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Les Misérables: III The Vicissitudes of Flight

Les Misérables
III The Vicissitudes of Flight
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

III The Vicissitudes of Flight

This is what had taken place that same night at the La Force:—

An escape had been planned between Babet, Brujon, Guelemer, and Thénardier, although Thénardier was in close confinement. Babet had arranged the matter for his own benefit, on the same day, as the reader has seen from Montparnasse’s account to Gavroche. Montparnasse was to help them from outside.

Brujon, after having passed a month in the punishment cell, had had time, in the first place, to weave a rope, in the second, to mature a plan. In former times, those severe places where the discipline of the prison delivers the convict into his own hands, were composed of four stone walls, a stone ceiling, a flagged pavement, a camp bed, a grated window, and a door lined with iron, and were called “dungeons;” but the dungeon was judged to be too terrible; nowadays they are composed of an iron door, a grated window, a camp bed, a flagged pavement, four stone walls, and a stone ceiling, and are called “chambers of punishment.” A little light penetrates towards midday. The inconvenient point about these chambers which, as the reader sees, are not dungeons, is that they allow the persons who should be at work to think.

So Brujon meditated, and he emerged from the chamber of punishment with a rope. As he had the name of being very dangerous in the Charlemagne courtyard, he was placed in the New Building. The first thing he found in the New Building was Guelemer, the second was a nail; Guelemer, that is to say, crime; a nail, that is to say, liberty. Brujon, of whom it is high time that the reader should have a complete idea, was, with an appearance of delicate health and a profoundly premeditated languor, a polished, intelligent sprig, and a thief, who had a caressing glance, and an atrocious smile. His glance resulted from his will, and his smile from his nature. His first studies in his art had been directed to roofs. He had made great progress in the industry of the men who tear off lead, who plunder the roofs and despoil the gutters by the process called “double pickings.”

The circumstance which put the finishing touch on the moment peculiarly favorable for an attempt at escape, was that the roofers were relaying and re-jointing, at that very moment, a portion of the slates on the prison. The Saint-Bernard courtyard was no longer absolutely isolated from the Charlemagne and the Saint-Louis courts. Up above there were scaffoldings and ladders; in other words, bridges and stairs in the direction of liberty.

The New Building, which was the most cracked and decrepit thing to be seen anywhere in the world, was the weak point in the prison. The walls were eaten by saltpetre to such an extent that the authorities had been obliged to line the vaults of the dormitories with a sheathing of wood, because stones were in the habit of becoming detached and falling on the prisoners in their beds. In spite of this antiquity, the authorities committed the error of confining in the New Building the most troublesome prisoners, of placing there “the hard cases,” as they say in prison parlance.

The New Building contained four dormitories, one above the other, and a top story which was called the Bel-Air (Fine-Air). A large chimney-flue, probably from some ancient kitchen of the Dukes de la Force, started from the ground floor, traversed all four stories, cut the dormitories, where it figured as a flattened pillar, into two portions, and finally pierced the roof.

Guelemer and Brujon were in the same dormitory. They had been placed, by way of precaution, on the lower story. Chance ordained that the heads of their beds should rest against the chimney.

Thénardier was directly over their heads in the top story known as Fine-Air. The pedestrian who halts on the Rue Culture-Sainte-Catherine, after passing the barracks of the firemen, in front of the porte-cochère of the bathing establishment, beholds a yard full of flowers and shrubs in wooden boxes, at the extremity of which spreads out a little white rotunda with two wings, brightened up with green shutters, the bucolic dream of Jean Jacques.

Not more than ten years ago, there rose above that rotunda an enormous black, hideous, bare wall by which it was backed up.

This was the outer wall of La Force.

This wall, beside that rotunda, was Milton viewed through Berquin.

Lofty as it was, this wall was overtopped by a still blacker roof, which could be seen beyond. This was the roof of the New Building. There one could descry four dormer-windows, guarded with bars; they were the windows of the Fine-Air.

A chimney pierced the roof; this was the chimney which traversed the dormitories.

