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Les Misérables: XII The Grandfather

Les Misérables
XII The Grandfather
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table of contents
  1. Titlepage
  2. Imprint
  3. Preface
  4. Les Misérables
    1. Volume I: Fantine
      1. Book I: A Just Man
        1. I: M. Myriel
        2. II: M. Myriel Becomes M. Welcome
        3. III: A Hard Bishopric for a Good Bishop
        4. IV: Works Corresponding to Words
        5. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
        6. VI: Who Guarded His House for Him
        7. VII: Cravatte
        8. VIII: Philosophy After Drinking
        9. IX: The Brother as Depicted by the Sister
        10. X: The Bishop in the Presence of an Unknown Light
        11. XI: A Restriction
        12. XII: The Solitude of Monseigneur Welcome
        13. XIII: What He Believed
        14. XIV: What He Thought
      2. Book II: The Fall
        1. I: The Evening of a Day of Walking
        2. II: Prudence Counselled to Wisdom.
        3. III: The Heroism of Passive Obedience.
        4. IV: Details Concerning the Cheese-Dairies of Pontarlier.
        5. V: Tranquillity
        6. VI: Jean Valjean
        7. VII: The Interior of Despair
        8. VIII: Billows and Shadows
        9. IX: New Troubles
        10. X: The Man Aroused
        11. XI: What He Does
        12. XII: The Bishop Works
        13. XIII: Little Gervais
      3. Book III: In the Year 1817
        1. I: The Year 1817
        2. II: A Double Quartette
        3. III: Four and Four
        4. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
        5. V: At Bombarda’s
        6. VI: A Chapter in Which They Adore Each Other
        7. VII: The Wisdom of Tholomyès
        8. VIII: The Death of a Horse
        9. IX: A Merry End to Mirth
      4. Book IV: To Confide Is Sometimes to Deliver Into a Person’s Power
        1. I: One Mother Meets Another Mother
        2. II: First Sketch of Two Unprepossessing Figures
        3. III: The Lark
      5. Book V: The Descent
        1. I: The History of a Progress in Black Glass Trinkets
        2. II: Madeleine
        3. III: Sums Deposited with Laffitte
        4. IV: M. Madeleine in Mourning
        5. V: Vague Flashes on the Horizon
        6. VI: Father Fauchelevent
        7. VII: Fauchelevent Becomes a Gardener in Paris
        8. VIII: Madame Victurnien Expends Thirty Francs on Morality
        9. IX: Madame Victurnien’s Success
        10. X: Result of the Success
        11. XI: Christus Nos Liberavit
        12. XII: M. Bamatabois’s Inactivity
        13. XIII: The Solution of Some Questions Connected with the Municipal Police
      6. Book VI: Javert
        1. I: The Beginning of Repose
        2. II: How Jean May Become Champ
      7. Book VII: The Champmathieu Affair
        1. I: Sister Simplice
        2. II: The Perspicacity of Master Scaufflaire
        3. III: A Tempest in a Skull
        4. IV: Forms Assumed by Suffering During Sleep
        5. V: Hindrances
        6. VI: Sister Simplice Put to the Proof
        7. VII: The Traveller on His Arrival Takes Precautions for Departure
        8. VIII: An Entrance by Favor
        9. IX: A Place Where Convictions Are in Process of Formation
        10. X: The System of Denials
        11. XI: Champmathieu More and More Astonished
      8. Book VIII: A Counterblow
        1. I: In What Mirror M. Madeleine Contemplates His Hair
        2. II: Fantine Happy
        3. III: Javert Satisfied
        4. IV: Authority Reasserts Its Rights
        5. V: A Suitable Tomb
    2. Volume II: Cosette
      1. Book I: Waterloo
        1. I: What Is Met with on the Way from Nivelles
        2. II: Hougomont
        3. III: The Eighteenth of June, 1815
        4. IV: A
        5. V: The Quid Obscurum of Battles
        6. VI: Four O’Clock in the Afternoon
        7. VII: Napoleon in a Good Humor
        8. VIII: The Emperor Puts a Question to the Guide Lacoste
        9. IX: The Unexpected
        10. X: The Plateau of Mont-Saint-Jean
        11. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
        12. XII: The Guard
        13. XIII: The Catastrophe
        14. XIV: The Last Square
        15. XV: Cambronne
        16. XVI: Quot Libras in Duce?
        17. XVII: Is Waterloo to Be Considered Good?
        18. XVIII: A Recrudescence of Divine Right
        19. XIX: The Battlefield at Night
      2. Book II: The Ship Orion
        1. I: Number 24,601 Becomes Number 9,430
        2. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
        3. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
      3. Book III: Accomplishment of the Promise Made to the Dead Woman
        1. I: The Water Question at Montfermeil
