—

“How strange it is, one grows attached. What money is that? Take back your hundred-sou piece. I adore the child.”

“Whom do you mean?” demanded the stranger.

“Eh! our little Cosette! Are you not intending to take her away from us? Well, I speak frankly; as true as you are an honest man, I will not consent to it. I shall miss that child. I saw her first when she was a tiny thing. It is true that she costs us money; it is true that she has her faults; it is true that we are not rich; it is true that I have paid out over four hundred francs for drugs for just one of her illnesses! But one must do something for the good God’s sake. She has neither father nor mother. I have brought her up. I have bread enough for her and for myself. In truth, I think a great deal of that child. You understand, one conceives an affection for a person; I am a good sort of a beast, I am; I do not reason; I love that little girl; my wife is quick-tempered, but she loves her also. You see, she is just the same as our own child. I want to keep her to babble about the house.”

The stranger kept his eye intently fixed on Thénardier. The latter continued:—

“Excuse me, sir, but one does not give away one’s child to a passerby, like that. I am right, am I not? Still, I don’t say—you are rich; you have the air of a very good man—if it were for her happiness. But one must find out that. You understand: suppose that I were to let her go and to sacrifice myself, I should like to know what becomes of her; I should not wish to lose sight of her; I should like to know with whom she is living, so that I could go to see her from time to time; so that she may know that her good foster-father is alive, that he is watching over her. In short, there are things which are not possible. I do not even know your name. If you were to take her away, I should say: ‘Well, and the Lark, what has become of her?’ One must, at least, see some petty scrap of paper, some trifle in the way of a passport, you know!”

The stranger, still surveying him with that gaze which penetrates, as the saying goes, to the very depths of the conscience, replied in a grave, firm voice:—

“Monsieur Thénardier, one does not require a passport to travel five leagues from Paris. If I take Cosette away, I shall take her away, and that is the end of the matter. You will not know my name, you will not know my residence, you will not know where she is; and my intention is that she shall never set eyes on you again so long as she lives. I break the thread which binds her foot, and she departs. Does that suit you? Yes or no?”

Since geniuses, like demons, recognize the presence of a superior God by certain signs, Thénardier comprehended that he had to deal with a very strong person. It was like an intuition; he comprehended it with his clear and sagacious promptitude. While drinking with the carters, smoking, and singing coarse songs on the preceding evening, he had devoted the whole of the time to observing the stranger, watching him like a cat, and studying him like a mathematician. He had watched him, both on his own account, for the pleasure of the thing, and through instinct, and had spied upon him as though he had been paid for so doing. Not a movement, not a gesture, on the part of the man in the yellow greatcoat had escaped him. Even before the stranger had so clearly manifested his interest in Cosette, Thénardier had divined his purpose. He had caught the old man’s deep glances returning constantly to the child. Who was this man? Why this interest? Why this hideous costume, when he had so much money in his purse? Questions which he put to himself without being able to solve them, and which irritated him. He had pondered it all night long. He could not be Cosette’s father. Was he her grandfather? Then why not make himself known at once? When one has a right, one asserts it. This man evidently had no right over Cosette. What was it, then? Thénardier lost himself in conjectures. He caught glimpses of everything, but he saw nothing. Be that as it may, on entering into conversation with the man, sure that there was some secret in the case, that the latter had some interest in remaining in the shadow, he felt himself strong; when he perceived from the stranger’s clear and firm retort, that this mysterious personage was mysterious in so simple a way, he became conscious that he was weak. He had expected nothing of the sort. His conjectures were put to the rout. He rallied his ideas. He weighed everything in the space of a second. Thénardier was one of those men who take in a situation at a glance. He decided that the moment had arrived for proceeding straightforward, and quickly at that. He did as great leaders do at the decisive moment, which they know that they alone recognize; he abruptly unmasked his batteries.

“Sir,” said he, “I am in need of fifteen hundred francs.”

The stranger took from his side pocket an old pocketbook of black leather, opened it, drew out three bank-bills, which he laid on the table. Then he placed his large thumb on the notes and said to the innkeeper:—

“Go and fetch Cosette.”

While this was taking place, what had Cosette been doing?

On waking up, Cosette had run to get her shoe. In it she had found the gold piece. It was not a Napoleon; it was one of those perfectly new twenty-franc pieces of the Restoration, on whose effigy the little Prussian queue had replaced the laurel wreath. Cosette was dazzled. Her destiny began to intoxicate her. She did not know what a gold piece was; she had never seen one; she hid it quickly in her pocket, as though she had stolen it. Still, she felt that it really was hers; she guessed whence her gift had come, but the joy which she experienced was full of fear. She was happy; above all she was stupefied. Such magnificent and beautiful things did not appear real. The doll frightened her, the gold piece frightened her. She trembled vaguely in the presence of this magnificence. The stranger alone did not frighten her. On the contrary, he reassured her. Ever since the preceding evening, amid all her amazement, even in her sleep, she had been thinking in her little childish mind of that man who seemed to be so poor and so sad, and who was so rich and so kind. Everything had changed for her since she had met that good man in the forest. Cosette, less happy than the most insignificant swallow of heaven, had never known what it was to take refuge under a mother’s shadow and under a wing. For the last five years, that is to say, as far back as her memory ran, the poor child had shivered and trembled. She had always been exposed completely naked to the sharp wind of adversity; now it seemed to her she was clothed. Formerly her soul had seemed cold, now it was warm. Cosette was no longer afraid of the Thénardier. She was no longer alone; there was someone there.

She hastily set about her regular morning duties. That louis, which she had about her, in the very apron pocket whence the fifteen-sou piece had fallen on the night before, distracted her thoughts. She dared not touch it, but she spent five minutes in gazing at it, with her tongue hanging out, if the truth must be told. As she swept the staircase, she paused, remained standing there motionless, forgetful of her broom and of the entire universe, occupied in gazing at that star which was blazing at the bottom of her pocket.

It was during one of these periods of contemplation that the Thénardier joined her. She had gone in search of Cosette at her husband’s orders. What was quite unprecedented, she neither struck her nor said an insulting word to her.

“Cosette,” she said, almost gently, “come immediately.”

An instant later Cosette entered the public room.

The stranger took up the bundle which he had brought and untied it. This bundle contained a little woollen gown, an apron, a fustian bodice, a kerchief, a petticoat, woollen stockings, shoes—a complete outfit for a girl of seven years. All was black.

“My child,” said the man, “take these, and go and dress yourself quickly.”

Daylight was appearing when those of the inhabitants of Montfermeil who had begun to open their doors beheld a poorly clad old man leading a little girl dressed in mourning, and carrying a pink doll in her arms, pass along the road to Paris. They were going in the direction of Livry.

It was our man and Cosette.

No one knew the man; as Cosette was no longer in rags, many did not recognize her. Cosette was going away. With whom? She did not know. Whither? She knew not. All that she understood was that she was leaving the Thénardier tavern behind her. No one had thought of bidding her farewell, nor had she thought of taking leave of anyone. She was leaving that hated and hating house.

Poor, gentle creature, whose heart had been repressed up to that hour!

Cosette walked along gravely, with her large eyes wide open, and gazing at the sky. She had put her louis in the pocket of her new apron. From time to time, she bent down and glanced at it; then she looked at the good man. She felt something as though she were beside the good God.

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