The Bel-Air, that top story of the New Building, was a sort of large hall, with a Mansard roof, guarded with triple gratings and double doors of sheet iron, which were studded with enormous bolts. When one entered from the north end, one had on one’s left the four dormer-windows, on one’s right, facing the windows, at regular intervals, four square, tolerably vast cages, separated by narrow passages, built of masonry to about the height of the elbow, and the rest, up to the roof, of iron bars.

Thénardier had been in solitary confinement in one of these cages since the night of the 3rd of February. No one was ever able to discover how, and by what connivance, he succeeded in procuring, and secreting a bottle of wine, invented, so it is said, by Desrues, with which a narcotic is mixed, and which the band of the Endormeurs, or “Sleep-compellers,” rendered famous.

There are, in many prisons, treacherous employees, half-jailers, half-thieves, who assist in escapes, who sell to the police an unfaithful service, and who turn a penny whenever they can.

On that same night, then, when Little Gavroche picked up the two lost children, Brujon and Guelemer, who knew that Babet, who had escaped that morning, was waiting for them in the street as well as Montparnasse, rose softly, and with the nail which Brujon had found, began to pierce the chimney against which their beds stood. The rubbish fell on Brujon’s bed, so that they were not heard. Showers mingled with thunder shook the doors on their hinges, and created in the prison a terrible and opportune uproar. Those of the prisoners who woke, pretended to fall asleep again, and left Guelemer and Brujon to their own devices. Brujon was adroit; Guelemer was vigorous. Before any sound had reached the watcher, who was sleeping in the grated cell which opened into the dormitory, the wall had been pierced, the chimney scaled, the iron grating which barred the upper orifice of the flue forced, and the two redoubtable ruffians were on the roof. The wind and rain redoubled, the roof was slippery.

“What a good night to leg it!” said Brujon.

An abyss six feet broad and eighty feet deep separated them from the surrounding wall. At the bottom of this abyss, they could see the musket of a sentinel gleaming through the gloom. They fastened one end of the rope which Brujon had spun in his dungeon to the stumps of the iron bars which they had just wrenched off, flung the other over the outer wall, crossed the abyss at one bound, clung to the coping of the wall, got astride of it, let themselves slip, one after the other, along the rope, upon a little roof which touches the bathhouse, pulled their rope after them, jumped down into the courtyard of the bathhouse, traversed it, pushed open the porter’s wicket, beside which hung his rope, pulled this, opened the porte-cochère, and found themselves in the street.

Three-quarters of an hour had not elapsed since they had risen in bed in the dark, nail in hand, and their project in their heads.

A few moments later they had joined Babet and Montparnasse, who were prowling about the neighborhood.

They had broken their rope in pulling it after them, and a bit of it remained attached to the chimney on the roof. They had sustained no other damage, however, than that of scratching nearly all the skin off their hands.

That night, Thénardier was warned, without anyone being able to explain how, and was not asleep.

Towards one o’clock in the morning, the night being very dark, he saw two shadows pass along the roof, in the rain and squalls, in front of the dormer-window which was opposite his cage. One halted at the window, long enough to dart in a glance. This was Brujon.

Thénardier recognized him, and understood. This was enough.

Thénardier, rated as a burglar, and detained as a measure of precaution under the charge of organizing a nocturnal ambush, with armed force, was kept in sight. The sentry, who was relieved every two hours, marched up and down in front of his cage with loaded musket. The Fine-Air was lighted by a skylight. The prisoner had on his feet fetters weighing fifty pounds. Every day, at four o’clock in the afternoon, a jailer, escorted by two dogs—this was still in vogue at that time—entered his cage, deposited beside his bed a loaf of black bread weighing two pounds, a jug of water, a bowl filled with rather thin bouillon, in which swam a few Mayagan beans, inspected his irons and tapped the bars. This man and his dogs made two visits during the night.

Thénardier had obtained permission to keep a sort of iron bolt which he used to spike his bread into a crack in the wall, “in order to preserve it from the rats,” as he said. As Thénardier was kept in sight, no objection had been made to this spike. Still, it was remembered afterwards, that one of the jailers had said: “It would be better to let him have only a wooden spike.”