        2. II: Two Complete Portraits
        3. III: Men Must Have Wine, and Horses Must Have Water
        4. IV: Entrance on the Scene of a Doll
        5. V: The Little One All Alone
        6. VI: Which Possibly Proves Boulatruelle’s Intelligence
        7. VII: Cosette Side by Side with the Stranger in the Dark
        8. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
        9. IX: Thénardier and His Manouvres
        10. X: He Who Seeks to Better Himself May Render His Situation Worse
        11. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
      4. Book IV: The Gorbeau Hovel
        1. I: Master Gorbeau
        2. II: A Nest for Owl and a Warbler
        3. III: Two Misfortunes Make One Piece of Good Fortune
        4. IV: The Remarks of the Principal Tenant
        5. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
      5. Book V: For a Black Hunt, a Mute Pack
        1. I: The Zigzags of Strategy
        2. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
        3. III: To Wit, the Plan of Paris in 1727
        4. IV: The Gropings of Flight
        5. V: Which Would Be Impossible with Gas Lanterns
        6. VI: The Beginning of an Enigma
        7. VII: Continuation of the Enigma
        8. VIII: The Enigma Becomes Doubly Mysterious
        9. IX: The Man with the Bell
        10. X: Which Explains How Javert Got on the Scent
      6. Book VI: Le Petit-Picpus
        1. I: Number 62 Rue Petit-Picpus
        2. II: The Obedience of Martin Verga
        3. III: Austerities
        4. IV: Gayeties
        5. V: Distractions
        6. VI: The Little Convent
        7. VII: Some Silhouettes of This Darkness
        8. VIII: Post Corda Lapides
        9. IX: A Century Under a Guimpe
        10. X: Origin of the Perpetual Adoration
        11. XI: End of the Petit-Picpus
      7. Book VII: Parenthesis
        1. I: The Convent as an Abstract Idea
        2. II: The Convent as an Historical Fact
        3. III: On What Conditions One Can Respect the Past
        4. IV: The Convent from the Point of View of Principles
        5. V: Prayer
        6. VI: The Absolute Goodness of Prayer
        7. VII: Precautions to Be Observed in Blame
        8. VIII: Faith, Law
      8. Book VIII: Cemeteries Take That Which Is Committed Them
        1. I: Which Treats of the Manner of Entering a Convent
        2. II: Fauchelevent in the Presence of a Difficulty
        3. III: Mother Innocente
        4. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
        5. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
        6. VI: Between Four Planks
        7. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
        8. VIII: A Successful Interrogatory
        9. IX: Cloistered
    3. Volume III: Marius
      1. Book I: Paris Studied in Its Atom
        1. I: Parvulus
        2. II: Some of His Particular Characteristics
        3. III: He Is Agreeable
        4. IV: He May Be of Use
        5. V: His Frontiers
        6. VI: A Bit of History
        7. VII: The Gamin Should Have His Place in the Classifications of India
        8. VIII: In Which the Reader Will Find a Charming Saying of the Last King
        9. IX: The Old Soul of Gaul
        10. X: Ecce Paris, Ecce Homo
        11. XI: To Scoff, to Reign
        12. XII: The Future Latent in the People
        13. XIII: Little Gavroche
      2. Book II: The Great Bourgeois
        1. I: Ninety Years and Thirty-Two Teeth
        2. II: Like Master, Like House
        3. III: Luc-Esprit
        4. IV: A Centenarian Aspirant
        5. V: Basque and Nicolette
        6. VI: In Which Magnon and Her Two Children Are Seen
        7. VII: Rule: Receive No One Except in the Evening
        8. VIII: Two Do Not Make a Pair
      3. Book III: The Grandfather and the Grandson
        1. I: An Ancient Salon
        2. II: One of the Red Spectres of That Epoch
        3. III: Requiescant
        4. IV: End of the Brigand
        5. V: The Utility of Going to Mass, in Order to Become a Revolutionist
        6. VI: The Consequences of Having Met a Warden
        7. VII: Some Petticoat
        8. VIII: Marble Against Granite
      4. Book IV: The Friends of the ABC
        1. I: A Group Which Barely Missed Becoming Historic
        2. II: Blondeau’s Funeral Oration by Bossuet
        3. III: Marius’ Astonishments
        4. IV: The Back Room of the Café Musain
        5. V: Enlargement of Horizon
        6. VI: Res Angusta
      5. Book V: The Excellence of Misfortune
        1. I: Marius Indigent
        2. II: Marius Poor
        3. III: Marius Grown Up
        4. IV: M. Mabeuf
        5. V: Poverty a Good Neighbor for Misery
        6. VI: The Substitute
      6. Book VI: The Conjunction of Two Stars
        1. I: The Sobriquet: Mode of Formation of Family Names
        2. II: Lux Facta Est
        3. III: Effect of the Spring
        4. IV: Beginning of a Great Malady
        5. V: Divers Claps of Thunder Fall on Ma’Am Bougon
        6. VI: Taken Prisoner
        7. VII: Adventures of the Letter U Delivered Over to Conjectures
        8. VIII: The Veterans Themselves Can Be Happy
        9. IX: Eclipse
      7. Book VII: Patron Minette
        1. I: Mines and Miners
        2. II: The Lowest Depths
        3. III: Babet, Gueulemer, Claquesous, and Montparnasse
        4. IV: Composition of the Troupe
      8. Book VIII: The Wicked Poor Man
        1. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
        2. II: Treasure Trove
        3. III: Quadrifrons
        4. IV: A Rose in Misery
        5. V: A Providential Peephole
        6. VI: The Wild Man in His Lair
        7. VII: Strategy and Tactics
        8. VIII: The Ray of Light in the Hovel
        9. IX: Jondrette Comes Near Weeping
        10. X: Tariff of Licensed Cabs: Two Francs an Hour
        11. XI: Offers of Service from Misery to Wretchedness
        12. XII: The Use Made of M. Leblanc’s Five-Franc Piece
        13. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
        14. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
        15. XV: Jondrette Makes His Purchases
        16. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
        17. XVII: The Use Made of Marius’ Five-Franc Piece
        18. XVIII: Marius’ Two Chairs Form a Vis-A-Vis
        19. XIX: Occupying One’s Self with Obscure Depths
        20. XX: The Trap
        21. XXI: One Should Always Begin by Arresting the Victims
        22. XXII: The Little One Who Was Crying in Volume Two
    4. Volume IV: The Idyl in the Rue Plumet and the Epic in the Rue Saint-Denis
      1. Book I: A Few Pages of History
        1. I: Well Cut
        2. II: Badly Sewed
        3. III: Louis Philippe
        4. IV: Cracks Beneath the Foundation
        5. V: Facts Whence History Springs and Which History Ignores
        6. VI: Enjolras and His Lieutenants
      2. Book II: Éponine
        1. I: The Lark’s Meadow
        2. II: Embryonic Formation of Crimes in the Incubation of Prisons
        3. III: Apparition to Father Mabeuf
        4. IV: An Apparition to Marius
      3. Book III: The House in the Rue Plumet
        1. I: The House with a Secret
        2. II: Jean Valjean as a National Guard
        3. III: Foliis Ac Frondibus
        4. IV: Change of Gate
        5. V: The Rose Perceives That It Is an Engine of War
        6. VI: The Battle Begun
        7. VII: To One Sadness Oppose a Sadness and a Half
        8. VIII: The Chain-Gang
      4. Book IV: Succor from Below May Turn Out to Be Succor from on High
        1. I: A Wound Without, Healing Within
        2. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
      5. Book V: The End of Which Does Not Resemble the Beginning
        1. I: Solitude and the Barracks Combined
        2. II: Cosette’s Apprehensions
        3. III: Enriched with Commentaries by Toussaint
        4. IV: A Heart Beneath a Stone
        5. V: Cosette After the Letter
        6. VI: Old People Are Made to Go Out Opportunely
      6. Book VI: Little Gavroche
        1. I: The Malicious Playfulness of the Wind
        2. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
        3. III: The Vicissitudes of Flight
      7. Book VII: Slang
        1. I: Origin
        2. II: Roots
        3. III: Slang Which Weeps and Slang Which Laughs
        4. IV: The Two Duties: To Watch and to Hope
      8. Book VIII: Enchantments and Desolations
        1. I: Full Light
        2. II: The Bewilderment of Perfect Happiness
        3. III: The Beginning of Shadow
        4. IV: A Cab Runs in English and Barks in Slang
        5. V: Things of the Night
        6. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
        7. VII: The Old Heart and the Young Heart in the Presence of Each Other
      9. Book IX: Whither Are They Going?
        1. I: Jean Valjean
        2. II: Marius
        3. III: M. Mabeuf
      10. Book X: The 5th of June, 1832
        1. I: The Surface of the Question
        2. II: The Root of the Matter
        3. III: A Burial; An Occasion to Be Born Again
        4. IV: The Ebullitions of Former Days
        5. V: Originality of Paris
      11. Book XI: The Atom Fraternizes with the Hurricane
        1. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry.
        2. II: Gavroche on the March
        3. III: Just Indignation of a Hairdresser
        4. IV: The Child Is Amazed at the Old Man
        5. V: The Old Man
        6. VI: Recruits
      12. Book XII: Corinthe
        1. I: History of Corinthe from Its Foundation
        2. II: Preliminary Gayeties