At two o’clock in the morning, the sentinel, who was an old soldier, was relieved, and replaced by a conscript. A few moments later, the man with the dogs paid his visit, and went off without noticing anything, except, possibly, the excessive youth and “the rustic air” of the “raw recruit.” Two hours afterwards, at four o’clock, when they came to relieve the conscript, he was found asleep on the floor, lying like a log near Thénardier’s cage. As for Thénardier, he was no longer there. There was a hole in the ceiling of his cage, and, above it, another hole in the roof. One of the planks of his bed had been wrenched off, and probably carried away with him, as it was not found. They also seized in his cell a half-empty bottle which contained the remains of the stupefying wine with which the soldier had been drugged. The soldier’s bayonet had disappeared.

At the moment when this discovery was made, it was assumed that Thénardier was out of reach. The truth is, that he was no longer in the New Building, but that he was still in great danger.

Thénardier, on reaching the roof of the New Building, had found the remains of Brujon’s rope hanging to the bars of the upper trap of the chimney, but, as this broken fragment was much too short, he had not been able to escape by the outer wall, as Brujon and Guelemer had done.

When one turns from the Rue des Ballets into the Rue du Roi-de-Sicile, one almost immediately encounters a repulsive ruin. There stood on that spot, in the last century, a house of which only the back wall now remains, a regular wall of masonry, which rises to the height of the third story between the adjoining buildings. This ruin can be recognized by two large square windows which are still to be seen there; the middle one, that nearest the right gable, is barred with a worm-eaten beam adjusted like a prop. Through these windows there was formerly visible a lofty and lugubrious wall, which was a fragment of the outer wall of La Force.

The empty space on the street left by the demolished house is half-filled by a fence of rotten boards, shored up by five stone posts. In this recess lies concealed a little shanty which leans against the portion of the ruin which has remained standing. The fence has a gate, which, a few years ago, was fastened only by a latch.

It was the crest of this ruin that Thénardier had succeeded in reaching, a little after one o’clock in the morning.

How had he got there? That is what no one has ever been able to explain or understand. The lightning must, at the same time, have hindered and helped him. Had he made use of the ladders and scaffoldings of the slaters to get from roof to roof, from enclosure to enclosure, from compartment to compartment, to the buildings of the Charlemagne court, then to the buildings of the Saint-Louis court, to the outer wall, and thence to the hut on the Rue du Roi-de-Sicile? But in that itinerary there existed breaks which seemed to render it an impossibility. Had he placed the plank from his bed like a bridge from the roof of the Fine-Air to the outer wall, and crawled flat, on his belly on the coping of the outer wall the whole distance round the prison as far as the hut? But the outer wall of La Force formed a crenellated and unequal line; it mounted and descended, it dropped at the firemen’s barracks, it rose towards the bathhouse, it was cut in twain by buildings, it was not even of the same height on the Hotel Lamoignon as on the Rue Pavée; everywhere occurred falls and right angles; and then, the sentinels must have espied the dark form of the fugitive; hence, the route taken by Thénardier still remains rather inexplicable. In two manners, flight was impossible. Had Thénardier, spurred on by that thirst for liberty which changes precipices into ditches, iron bars into wattles of osier, a legless man into an athlete, a gouty man into a bird, stupidity into instinct, instinct into intelligence, and intelligence into genius, had Thénardier invented a third mode? No one has ever found out.

The marvels of escape cannot always be accounted for. The man who makes his escape, we repeat, is inspired; there is something of the star and of the lightning in the mysterious gleam of flight; the effort towards deliverance is no less surprising than the flight towards the sublime, and one says of the escaped thief: “How did he contrive to scale that wall?” in the same way that one says of Corneille: “Where did he find the means of dying?”

At all events, dripping with perspiration, drenched with rain, with his clothes hanging in ribbons, his hands flayed, his elbows bleeding, his knees torn, Thénardier had reached what children, in their figurative language, call the edge of the wall of the ruin, there he had stretched himself out at full length, and there his strength had failed him. A steep escarpment three stories high separated him from the pavement of the street.