        3. III: Night Begins to Descend Upon Grantaire
        4. IV: An Attempt to Console the Widow Hucheloup
        5. V: Preparations
        6. VI: Waiting
        7. VII: The Man Recruited in the Rue Des Billettes
        8. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
      13. Book XIII: Marius Enters the Shadow
        1. I: From the Rue Plumet to the Quartier Saint-Denis
        2. II: An Owl’s View of Paris
        3. III: The Extreme Edge
      14. Book XIV: The Grandeurs of Despair
        1. I: The Flag: Act First
        2. II: The Flag: Act Second
        3. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
        4. IV: The Barrel of Powder
        5. V: End of the Verses of Jean Prouvaire
        6. VI: The Agony of Death After the Agony of Life
        7. VII: Gavroche as a Profound Calculator of Distances
      15. Book XV: The Rue de L’Homme Armé
        1. I: A Drinker Is a Babbler
        2. II: The Street Urchin an Enemy of Light
        3. III: While Cosette and Toussaint Are Asleep
        4. IV: Gavroche’s Excess of Zeal
    5. Volume V: Jean Valjean
      1. Book I: The War Between Four Walls
        1. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
        2. II: What Is to Be Done in the Abyss if One Does Not Converse
        3. III: Light and Shadow
        4. IV: Minus Five, Plus One
        5. V: The Horizon Which One Beholds from the Summit of a Barricade
        6. VI: Marius Haggard, Javert Laconic
        7. VII: The Situation Becomes Aggravated
        8. VIII: The Artillerymen Compel People to Take Them Seriously
        9. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
        10. X: Dawn
        11. XI: The Shot Which Misses Nothing and Kills No One
        12. XII: Disorder a Partisan of Order
        13. XIII: Passing Gleams
        14. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
        15. XV: Gavroche Outside
        16. XVI: How from a Brother One Becomes a Father
        17. XVII: Mortuus Pater Filium Moriturum Expectat
        18. XVIII: The Vulture Become Prey
        19. XIX: Jean Valjean Takes His Revenge
        20. XX: The Dead Are in the Right and the Living Are Not in the Wrong
        21. XXI: The Heroes
        22. XXII: Foot to Foot
        23. XXIII: Orestes Fasting and Pylades Drunk
        24. XXIV: Prisoner
      2. Book II: The Intestine of the Leviathan
        1. I: The Land Impoverished by the Sea
        2. II: Ancient History of the Sewer
        3. III: Bruneseau
        4. IV
        5. V: Present Progress
        6. VI: Future Progress
      3. Book III: Mud but the Soul
        1. I: The Sewer and Its Surprises
        2. II: Explanation
        3. III: The “Spun” Man
        4. IV: He Also Bears His Cross
        5. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
        6. VI: The Fontis
        7. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
        8. VIII: The Torn Coattail
        9. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
        10. X: Return of the Son Who Was Prodigal of His Life
        11. XI: Concussion in the Absolute
        12. XII: The Grandfather
      4. Book IV: Javert Derailed
        1. I
      5. Book V: Grandson and Grandfather
        1. I: In Which the Tree with the Zinc Plaster Appears Again
        2. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
        3. III: Marius Attacked
        4. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
        5. V: Deposit Your Money in a Forest Rather Than with a Notary
        6. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
        7. VII: The Effects of Dreams Mingled with Happiness
        8. VIII: Two Men Impossible to Find
      6. Book VI: The Sleepless Night
        1. I: The 16th of February, 1833
        2. II: Jean Valjean Still Wears His Arm in a Sling
        3. III: The Inseparable
        4. IV: The Immortal Liver
      7. Book VII: The Last Draught from the Cup
        1. I: The Seventh Circle and the Eighth Heaven
        2. II: The Obscurities Which a Revelation Can Contain
      8. Book VIII: Fading Away of the Twilight
        1. I: The Lower Chamber
        2. II: Another Step Backwards
        3. III: They Recall the Garden of the Rue Plumet
        4. IV: Attraction and Extinction
      9. Book IX: Supreme Shadow, Supreme Dawn
        1. I: Pity for the Unhappy, but Indulgence for the Happy
        2. II: Last Flickerings of a Lamp Without Oil
        3. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
        4. IV: A Bottle of Ink Which Only Succeeded in Whitening
        5. V: A Night Behind Which There Is Day
        6. VI: The Grass Covers and the Rain Effaces
  5. Endnotes
  6. List of Illustrations
  7. Colophon
  8. Uncopyright

XII The Grandfather

Basque and the porter had carried Marius into the drawing-room, as he still lay stretched out, motionless, on the sofa upon which he had been placed on his arrival. The doctor who had been sent for had hastened thither. Aunt Gillenormand had risen.

Aunt Gillenormand went and came, in affright, wringing her hands and incapable of doing anything but saying: “Heavens! is it possible?” At times she added: “Everything will be covered with blood.” When her first horror had passed off, a certain philosophy of the situation penetrated her mind, and took form in the exclamation: “It was bound to end in this way!” She did not go so far as: “I told you so!” which is customary on this sort of occasion. At the physician’s orders, a camp bed had been prepared beside the sofa. The doctor examined Marius, and after having found that his pulse was still beating, that the wounded man had no very deep wound on his breast, and that the blood on the corners of his lips proceeded from his nostrils, he had him placed flat on the bed, without a pillow, with his head on the same level as his body, and even a trifle lower, and with his bust bare in order to facilitate respiration. Mademoiselle Gillenormand, on perceiving that they were undressing Marius, withdrew. She set herself to telling her beads in her own chamber.

The trunk had not suffered any internal injury; a bullet, deadened by the pocketbook, had turned aside and made the tour of his ribs with a hideous laceration, which was of no great depth, and consequently, not dangerous. The long, underground journey had completed the dislocation of the broken collarbone, and the disorder there was serious. The arms had been slashed with sabre cuts. Not a single scar disfigured his face; but his head was fairly covered with cuts; what would be the result of these wounds on the head? Would they stop short at the hairy cuticle, or would they attack the brain? As yet, this could not be decided. A grave symptom was that they had caused a swoon, and that people do not always recover from such swoons. Moreover, the wounded man had been exhausted by hemorrhage. From the waist down, the barricade had protected the lower part of the body from injury.

Basque and Nicolette tore up linen and prepared bandages; Nicolette sewed them, Basque rolled them. As lint was lacking, the doctor, for the time being, arrested the bleeding with layers of wadding. Beside the bed, three candles burned on a table where the case of surgical instruments lay spread out. The doctor bathed Marius’ face and hair with cold water. A full pail was reddened in an instant. The porter, candle in hand, lighted them.