The rope which he had was too short.

There he waited, pale, exhausted, desperate with all the despair which he had undergone, still hidden by the night, but telling himself that the day was on the point of dawning, alarmed at the idea of hearing the neighboring clock of Saint-Paul strike four within a few minutes, an hour when the sentinel was relieved and when the latter would be found asleep under the pierced roof, staring in horror at a terrible depth, at the light of the street lanterns, the wet, black pavement, that pavement longed for yet frightful, which meant death, and which meant liberty.

He asked himself whether his three accomplices in flight had succeeded, if they had heard him, and if they would come to his assistance. He listened. With the exception of the patrol, no one had passed through the street since he had been there. Nearly the whole of the descent of the market-gardeners from Montreuil, from Charonne, from Vincennes, and from Bercy to the markets was accomplished through the Rue Saint-Antoine.

Four o’clock struck. Thénardier shuddered. A few moments later, that terrified and confused uproar which follows the discovery of an escape broke forth in the prison. The sound of doors opening and shutting, the creaking of gratings on their hinges, a tumult in the guardhouse, the hoarse shouts of the turnkeys, the shock of musket-butts on the pavement of the courts, reached his ears. Lights ascended and descended past the grated windows of the dormitories, a torch ran along the ridgepole of the top story of the New Building, the firemen belonging in the barracks on the right had been summoned. Their helmets, which the torch lighted up in the rain, went and came along the roofs. At the same time, Thénardier perceived in the direction of the Bastille a wan whiteness lighting up the edge of the sky in doleful wise.

He was on top of a wall ten inches wide, stretched out under the heavy rains, with two gulfs to right and left, unable to stir, subject to the giddiness of a possible fall, and to the horror of a certain arrest, and his thoughts, like the pendulum of a clock, swung from one of these ideas to the other: “Dead if I fall, caught if I stay.” In the midst of this anguish, he suddenly saw, the street being still dark, a man who was gliding along the walls and coming from the Rue Pavée, halt in the recess above which Thénardier was, as it were, suspended. Here this man was joined by a second, who walked with the same caution, then by a third, then by a fourth. When these men were reunited, one of them lifted the latch of the gate in the fence, and all four entered the enclosure in which the shanty stood. They halted directly under Thénardier. These men had evidently chosen this vacant space in order that they might consult without being seen by the passersby or by the sentinel who guards the wicket of La Force a few paces distant. It must be added, that the rain kept this sentinel blocked in his box. Thénardier, not being able to distinguish their visages, lent an ear to their words with the desperate attention of a wretch who feels himself lost.

Thénardier saw something resembling a gleam of hope flash before his eyes—these men conversed in slang.

The first said in a low but distinct voice:—

“Let’s cut. What are we up to here?”

The second replied: “It’s raining hard enough to put out the very devil’s fire. And the bobbies will be along instanter. There’s a soldier on guard yonder. We shall get nabbed here.”

These two words, icigo and icicaille, both of which mean ici, and which belong, the first to the slang of the barriers, the second to the slang of the Temple, were flashes of light for Thénardier. By the icigo he recognized Brujon, who was a prowler of the barriers, by the icicaille he knew Babet, who, among his other trades, had been an old-clothes broker at the Temple.

The antique slang of the great century is no longer spoken except in the Temple, and Babet was really the only person who spoke it in all its purity. Had it not been for the icicaille, Thénardier would not have recognized him, for he had entirely changed his voice.

In the meanwhile, the third man had intervened.

“There’s no hurry yet, let’s wait a bit. How do we know that he doesn’t stand in need of us?”

By this, which was nothing but French, Thénardier recognized Montparnasse, who made it a point in his elegance to understand all slangs and to speak none of them.

As for the fourth, he held his peace, but his huge shoulders betrayed him. Thénardier did not hesitate. It was Guelemer.

Brujon replied almost impetuously but still in a low tone:—

“What are you jabbering about? The tavern-keeper hasn’t managed to cut his stick. He don’t tumble to the racket, that he don’t! You have to be a pretty knowing cove to tear up your shirt, cut up your sheet to make a rope, punch holes in doors, get up false papers, make false keys, file your irons, hang out your cord, hide yourself, and disguise yourself! The old fellow hasn’t managed to play it, he doesn’t understand how to work the business.”

Babet added, still in that classical slang which was spoken by Poulailler and Cartouche, and which is to the bold, new, highly colored and risky argot used by Brujon what the language of Racine is to the language of André Chénier:—

“Your tavern-keeper must have been nabbed in the act. You have to be knowing. He’s only a greenhorn. He must have let himself be taken in by a bobby, perhaps even by a sheep who played it on him as his pal. Listen, Montparnasse, do you hear those shouts in the prison? You have seen all those lights. He’s recaptured, there! He’ll get off with twenty years. I ain’t afraid, I ain’t a coward, but there ain’t anything more to do, or otherwise they’d lead us a dance. Don’t get mad, come with us, let’s go drink a bottle of old wine together.”

“One doesn’t desert one’s friends in a scrape,” grumbled Montparnasse.

“I tell you he’s nabbed!” retorted Brujon. “At the present moment, the innkeeper ain’t worth a ha’penny. We can’t do nothing for him. Let’s be off. Every minute I think a bobby has got me in his fist.”

Montparnasse no longer offered more than a feeble resistance; the fact is, that these four men, with the fidelity of ruffians who never abandon each other, had prowled all night long about La Force, great as was their peril, in the hope of seeing Thénardier make his appearance on the top of some wall. But the night, which was really growing too fine—for the downpour was such as to render all the streets deserted—the cold which was overpowering them, their soaked garments, their hole-ridden shoes, the alarming noise which had just burst forth in the prison, the hours which had elapsed, the patrol which they had encountered, the hope which was vanishing, all urged them to beat a retreat. Montparnasse himself, who was, perhaps, almost Thénardier’s son-in-law, yielded. A moment more, and they would be gone. Thénardier was panting on his wall like the shipwrecked sufferers of the Méduse on their raft when they beheld the vessel which had appeared in sight vanish on the horizon.

He dared not call to them; a cry might be heard and ruin everything. An idea occurred to him, a last idea, a flash of inspiration; he drew from his pocket the end of Brujon’s rope, which he had detached from the chimney of the New Building, and flung it into the space enclosed by the fence.

This rope fell at their feet.

“A widow,”60 said Babet.

“My tortouse!”61 said Brujon.

“The tavern-keeper is there,” said Montparnasse.

They raised their eyes. Thénardier thrust out his head a very little.

“Quick!” said Montparnasse, “have you the other end of the rope, Brujon?”

“Yes.”

“Knot the two pieces together, we’ll fling him the rope, he can fasten it to the wall, and he’ll have enough of it to get down with.”

Thénardier ran the risk, and spoke:—

“I am paralyzed with cold.”

“We’ll warm you up.”

“I can’t budge.”

“Let yourself slide, we’ll catch you.”

“My hands are benumbed.”

“Only fasten the rope to the wall.”

“I can’t.”

“Then one of us must climb up,” said Montparnasse.

“Three stories!” ejaculated Brujon.

An ancient plaster flue, which had served for a stove that had been used in the shanty in former times, ran along the wall and mounted almost to the very spot where they could see Thénardier. This flue, then much damaged and full of cracks, has since fallen, but the marks of it are still visible.

It was very narrow.

“One might get up by the help of that,” said Montparnasse.

“By that flue?” exclaimed Babet, “a grownup cove, never! it would take a brat.”

“A brat must be got,” resumed Brujon.

“Where are we to find a young ’un?” said Guelemer.

“Wait,” said Montparnasse. “I’ve got the very article.”

He opened the gate of the fence very softly, made sure that no one was passing along the street, stepped out cautiously, shut the gate behind him, and set off at a run in the direction of the Bastille.