The doctor seemed to be pondering sadly. From time to time, he made a negative sign with his head, as though replying to some question which he had inwardly addressed to himself.

A bad sign for the sick man are these mysterious dialogues of the doctor with himself.

At the moment when the doctor was wiping Marius’ face, and lightly touching his still closed eyes with his finger, a door opened at the end of the drawing-room, and a long, pallid figure made its appearance.

This was the grandfather.

The revolt had, for the past two days, deeply agitated, enraged and engrossed the mind of M. Gillenormand. He had not been able to sleep on the previous night, and he had been in a fever all day long. In the evening, he had gone to bed very early, recommending that everything in the house should be well barred, and he had fallen into a doze through sheer fatigue.

Old men sleep lightly; M. Gillenormand’s chamber adjoined the drawing-room, and in spite of all the precautions that had been taken, the noise had awakened him. Surprised at the rift of light which he saw under his door, he had risen from his bed, and had groped his way thither.

He stood astonished on the threshold, one hand on the handle of the half-open door, with his head bent a little forward and quivering, his body wrapped in a white dressing-gown, which was straight and as destitute of folds as a winding-sheet; and he had the air of a phantom who is gazing into a tomb.

He saw the bed, and on the mattress that young man, bleeding, white with a waxen whiteness, with closed eyes and gaping mouth, and pallid lips, stripped to the waist, slashed all over with crimson wounds, motionless and brilliantly lighted up.

The grandfather trembled from head to foot as powerfully as ossified limbs can tremble, his eyes, whose corneae were yellow on account of his great age, were veiled in a sort of vitreous glitter, his whole face assumed in an instant the earthy angles of a skull, his arms fell pendent, as though a spring had broken, and his amazement was betrayed by the outspreading of the fingers of his two aged hands, which quivered all over, his knees formed an angle in front, allowing, through the opening in his dressing-gown, a view of his poor bare legs, all bristling with white hairs, and he murmured:

“Marius!”

“Sir,” said Basque, “Monsieur has just been brought back. He went to the barricade, and. …”

“He is dead!” cried the old man in a terrible voice. “Ah! The rascal!”

Then a sort of sepulchral transformation straightened up this centenarian as erect as a young man.

“Sir,” said he, “you are the doctor. Begin by telling me one thing. He is dead, is he not?”

The doctor, who was at the highest pitch of anxiety, remained silent.

M. Gillenormand wrung his hands with an outburst of terrible laughter.

“He is dead! He is dead! He is dead! He has got himself killed on the barricades! Out of hatred to me! He did that to spite me! Ah! You blood-drinker! This is the way he returns to me! Misery of my life, he is dead!”

He went to the window, threw it wide open as though he were stifling, and, erect before the darkness, he began to talk into the street, to the night:

“Pierced, sabred, exterminated, slashed, hacked in pieces! Just look at that, the villain! He knew well that I was waiting for him, and that I had had his room arranged, and that I had placed at the head of my bed his portrait taken when he was a little child! He knew well that he had only to come back, and that I had been recalling him for years, and that I remained by my fireside, with my hands on my knees, not knowing what to do, and that I was mad over it! You knew well, that you had but to return and to say: ‘It is I,’ and you would have been the master of the house, and that I should have obeyed you, and that you could have done whatever you pleased with your old numskull of a grandfather! you knew that well, and you said:

“No, he is a Royalist, I will not go! And you went to the barricades, and you got yourself killed out of malice! To revenge yourself for what I said to you about Monsieur le Duc de Berry. It is infamous! Go to bed then and sleep tranquilly! he is dead, and this is my awakening.”