Seven or eight minutes elapsed, eight thousand centuries to Thénardier; Babet, Brujon, and Guelemer did not open their lips; at last the gate opened once more, and Montparnasse appeared, breathless, and followed by Gavroche. The rain still rendered the street completely deserted.

Little Gavroche entered the enclosure and gazed at the forms of these ruffians with a tranquil air. The water was dripping from his hair. Guelemer addressed him:—

“Are you a man, young ’un?”

Gavroche shrugged his shoulders, and replied:—

“A young ’un like me’s a man, and men like you are babes.”

“The brat’s tongue’s well hung!” exclaimed Babet.

“The Paris brat ain’t made of straw,” added Brujon.

“What do you want?” asked Gavroche.

Montparnasse answered:—

“Climb up that flue.”

“With this rope,” said Babet.

“And fasten it,” continued Brujon.

“To the top of the wall,” went on Babet.

“To the crossbar of the window,” added Brujon.

“And then?” said Gavroche.

“There!” said Guelemer.

The gamin examined the rope, the flue, the wall, the windows, and made that indescribable and disdainful noise with his lips which signifies:—

“Is that all!”

“There’s a man up there whom you are to save,” resumed Montparnasse.

“Will you?” began Brujon again.

“Greenhorn!” replied the lad, as though the question appeared a most unprecedented one to him.

And he took off his shoes.

Guelemer seized Gavroche by one arm, set him on the roof of the shanty, whose worm-eaten planks bent beneath the urchin’s weight, and handed him the rope which Brujon had knotted together during Montparnasse’s absence. The gamin directed his steps towards the flue, which it was easy to enter, thanks to a large crack which touched the roof. At the moment when he was on the point of ascending, Thénardier, who saw life and safety approaching, bent over the edge of the wall; the first light of dawn struck white upon his brow dripping with sweat, upon his livid cheekbones, his sharp and savage nose, his bristling gray beard, and Gavroche recognized him.

“Hullo! it’s my father! Oh, that won’t hinder.”

And taking the rope in his teeth, he resolutely began the ascent.

He reached the summit of the hut, bestrode the old wall as though it had been a horse, and knotted the rope firmly to the upper crossbar of the window.

A moment later, Thénardier was in the street.

As soon as he touched the pavement, as soon as he found himself out of danger, he was no longer either weary, or chilled or trembling; the terrible things from which he had escaped vanished like smoke, all that strange and ferocious mind awoke once more, and stood erect and free, ready to march onward.

These were this man’s first words:—

“Now, whom are we to eat?”

It is useless to explain the sense of this frightfully transparent remark, which signifies both to kill, to assassinate, and to plunder. “To eat,” true sense: “to devour.”

“Let’s get well into a corner,” said Brujon. “Let’s settle it in three words, and part at once. There was an affair that promised well in the Rue Plumet, a deserted street, an isolated house, an old rotten gate on a garden, and lone women.”

“Well! why not?” demanded Thénardier.

“Your girl, Éponine, went to see about the matter,” replied Babet.

“And she brought a biscuit to Magnon,” added Guelemer. “Nothing to be made there.”

“The girl’s no fool,” said Thénardier. “Still, it must be seen to.”

“Yes, yes,” said Brujon, “it must be looked up.”

In the meanwhile, none of the men seemed to see Gavroche, who, during this colloquy, had seated himself on one of the fence-posts; he waited a few moments, thinking that perhaps his father would turn towards him, then he put on his shoes again, and said:—

“Is that all? You don’t want any more, my men? Now you’re out of your scrape. I’m off. I must go and get my brats out of bed.”

And off he went.

The five men emerged, one after another, from the enclosure.

When Gavroche had disappeared at the corner of the Rue des Ballets, Babet took Thénardier aside.

“Did you take a good look at that young ’un?” he asked.

“What young ’un?”

“The one who climbed the wall and carried you the rope.”

“Not particularly.”

“Well, I don’t know, but it strikes me that it was your son.”

“Bah!” said Thénardier, “do you think so?”

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