The doctor, who was beginning to be uneasy in both quarters, quitted Marius for a moment, went to M. Gillenormand, and took his arm. The grandfather turned round, gazed at him with eyes which seemed exaggerated in size and bloodshot, and said to him calmly:

“I thank you, sir. I am composed, I am a man, I witnessed the death of Louis XVI, I know how to bear events. One thing is terrible and that is to think that it is your newspapers which do all the mischief. You will have scribblers, chatterers, lawyers, orators, tribunes, discussions, progress, enlightenment, the rights of man, the liberty of the press, and this is the way that your children will be brought home to you. Ah! Marius! It is abominable! Killed! Dead before me! A barricade! Ah, the scamp! Doctor, you live in this quarter, I believe? Oh! I know you well. I see your cabriolet pass my window. I am going to tell you. You are wrong to think that I am angry. One does not fly into a rage against a dead man. That would be stupid. This is a child whom I have reared. I was already old while he was very young. He played in the Tuileries garden with his little shovel and his little chair, and in order that the inspectors might not grumble, I stopped up the holes that he made in the earth with his shovel, with my cane. One day he exclaimed: Down with Louis XVIII! and off he went. It was no fault of mine. He was all rosy and blond. His mother is dead. Have you ever noticed that all little children are blond? Why is it so? He is the son of one of those brigands of the Loire, but children are innocent of their fathers’ crimes. I remember when he was no higher than that. He could not manage to pronounce his Ds. He had a way of talking that was so sweet and indistinct that you would have thought it was a bird chirping. I remember that once, in front of the Hercules Farnese, people formed a circle to admire him and marvel at him, he was so handsome, was that child! He had a head such as you see in pictures. I talked in a deep voice, and I frightened him with my cane, but he knew very well that it was only to make him laugh. In the morning, when he entered my room, I grumbled, but he was like the sunlight to me, all the same. One cannot defend oneself against those brats. They take hold of you, they hold you fast, they never let you go again. The truth is, that there never was a cupid like that child. Now, what can you say for your Lafayettes, your Benjamin Constants, and your Tirecuir de Corcelles who have killed him? This cannot be allowed to pass in this fashion.”

He approached Marius, who still lay livid and motionless, and to whom the physician had returned, and began once more to wring his hands. The old man’s pallid lips moved as though mechanically, and permitted the passage of words that were barely audible, like breaths in the death agony:

“Ah! heartless lad! Ah! clubbist! Ah! wretch! Ah! Septembrist!”

Reproaches in the low voice of an agonizing man, addressed to a corpse.

Little by little, as it is always indispensable that internal eruptions should come to the light, the sequence of words returned, but the grandfather appeared no longer to have the strength to utter them, his voice was so weak, and extinct, that it seemed to come from the other side of an abyss:

“It is all the same to me, I am going to die too, that I am. And to think that there is not a hussy in Paris who would not have been delighted to make this wretch happy! A scamp who, instead of amusing himself and enjoying life, went off to fight and get himself shot down like a brute! And for whom? Why? For the Republic! Instead of going to dance at the Chaumière, as it is the duty of young folks to do! What’s the use of being twenty years old? The Republic, a cursed pretty folly! Poor mothers, beget fine boys, do! Come, he is dead. That will make two funerals under the same carriage gate. So you have got yourself arranged like this for the sake of General Lamarque’s handsome eyes! What had that General Lamarque done to you? A slasher! A chatterbox! To get oneself killed for a dead man! If that isn’t enough to drive anyone mad! Just think of it! At twenty! And without so much as turning his head to see whether he was not leaving something behind him! That’s the way poor, good old fellows are forced to die alone, nowadays. Perish in your corner, owl! Well, after all, so much the better, that is what I was hoping for, this will kill me on the spot. I am too old, I am a hundred years old, I am a hundred thousand years old, I ought, by rights, to have been dead long ago. This blow puts an end to it. So all is over, what happiness! What is the good of making him inhale ammonia and all that parcel of drugs? You are wasting your trouble, you fool of a doctor! Come, he’s dead, completely dead. I know all about it, I am dead myself too. He hasn’t done things by half. Yes, this age is infamous, infamous and that’s what I think of you, of your ideas, of your systems, of your masters, of your oracles, of your doctors, of your scapegraces of writers, of your rascally philosophers, and of all the revolutions which, for the last sixty years, have been frightening the flocks of crows in the Tuileries! But you were pitiless in getting yourself killed like this, I shall not even grieve over your death, do you understand, you assassin?”

At that moment, Marius slowly opened his eyes, and his glance, still dimmed by lethargic wonder, rested on M. Gillenormand.

“Marius!” cried the old man. “Marius! My little Marius! My child! My well-beloved son! You open your eyes, you gaze upon me, you are alive, thanks!”

And he fell fainting.

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